婴儿约翰·克莱顿父母双亡，被母猿卡拉抱走。在卡拉抚养下，婴儿长大成人，视卡拉如生身母亲，取名泰山，泰山在猿类语言中是“白皮肤”的意思。泰山成为人猿之王。人类对森林袭击，卡拉丧生，泰山偶然救了比利时船长菲力普·达诺特。船长根据泰山颈上的项链，发现他原来是格雷斯托伯爵庄园的合法继承人，就把他带回英国。泰山逐渐学会了绅士应有的仪表风度，并与简·波特小姐订婚。泰山对博物馆中的动物标本感到震惊，他目睹自己的人猿“父亲”被人开枪打死，不愿再在文明社会中生活下去。最后，泰山告别心爱的未婚妻和好友达诺特船长，重新回到他的家园非洲丛林。

迪斯尼第37部经典动画电影《泰山》是根据英国著名小说家艾格莱斯布洛的原著重新改编，成为兼具创意与娱乐性的最新动画电影。在流行音乐天王菲尔考林…

在非洲原始森林成了孤儿的婴孩在猿猴家族的照料下长大成人，人类探险和出现打破了他宁静和平的世界，也使他认识到他是人类的一员，他在决定归属哪一类家族问题上的思考因为他对美丽的珍妮姑娘的感情进而变得更加复杂，而人类将对猿猴家族的伤害更使他进入了进退两难的境地。

This thrilling contemporary take transforms the classic Tarzan tale into a rapid-fire adventure, an intriguing mystery and, most of all, a fiery love story. Strong-willed NYPD detective Jane Porter's perfectly ordered life turns upside down when a routine case unexpectedly leads her to primal and passionate Tarzan, now loose in the urban jungles of New York City. After plucking the mysterious feral man from his wild home, Tarzan's billionaire uncle, the CEO of powerful Greystoke Industries, stops at nothing to 'civilize' Tarzan in his own image. And, inexorably attracted to Tarzan's dangerous yet profoundly innocent nature, Jane wrestles with reason and instinct, civilization and savagery, her heart and her head.

1978年东北农村，病弱青年周长生遭继父马富贵一家欺凌，房契被霸占。护林员之女林晚秋暗中相助，两人渐生情愫。长生冒险入禁山采得山髓果治愈顽疾，凭赶山技艺猎熊采药、屡获奇珍，智斗盗猎者，最终卖宝发家、盖新房、娶晚秋，与马家断亲逆袭。

1978 年东北农村，病弱青年周长生遭继父马富贵一家欺凌，房契被霸占。护林员之女林晚秋暗中相助，两人渐生情愫。长生冒险入禁山采得山髓果治愈顽疾，凭赶山技艺猎熊采药、屡获奇珍，智斗盗猎者，最终卖宝发家、盖新房、娶晚秋，与马家断亲逆袭。

泰山（Harrison Chad 配音）年幼时和母亲卡拉（格伦·克洛斯 Glenn Close 配音）过着相依为命的生活，因为其人类的外表和特殊的身份，泰山遭到了同族人猿们的轻视和欺侮，只有塔克（Brenda Grate 配音）愿意当他的好朋友。在孤独之中泰山慢慢长大，他的内心十分期望能够获得人猿们的认可和肯定。 一场意外的发生让泰山意识到，自己永远也无法融入到族群之中，悲伤而又愤怒的他选择了离家出走，邂逅了离群索居的三只猩猩，在它们的身上，泰山终于感受到了被信任和信任他人的感觉。传说中，无人涉足的黄山之中居住着可怕的怪物，而在机缘巧合之下，这只神出鬼没的怪物和泰山相遇了。

In this widely syndicated cartoon, King Zandor and a group of bizarre creatures protect their futuristic kingdom from creatures from other galaxies.

The engineer MacAllan designs a tunnel, which will join America and Europe together on the seabed. A group of American billionaires are financing the gigantic project, but the construction of the tunnel is proving to be as tedious as it is dangerous. MacAllan's worst enemy is the speculator Woolf, who had embezzled the money for the construction and who is attempting to cover up his crime by carrying out acts of sabotage. Also filmed in 1933 in a French-language version, LE TUNNEL, and remade in 1935 in England as TRANSATLATIC TUNNEL.