一个德国导演试图翻拍意大利导演帕索里尼的《索多玛的120天》，结果事与愿违.....

第二次世界大战末期，在墨索里尼“社会共和国”的首都萨罗城，少男少女被捕，成为年轻的牺牲者。在豪华的大厦里，开始了但丁式三段“叙事圈”。第一段：“疯狂圈”。四个权势人物的四名助手，四位风韵犹存的中年妓女，千方百计挑动少男少女的情欲，年轻人被迫现场做爱。第二段：“粪便圈”。年轻的牺牲者们被强令在粪便筵席上进餐。第三段：“嗜血圈”。牺牲者们奉命相互残杀。少女被绑在火刑柱上烤下体，少男被鞭打至死。

Retrospective documentary on the making of Pier Paolo Pasolini's controversial last film Salò o le 120 giornate di Sodoma (1975).

In this forty-minute documentary, actors Antinisca Nemour and Paolo Bonacelli, screenwriter Pupi Avati, production designer Dante Ferretto, and others reflect on Pier Paolo Pasolini, the film's production, and its tragic ending.

我们都有对美好的向往，但又身处在痛苦的漩涡。沉迷于幻想，总是绊倒在自己无法突破的那道坎。而我们的身体行动都是诚实，无法预测又极度真实的。所以我想用舞蹈与肢体行动来表达那些无法言说的情绪。

1975年夏天，意大利传奇导演皮埃尔·保罗·帕索里尼正在制作他那部极具争议的影片《索多玛120天》，同时也在创作小说《石油》。在这些日子里，一个叫皮诺·佩洛西的年青人一直相伴其左右。一天晚上，《索多玛120天》的底片被佩洛西的朋友从实验室盗走了。11月1日，得到消息的帕索里尼连夜和佩洛西赶赴奥斯蒂亚去取回他的底片，不料就这样踏入了敌人的圈套。这是一场精心策划的谋杀，而背后的真相多年以来一直被旁人歪曲掩盖着。

一名焦躁不安的青少年质疑自己在世界上的地位，踏上了前往太平洋西北部偏远荒野的自我反省之旅。

一个对当代文明感到格格不入的十六岁女孩被拉进未知的荒野，并开始在那里为自己建立新的生活。

Feeling out of place in modern society, a 16-year-old is drawn into the unknown wilderness, where she begins forming a new life for herself.

Returning from his imprisonment in Russia during the First World War, Franz Ferdinand Trotta, a young KuK officer, discovers how much the defeat has transformed Vienna and his people. He is stunned by the new order of things. Having lost his entire fortune and his wife, who is having a sapphic relationship with a Hungarian artist, he tries to regain his place in a world that appears devastated.