这支小CG动画来自Eaza Shukla导演，发布于TheCGBros平台。讲述了一个可爱的圆形“蛋蛋”，充满对这个世界的好奇而来到了货架上，它静静地等待被善良的主人领走。可是日复一日，他身边的小伙伴都一个个找到了自己的主人，唯独它还依然待在货架上。它的心情有点惆怅，这时，一只手向它伸了过来，它开心地咧嘴笑了。他被装进盒子里，送给了下一任主人，可是盒子刚打开，又盖上了。就这样如此循环往复，终于还是没有人要它。于是，它做出了一个大胆的决定。 看到这个“蛋蛋”的一生，你是否也感同身受呢？我们在一些场合里，可能也因外表而不被人喜欢，纵使你有一颗华丽而璀璨的内心，可外人无从知晓。他已经否定了你，便不会再去了解你的内心。但我们和它不同的是，我们有能力自己改变，我们有可能让自己变得更好。所以，请抛开你所有极端的想法，如果你不完美，那就让自己改变吧！

别人眼里的破铜烂铁，到了沈大勇手里却可能藏着一段往事、一笔财富。人到中年的他靠收废品谋生，被邻里嘲笑“没出息”，可他偏偏不按斤卖，非要论件看。一把生锈扳手牵出老厂秘密，一台尘封铸字机唤醒几代人的记忆，一本越写越厚的规矩本，更让他的破烂摊暗藏玄机。面对质疑、诱惑和接连上门的旧物委托，沈大勇靠“多看两眼、多问一句”的笨办法，竟一步步把废品站做成旧物文化园。旧物能翻身，人心能不能？他的暴富路，才刚刚开始。

沈清清被沈家当货物一样送给陈总谋取利益，但没想到阴差阳错和桐城首富乔瑾年一夜情。之后沈清清怀孕生下女儿沈苏苏，沈清清怀孕时难产落下病根，再加上因为被沈家的人针对霸凌等命悬一线，陷入半昏迷的状态。沈清清的女儿沈苏苏为了治母亲的病到处想办法，求人，最后拿着乔瑾年的信物到了医院，遇到了亲生父亲乔瑾年。

陈远拿着家里最后8万，买下了一座荒废多年的旧电子厂。岳母骂他败家，妻子失望落泪，所有人都等着看他赔光。可没人知道，这座破厂里藏着一批被封存的旧资料，也藏着重回恒远供应链的机会。

丈夫外出出差两月，定位动态始终显示在外地，一切看似正常平稳。可五岁女儿却屡次告知女主，爸爸一直藏在家中衣柜，夜里会悄悄出来活动，还和自己定下保密约定。孩童清晰具体的描述不合常理，让女主心生疑虑。她逐渐察觉家中暗藏异常，开始冷静求证，一步步探寻丈夫刻意隐瞒、反常居家的隐秘真相。

在一个由女人主宰的世界里苏醒后，一名无耻的大男子主义者因与一名有权势的女作家发生争执而自食苦果。

镇国公千金宋如嫣以贤良淑德闻名京城，一道圣旨将她赐婚给国舅沈从元，宋家对沈从元独宠妾室林霜儿尤为不满，不愿宋如嫣入火坑，宋如嫣心中另有打算，毅然接旨。成婚后，宋如嫣扮演好贤妻的角色，妾室气焰再嚣张又如何，那至高无上的位置，才是她最终的目标。

讲述了当今物欲横流，追名逐利的社会，如何面对诱惑尊重生命，选择正确的人生道路，以此引发我们对生命、爱情的思考和定位，让我们深刻的理解人生价值，平凡但极具教育意义。

影片故事来自米兰-昆德拉的短篇小说，由Pavel Jurácek和导演Hynek Bocan共同执笔改编，是捷克新浪潮电影中的一部重要作品。获1965年德国曼海姆-海登堡国际电影节金奖。 In this Czech comedy, an art critic is hounded by a determined man who wishes to publish his manuscript about a famous artist. When the critic receives the author's work, he sends a letter wishing the man luck without reading a single page. The determined author forces the art critic to tell him what he thinks of his manuscript. In the meantime, the writer loses his job, his girlfriend, and falls out of favor with the Communist Party before learning his literary efforts are no good. Czech filmmaker Hynek Bocan largely eschewed the conventions of his country's New Wave cinema in favor of making well-crafted, traditional literary adaptations. A graduate of his native Prague's prestigious FAMU in 1961, Bocan started out working at the Barrandov Film Studio, assisting such filmmakers as Karel Kachyna, Jan Nemec, and Jiri Weiss. In addition to directing, Bocan collaborated on the screenplays of all of his films. He made his directorial debut with Nikdo se Nebude Smat/No Laughing Matter (1965). In 1969, while working on his third film, Pastak/The Decoy, Bocan encountered political differences with his government and was prevented from completing the production; it was not until 1990 that the film was finished and released. Unable to work in features, Bocan turned to television to co-write and direct the nine-episode series Zahada Hlavolau/The Mystery of a Brain Teaser. In 1974, Bocan was allowed to return to filmmaking, and he released Muz z Lonyna/The Man From London. Bocan has subsequently divided his time between feature films and television.

Young black man about town, "Lamont" pushed by the constant surveillance of his everyday life , discovers the real power is off screen. At the same time an actress, Iris refuses to "die" in a casting, which in turn piques the interest of the director. She returns to her east Village apartment she shares with another actress, "Mira" who is desperate for fame whatever the price. Iris retreats in her room, seemingly setting off a trend of people saying no, one of them being Kurt who disappears from the movie being shot outside her house. As Iris searches for something real, in the city and in herself, Lamont sets off a wave where the real nobodies step out and into control.