一个东北野生剧团，以传统的戏剧生存，用直播的新方式谋生，他们在社会边缘活着，在生死场上游离，但没有挣扎，有的只是极其鲜活的生命力……

青年张春熙初到桂林，凭借才华获桂系领袖健公赏识，逐步赢得信任——他冒险护送医生救治健公岳父，推动桂系与南京政府联合抗日，起草的文稿更成为高层演讲内容。期间，其真实身份因第十八集团军李处长的失误险些暴露。最终，张春熙在被派往美国留学时被捕，而彩蛋中他与李处长的秘密联系，揭示了其中共地下工作者的身份。全剧尽显抗战时期隐秘斗争中，个人信念与家国情怀的深度交织。

在地球的最后一天，被洪水淹没的公寓中的这场奋力求生很快成为人类生存的最后希望。

暂无剧情简介

Hong has many circumstances tied to poverty, leading to numerous secrets and misunderstandings. Even as she moves her mother, who is in the early stages of dementia, from a remote nursing home to her small single room, what Hong truly desires isn’t her mother, but her mother’s bank account. Her past relationship is marred by unpaid debts and harsh words, and the new one she’s just begun is precariously adorned with lies in an attempt to make it work. Meanwhile, her dreams remain distant, and her youth slowly fades away. Jang Sun, who won the Actor of the Year at the 20th BIFF, delivers a sensitive performance that turns Hong into something of a mystery. Trapped between relentless misfortune and a desperate grasp for happiness, Hong is a character who is clueless and difficult to decipher. Red Nails shakes the audience’s emotions with its persistent and chilling portrayal of its characters and relationships.

民国七十三年十一月十五日晚上，台中县警察局刑警队长洪旭在缉捕十大枪击要犯林博文时，英勇殉职了。洪旭队长服务警界三十三年当中曾获嘉奖一百八十八次，记功达三十八次之多。本片乃根据洪队长生前各种英勇事迹和殉职经过，实地实景模拟拍摄而成，是一部有血有泪真人真事故事。 片名： 洪隊長 製片： 徐國良 導演： 劉家昌 編劇： 劉美華 攝影： 孫材肅 剪輯： 王其洋 音樂： 鄭貴昶 演員： 石雋, 慕思成, 喜翔, 朱海玲, 方芳芳 出品公司： 中央有限公司 發行公司： 中央有限公司 出品年： 1984 國別： 中國台灣 1986-12- 07 國立教育資料館最近公布四年來20部優良國片片單，提供各級學校作選映參考，其中中影影片最獲肯定，有八部入選。入選影片包括「苦戀」、「小畢的故事」、「海灘的一天」、「戰爭前夕」、「洪隊長」、「最想念的季節」、「我這樣過了一生」、「我們都是這樣長大的」、「人肉戰車」、「上海社會檔案」、「洛神」、「烈日女蛙人」、「最長的一夜」、「金門女兵」、「小豆的願望」、「怒吼的愛情」、「頤園飄香」、「來自地心的女人」、「背影」和「箭瑛大橋」。 1984-12-23 「洪隊長」送檢，歌詞出錯。 1984-12-16 劉家昌在25天內完成以寫實手法拍攝之影片「洪隊長」。

暂无剧情简介

西南边陲，孤女朱朱虽成长于市井间，但依旧保持着乐观积极的生活态度，在机缘巧合下进入圣智派拜师学艺，最初因本事低微遭遇许多困难挫折，但她却以出色的厨艺为切入点，逐渐了解周围每个人的志趣，最终凭借自己的善良和真诚，结交了同门学长，收获了人生知己尹子章。这些年轻人在同生死共患难的冒险中建立了宝贵情谊，在重重难关中成长，通过师父考验，磨练出一身技艺与智识。他们不畏强权，守护初心，揭露反派的险恶阴谋，并在同反派的斗争过程中意外发现朱朱的曲折身世和与生俱来肩负的使命。为了延续前辈们坚守和平的信念，众人接受历练，相互扶持，共同踏上崭新的旅程。

Extremely autobiographical piece made during an intensely depressive period for the filmmaker after his divorce from Jane, his first wife, and separation from his five children. Brakhage calls it "a true, narrative, dramatic psychodrama". The film's background music is a piece which is a collage of brief phrases from various Stephen Foster songs whose common theme is loss. Brakhage scratches individual words from these songs on the film at intervals, and the shaky letters dance uncertainly across the frame. The primary visual theme is of the 55-year-old filmmaker himself brooding in a lonely apartment, sitting on the floor leaning against a wall, repeatedly rising naked from his bed and falling back. This is intercut with footage made years earlier, in the 70s, when his children were much smaller, as they played happily in the home they once shared. Even at his very lowest point, Brakhage continued to turn his life into art.