这是一部具有纪念碑意义的作品，在电影史上首次聚焦江户时代绚烂豪华的朝鲜通信使的历史意义及其华美的文化交流事实。影片除运用辛基秀自费收集的朝鲜通信使资料外，还动员了全国散落的绘卷、屏风画等，描绘了日朝和平友好的历史。该片获每日电影竞赛第2名、《电影旬报》十佳第4名，获日本电影笔俱乐部推荐，被文部省选定。导演是曾执导《梅戴审判》《伊尔姆・本名 朴秋子的本名宣言》的泷泽林三。

在江户颇有名气的花街——深川冬木町，泥瓦匠卯之吉惨遭杀害。年轻的与力花房律之助马上展开调查，获悉卯之吉的青梅竹马阿绢已向番屋自首，便迅速赶去。但年轻漂亮的阿绢，怎么看都不像是杀人凶手。随着调查的推进，花房发现阿绢的自首供词和从町民那里收集来的证词存在矛盾。此剧虽是短篇，却凭借推理来架构剧情，逐步吸引观众，称得上是佳作。

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为了建立钓钟堂，在浅草观音境内进行劝进的法界坊，不仅劝进工作进展不顺，手头资金也出现短缺，于是和大道商人、艺人一起成了本所的哈基达梅长屋的住户。在那里，法界坊和长屋中被称为“长屋之花”的歌仙茶屋看板娘阿菊关系变得火热，住在长屋的日子也十分惬意。有一天，长屋住户轿夫权三与助十把札差永乐屋的独生女阿久美抬上了轿子。法界坊从番头异常的样子察觉到了他们的企图，便救下阿久美并将其藏进长屋。另一方面，札差永乐屋的老板，人称“老乌龟”的松右卫门，正盘算着把阿久美嫁给借住在此的阔少爷要之助。要之助的手下青山喜平治得知此事后，打算利用松右卫门和要之助，谋取一幅记录着百万两藏匿地点的鲤鱼图轴。而知晓这幅画轴下落的只有阿菊的父亲多兵卫，可多兵卫却已被人杀害。阿菊的哥哥在江户市内颇有人气……

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暂无英文版的简介，请添加内容帮助我们完善数据库。

Produced by the Joseon Governor General Office, this propaganda film was made to boost the "General Mobilization of National Spirit", a government-inspired campaign designed to integrate Japan and Joseon as well as mobilize Joseon men and women to war. Some of the images include the hoisting of Japan's national flag; people paying allegiance to the flag at Shinto shrine; and a special ceremony thrown for exceptionally patriotic citizens

Released immediately following Japan's victory in the Sino-Japanese War, this war propaganda film depicts the social atmosphere of Joseon during the turbulent times. Offering a rare glimpse into the inner workings of the Joseon Governor General Office and the diffusion of Japanese language in Joseon, the film provides fascinating images such as Joseon women in kimonos cheering for the Imperial Japanese army, a troop train full of gleeful volunteers departing for war, hard-working Joseon women helping out in the production of ammunition, and war fund-raising events and campaigns.