由曾执导《ALL IN》、《悲伤恋歌》、《吞噬太阳》等人气剧的刘哲勇导演与《IRIS》编剧赵奎元携手打造，是韩国第一部以海洋警察为题材的电视剧。《波塞冬》的拍摄将得到韩国海洋警察厅的全力支持，拍摄中将实际动员海洋警察厅的各种最新船只，通过韩国海上警察厅救援队的工作和生活，加深人们对海洋警察的了解。

海洋地质系女高材生安菲本默默暗恋着一个年轻有为的科学家莫凉，期待着有一天能成为业内顶尖科研人员和海洋卫士，以和心上人比肩。突然一天，她的生活中…

《我的波塞冬》叶海（张云龙饰）、安菲（李凯馨饰）幕后独家花絮

海洋地质系女高材生安菲默默暗恋着一个年轻有为的科学家莫凉，期待着有一天能成为业内顶尖科研人员和海洋卫士，以和心上人比肩。突然一天，她的生活中出现一个总是给她带来厄运的美少年——叶海，一切都被其打乱。

老人每天冒着大雪带着鱼缸出门，垂钓放生，放生垂钓。回家后，喝一碗冒着热气的粥，吃几个土豆，然后对着墙壁上亡妻年轻时的照片发呆。睡前帮亡妻的枕头被褥铺好，躺下来翻来覆去睡不着。有一天，老人在风雪路上救了一只奄奄一息的小鸟，小鸟从此不走，吱吱喳喳绕在他身边飞，成为老人的玩伴。天寒地冻，小鸟饥饿，老人杀了鱼喂小鸟。不知从哪里来了一个小孩，一直想抓老人的小鸟玩耍。在接触下来，小孩渐渐成为老人的精神依靠，老人又烤了小鸟给小孩吃。最后，小孩因为老人而罹难，老人最终卧床病逝，化成一只鸟飞向大雪山 。

2022年冬天，女孩娜娜与两个朋友结伴而行，从城市游览到冰天雪地里的北方森林，度过了一个自由而怅然的周末 。

For three days in 1971, former US soldiers who were in Vietnam testify in Detroit about their war experiences. Nearly 30 speak, describing atrocities personally committed or witnessed, telling of inaccurate body counts, and recounting the process of destroying a village. The atrocities are casual, seem routine, and are sanctioned or committed by officers. Images from the war illustrate the testimony; there's a side discussion among veterans about racism and a couple of interviews about the soldiers' self-realization. The testimony appears in the US Congressional Record on April 6 and 7, 1971. A "winter soldier" contrasts with Paine's "summer soldier and sunshine patriot."

视频将清醮筹办的过程与四季变化交替穿插，跟访两代清醮筹委会成员。老村长曾离乡到英国生活多年，对家国的感情与香港长大的新生代不尽相同。村中老人一个又一个离世，一边准备十年一度的盛事，另一边厢全球疫症到来，移居海外的村民能否于年底顺利回港，出席十年一度的难得聚会呢？而移居村中的外来者，同时也面对有家归不得的局面。镜头从村中纷扰的工地，以及新村民与小孩子在广场的日常活动，转到在英、法的村民望窗思亲的情景。本地村民到海外，本地也同时成了异乡人的海外，然而我们都是一体。从微观清醮祭品到鸟瞰自然景观，展现出四季交替与疫情期间村民当下的生活，以冬天到来作大团圆的终结，在村民的重聚中结集对未来的盼望和祝福。

タイトルは「グレート・ギャツビー」で知られるF・スコット・フィッツジェラルドの短編小説に由来している。

Moon-young works as a railroad conductor in Seoul. The accidents and their aftereffects that she witnesses as a conductor are hard to endure, and she doesn’t get along with people. One day, she receives a call from a friend and decides to visit her hometown, which she has been trying to forget. Sang-woo works as a teacher at an elementary school. He follows the traces of Moon-young who left for her hometown. There is a quiet tension that lingers throughout the film. The two stories of Moon-Young’s and Sang-woo’s journeys are two similar forms. Moreover, within this symmetrical structure, fascinating cracks of memory and illusion permeate asymmetrically, sometimes intensely, sometimes subtly, drawing us into the realm of curiosity. The Waves of Winter is a meticulous psychological drama that delves deeply into the characters’ inner selves and an illusory road movie that makes us newly aware of time and ourselves.