The son of an African-American Judge is killed by police officers on the day he was set to begin law enforcement academy. When the courts clear the officers of wrongdoing, the Judge must decide whether the courts are the only arbitrators of justice.

《河流如血》以一个少年到青年的成长过程中寻找亲情的过程为 主线，描写了一家四口在十几年的时间里命运的大起大落的过程。　　河流呜咽，家国责任荡…

青年才俊刑司羽为了帮助画家妻子叶青青寻找新油画灵感，受好友秦云之邀前往一所乡下别墅。青山绿水，叠层别墅，三人潇洒惬意的风光很快被一系列灵异事件打破。 叶青青不间断的噩梦，刑司羽和秦云的暧昧鬼祟，深夜别墅踢踏的高跟鞋声音，半透明窗外小女孩贴近的笑脸……一桩桩诡秘事件的发生，将度假别墅变成了一座阴森的囚笼。而此时，叶青青的油画却进行得异常顺利。 身为心理医生的秦云和掌管医药实验室的刑司羽曾经坚信科学，如今也不得不换种思维来重新面对这栋空置了六年的别墅。二人想要对叶青青施行的计划也在一场暴雨夜挖尸骸后，分崩离析......

故事在Sky将要在曼谷开展大学新生活的时候拉开了帷幕，跟他一起开始新生活的还有一个叫做Sun的面瘫帅保镖。 Sun是Sky的父亲白道家族话事人Phupha派来保护其儿子的，因为Phupha害怕其竞争对手黑道家族的Sakkee会对自己的儿子不利。当Sky答应让Sun跟自己住在一起的时候，他想要在大学里自由自在生活的希望即将破灭，因为他无法忤逆父亲的意思。Sky也很看不惯Sun喜怒不形于色、沉默寡言的性格，因为他感觉对方总是把自己的真实情感隐藏起来。而Sky则是那种有什么想法都会马上说出来的人，所以当两人在一起的时候，Sky感觉到非常压抑。 他们第一次见面的时候就已经互相看不顺眼，而且Sun还总是喊做“小少爷”，Sky为此感到很头疼，因为他觉得对方这么喊自己，会显得两人很生疏，也会让旁人侧目而视。两人这样子的相处方式，就算人们从冥王星上面都能看得出来，两人是少爷和保镖的关系。于是Sky打算安排一系列的课程，想要把Sun培训成一个正常的人类，以让大家觉得他们两个是兄弟的关系。但是Sun还是把自己当作一个尽忠职守的保镖，时刻遵守着规矩。 这下子我们的顽皮小少爷会轻易答应吗？Sky时刻想着要打破保镖先生的规矩，然而两人开始慢慢对彼此有了更深入的了解。两人共同经历了很多的挫折、危险以及来自各方的考验，最后产生了一份伟大的爱情，即使需要牺牲掉两人的生命，他们也会义无反顾。

作过一次临时演员后，小康（李康生）罹患歪脖子的怪病，父亲（苗天）带其四处求医。 父亲虽已有妻、子，却是贪恋年轻男孩身体的同性恋者，家庭对他早已名存实亡，已丧失承担责任的能力（或认为并没什么责任要承担），可是对于小康，他又不自觉扮演起传统意义上的“父亲”角色，却也只能是失职的。小康是年轻的同性恋者，可是却并不清楚自己期望从同性处获得怎样一种安慰，父母的貌合神离不但令他对男女关系失掉信心，对同性关系的理解也盲从地认为只是两具肉体的短暂吸引、结合。而作为被丈夫（同时代男人）与儿子（更年轻的男人）同时冷落的母亲（陆筱琳），则只能默默忍受肉体与精神的双重饥渴与孤独。

Judge Krishna (Rahul Roy) and Radha (Manisha Koirala) are in love. Due to class conflicts, they are unable to marry, but continue with a very intimate relationship, which results in Radha getting pregnant. Then Gopal (Salman Khan) enters Radha's life, and he falls in love with her. Radha, who is still in love with Krishna, is unable to express her feelings for Gopal. Circumstances become favorable for Gopal and he succeeds in marrying Radha, and subsequently, Radha gives birth to a baby girl, Shanti. Leaving the child with Gopal, Radha then leaves him, never to return. Krishna and Gopal meet and become close friends, little knowing of their mutual love. Why did Radha leave Gopal? What will be the outcome of Gopal and Krishna's friendship when they both come to know of their love for Radha?

« Entre Pyrénées et Atlantique coulent des rivières puissantes qu’on appelle les gaves. Les champs de maïs les assoiffent, les barrages bloquent la circulation du saumon. L’activité humaine bouleverse le cycle de l’eau et la biodiversité de la rivière.» « Pour voir la rivière aujourd’hui, il faut filmer plus large que la rivière, il faut filmer le bassin versant, le cycle de l’eau. Il faut la faire exister dans ses extensions souterraines et aériennes, les nappes et les nuages, mais aussi la chercher jusque dans le champ de maïs, la frayère à saumons, les retenues qui la bloquent. Il faut la filmer suspendue entre mémoire d’un passé fastueux et peur d’un avenir desséché. Filmer les gaves, c’est filmer notre monde dans son intrication de beauté et de désastre. » (Dominique Marchais)

Film takes place at the end of XIX century in a tiny colony in a Yakut taiga. A young healthy girl (a thief hunter) who occasionaly visits the village falls in love with one of the patients, a young one, and bears his child. But suddenly his wife appears, and in this strange love triangle the tragedy becomes ripe...

A young woman and man meet for lunch in restaurant nestled in the mountainous regions of Lebanon. Suddenly war seems to break out all around them. They are forced to retreat into nature.

The River, of which the central theme is desire, is the most erotic film of the silent cinema. Wreathed with the laurels of worldwide success and with an Oscar for 7th Heaven, American filmmaker of Italo-Swiss origin, Frank Borzage (1894-1962) conceived this work with complete artistic freedom. The immense natural sets were built in the open-air on a lot at Fox Film in Westwood, Los Angeles. The initial situation is of an Eden-like simplicity: the initiation into love of a male virgin, a man of the woods coming into contact with a mysterious female urbanite about whom we learn but little, other than that she "has lived life to the full" and that she is always monitored by the crow belonging to her lover who was imprisoned for murder. There follow the hazards of seduction and refusal, ruses and inhibitions, endless desires confessed, with many hitches, right up to metamorphosis into love. The whole narrative unfolds on the banks of a river which reveals the nudity of the bodies (sex), the mortal perils of the vortex (passion), the purification and promise of a harmonious fulfillment (the sea.) When it first came out the film was pursued by misfortune: not quite knowing how to promote it, Fox disguised the work with a musical prologue and a spoken word ending, filmed behind the back of the cineaste (the 'talkie' version was unseen outside of the United States). The strong sensuality of the images shocked puritan America: The River was forbidden a screening in many States and a tacit consensus limited its distribution. Many newspapers passed over the film in silence, boycotted the publicity, and even the « New York Times » only granted it a small, embarrassed paragraph. In Europe the reception was warmer and the French movie-goers, amongst them the young Marcel Carné, praised the film to the skies (7 weeks exclusive in Paris). The surrealist milieus around André Breton saw in this Woman With Raven, as which the film was distributed in France, more true audaciousness and insight than in the entire French avant-garde. For the duration of the season, the disturbing Mary Duncan (1895-1993) provoked flights of fantasy under the same heading as Louise Brooks. Then the film disappeared, became a legend. It is rumoured to have been lost, just like the other mythic title from Fox, Murnau's 4 Devils filmed at the same time.