安意遇到纪凛冬时，才18岁。身陷泥沼的她拼命抓住了纪凛冬这根救命稻草，她拿出全身仅剩的20块钱，颤巍巍的说：我听说你收保护费，那你可不可以保护我一下？他说：二十不够，所以用你自己来凑。而后他护她一生周全。

习惯质疑一切的犯罪科督察里希南丹在他信任的两名副督察艾亚纳和奇塔拉的协助下，在一个小山村调查了一系列离奇的谋杀案，据说是由一种名为“瓦纳拉奇”的可怕的森林精怪所犯下的。

宇宙里的星球，会因万有引力而相互吸引，两个星球越靠近，因引力产生的潮汐作用力就越强。所以，当两个星球的距离小于一定数值时，其中一方会被潮汐力拉扯、碎散。而这星球之间的最短可能距离，就叫做洛希极限。谢正隆是个热爱天文学的男生，他五岁时第一次看到林岱萱的眼睛，便开启了初恋。两人一同长大，但阿隆迟迟不敢表白，因为林岱萱从不交男友，所有试图靠近她的男生，都被她“摧毁”。林岱萱的这种情况，就如同天文学中的“洛希极限”。上学路上，与岱萱保持两台北上脚踏车的距离，就是阿隆遵循的“轨道”。阿隆也觉得自己的生活将照此持续下去，直到有一次，他的脚踏车坏在了一座废弃的展览馆前……

In 1899, a photographer at American Mutoscope & Biograph mounted his camera on the front of a trolley traveling over the Brooklyn Bridge. The three 90-foot rolls he created were edited together to complete the journey from Manhattan to Brooklyn, entitled Across the Brooklyn Bridge. As a commission by the Museum of Modern Art for the re-opening of their facility in a new design by architect Yoshio Taniguchi, Bill Morrison took this remarkable footage and recombined it with itself to form a new split-screen extrapolation.

大约在1.5亿年前，地球是一颗美丽的恒星，先进文明已遍布各地，外星人和地球人共存共存。其繁荣的中心是耶洛因城，由降临人间的地神耶洛因统治。耶洛因宫耸立在城市的中心，两旁是干净的水道，由潘古尔和塞拉芬两位女神守护。有一天，一场危机降临到了一直过着和平日子的地球上。地球被选为 Beta Centauri β (beta) 外星人的目标。他们拥有先进的科学技术，更喜欢破坏，他们与后太空使者达哈尔联手，用暗能量“暗物质”将一颗巨大的陨石炸弹引向地球。面对地球的危机，埃洛希姆本人站在最前线，紧随其后的是热爱地球的战士。在宇宙守护神Yaidron的指导下的女战士Yaizael是一个......

暴风雪期间，一列从斯德哥尔摩开往纳尔维克的火车遇上雪崩，所有乘客必须在附近山区一家古老、偏僻的酒店避难。其中包括敏锐而阴暗的警官汉娜·威尔森（埃达·英格薇 饰），当酒店开始发生神秘谋杀案时，尽管暂时被警方停职，汉娜仍开始调查。

丈夫借口随同兄长外出应酬，谁知兄长竟出现在她身后。一通虚假通话后，她被丈夫的兄长步步牵动心绪，渐渐深陷其中。丈夫从未珍视过她，殊不知在兄长心中，她是独一无二的心上人。待到丈夫匆忙归家，只等来她积攒许久、不留余地的反击。

Set in modern day Uzbekistan, a country balancing its Soviet past with ancient traditions, the film follows Saida, a woman living between different worlds and roles. To her mother, she is a humble schoolteacher. Yet she also works as a fixer for foreign business delegations. Her job goes beyond translation and assistance: she facilitates the arrangement of “special services” for businessmen and teaches local women German phrases to navigate these encounters. In both the classroom and the meeting rooms, Saida’s life is defined by repetition. She teaches others to speak words that are never their own. Like a train on its tracks, she is always in motion but never free to choose her direction. As her boss, Shukhrat, closes in on her and starts to look for her at the school where she teaches, Saida must decide: follow the tracks laid for her or vanish into a world of her own making.

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