在亚马逊河的深处，一位著名的海洋生物学家和一位电视真人秀明星正分别致力于拯救因猎杀而濒危的亚马逊河豚。接下来的一则丑闻引发了道德问题，有如亚马逊的河水般混沌不清。马克·格里科（曾导演《马麦托》）的纪录片令人深入地探讨新媒体时代激进主义带来的道德问题。

Ahead of the age of 30, the second daughter, Jin-young, who is still preparing for employment, a blunt father who is more comfortable resting in a folding chair in factory than at home, and the mother is the only one who ties this incommunicative father and daughter together. One day, the accident suddenly kills the mother, and only the father and daughter remain in the spacious house where the three families lived.

Michael lives in a housing project. He and his friends make music together. Michael is clearly the biggest talent in the group, and one day he is discovered by the established rapper Apollo who makes Michael his ghostwriter. A big opportunity for Michael, this also means moving forward without his friends and breaking the unwritten rule of loyalty. Michael focuses on his music, hoping that the situation will resolve itself. As his friends lose their patience, a dramatic showdown is inevitable.

（本片全部由手机及DV拍摄）游戏开始。在想象中，我回到了这片熟悉又陌生的土地，这里的一切——人群、烟雾、船舶似乎永远停滞，又不停飘荡。这里是我的故乡吗？我已许久没闻过童年的味道了，也许他们早已凝固......回到当下，一位挚爱多年的音乐人突然离世，让我突然觉察死亡对日常生活的突袭——像一场无声的暴雨。当重大冲击发生在无法抽身思索的忙碌时刻，当告别被迫成为日常生活的必修课，我们能否在他人消逝的裂痕里，触摸到自身存在的确证？记忆凝固，现实回响；发生的，未来的，正在静默流淌......是否存档？是否退出？

春熙离开了曾与已故丈夫贤哲同住的家，搬去了一间简陋的公寓，还带上了丈夫生前珍爱的三角钢琴与汽车。可她发现钢琴根本放不下新公寓，这时邻居敏俊提出可以把钢琴存放在自己家，春熙便接受了这份好意。 原来敏俊是一名指挥家，为寻找母亲，他一时冲动来到了韩国。不久后，敏俊十分欣赏的、颇具潜力的年轻钢琴家成灿也加入了他们。就这样，三个年龄、经历与人生轨迹截然不同的人，开启了一段单纯而善意的友谊。 他们共度的时光，将逝者留下的过往痕迹悄然改变 —— 这些痕迹渐渐转化为对未来有意义的存在，成为一场关于修复、更新与重生的行动。影片以从容不迫的优雅与坦诚开放的心态，拥抱生活中那些闪光的瞬间。这确实是一个许久未曾遇见、有幸再度邂逅的罕见雅致世界。

本片以一位旅行的中国女作家的视角，纪录了南斯拉夫崛起与消亡后，当地知识分子为守护文化遗产做出的艰辛努力。 背负南斯拉夫崛起又消亡的宿命，一个年迈的总编辑坚守着曾经辉煌一时、如今濒临倒闭的国有出版社及书店。一个年轻的策展人试图用南斯拉夫时期的日常生活用品探索那个消失的国家的生活方式如何支撑了今天的生活。这是一段贝尔格莱德文化遗产的俄底修斯之旅。一位旅行中的中国作家途径此地，以局外人的视角目睹了两位人物的生活。影片纪录了她所见、所感、所痛，时间延绵、地域遥远，却两两相望。

作过一次临时演员后，小康（李康生）罹患歪脖子的怪病，父亲（苗天）带其四处求医。 父亲虽已有妻、子，却是贪恋年轻男孩身体的同性恋者，家庭对他早已名存实亡，已丧失承担责任的能力（或认为并没什么责任要承担），可是对于小康，他又不自觉扮演起传统意义上的“父亲”角色，却也只能是失职的。小康是年轻的同性恋者，可是却并不清楚自己期望从同性处获得怎样一种安慰，父母的貌合神离不但令他对男女关系失掉信心，对同性关系的理解也盲从地认为只是两具肉体的短暂吸引、结合。而作为被丈夫（同时代男人）与儿子（更年轻的男人）同时冷落的母亲（陆筱琳），则只能默默忍受肉体与精神的双重饥渴与孤独。

Judge Krishna (Rahul Roy) and Radha (Manisha Koirala) are in love. Due to class conflicts, they are unable to marry, but continue with a very intimate relationship, which results in Radha getting pregnant. Then Gopal (Salman Khan) enters Radha's life, and he falls in love with her. Radha, who is still in love with Krishna, is unable to express her feelings for Gopal. Circumstances become favorable for Gopal and he succeeds in marrying Radha, and subsequently, Radha gives birth to a baby girl, Shanti. Leaving the child with Gopal, Radha then leaves him, never to return. Krishna and Gopal meet and become close friends, little knowing of their mutual love. Why did Radha leave Gopal? What will be the outcome of Gopal and Krishna's friendship when they both come to know of their love for Radha?

« Entre Pyrénées et Atlantique coulent des rivières puissantes qu’on appelle les gaves. Les champs de maïs les assoiffent, les barrages bloquent la circulation du saumon. L’activité humaine bouleverse le cycle de l’eau et la biodiversité de la rivière.» « Pour voir la rivière aujourd’hui, il faut filmer plus large que la rivière, il faut filmer le bassin versant, le cycle de l’eau. Il faut la faire exister dans ses extensions souterraines et aériennes, les nappes et les nuages, mais aussi la chercher jusque dans le champ de maïs, la frayère à saumons, les retenues qui la bloquent. Il faut la filmer suspendue entre mémoire d’un passé fastueux et peur d’un avenir desséché. Filmer les gaves, c’est filmer notre monde dans son intrication de beauté et de désastre. » (Dominique Marchais)

Film takes place at the end of XIX century in a tiny colony in a Yakut taiga. A young healthy girl (a thief hunter) who occasionaly visits the village falls in love with one of the patients, a young one, and bears his child. But suddenly his wife appears, and in this strange love triangle the tragedy becomes ripe...