在这部远不如《海滩救护队》成功、因此寿命更短的衍生剧中，洛杉矶县某海滩救生队可靠的负责人米奇·布坎农（Mitch Buchannon）经常在夜间兼职当私家侦探（因此有了这个剧名）。他会调查并侦破各种犯罪案件，这些案件往往在某种程度上与他心爱的海滩和/或海洋有关（例如，海洋被用作走私路线、藏物地点等）。

In this -far less successful, hence shorter-lived- Baywatch spin-off, Mitch Buchannon, the reliable lieutenant in charge of an LA county beach's lifeguards, moonlights -often literally, at night, hence the title- as a private detective, who investigates and solves various crimes, often in some way related to his beloved beach and/or the ocean (e.g. as smuggle route, hiding place, dumping site), sometimes aided by several other characters which vary in the series, including young lifeguard Griff Walker.

Baywatch Nights is an American police and science fiction drama series that aired in syndication from 1995 to 1997. Created by Douglas Schwartz, David Hasselhoff, and Gregory J. Bonann, the series is a spin-off from the popular television series, Baywatch.

故事发生在原剧四年之后。马特・谢德和安吉・埃弗雷特这对侦探搭档喜结连理并迎来新生儿，从多伦多搬到西海岸的维多利亚开启全新生活——在家中设立新的私家侦探社，在安顿家庭与事业的同时继续破解案件。

本作は江ノ島・湘南を舞台に据えた、完全オリジナル脚本のペット探偵映画。人生何もかもがうまくいかない青年がひょんなことからペット探偵見習いとなり、心に傷を持つ少年との交流を通して新たな人生を見つけ出していくさまが描かれる。

入选柏林电影节全景单元。男孩马丁代替父亲到巴西南部的滨海小镇处理债务，多年好友托马兹义不容辞的相伴同行，但这趟旅程也让两人的情谊产生微妙变化。欲望如屋外不断的海潮声逐渐占据他们的心灵，在马丁揭露家庭秘辛之际，他也勇于面对自己的感觉，和托马兹之间更如潮浪汹涌翻腾。来自巴西新锐导演的剧情长片，一步步贴近主角真实内在，刻画动人而深刻。

对于 16 岁的艾比来说，家是她最不想去的地方。当她的小镇服饰和母亲未实现的梦想向她逼近时，艾比在音乐中寻求庇护，当她与一支巡回摇滚乐队成为朋友时，她发现可以自由地发出自己的声音。

纽约的近郊铁路旁，女孩洛斯（祖蒂•弗兰 Jodelle Ferland 饰）整天在破旧的机车里坐着自己的白日梦，她用身边的玩偶编织爱丽丝的行程，而现实却是另一番光景。洛斯的父亲在酒吧里驻唱，收入微薄，嗜酒如命，而且还是一个瘾君子。洛斯的母亲肥硕之极，终因吸食海洛因过量而丧命。为了逃避警察和债主，父亲决定带着洛斯远走高飞，从纽约搬到乡下的农场。途中，父亲的诸般恶习令洛斯忍无可忍，只剩下四个残破的芭比娃娃陪她玩耍。正当她觉得生活无望之时，一个带着养蜂人面纱的女邻居戴尔（珍妮•麦克蒂尔 Janet McTeer 饰）闯入了她的生活。她们同样有一颗向往童话的心。两个人在相互扶持中，重构了那个美好的图景，然而好景不长，一场争斗由此展开……

One of Joris Ivens' most poetic films is his first attempt to film the wind. With a beautiful photography, a powerful editing and a poetic commentary the film tries to make the wind visible and tangible. It starts in black and white, continues in colour and ends in cinemascope to illustrate the force of the upcoming Mistral wind that blows in the south of France. The original scenario was much more elaborate and ambitious and fits Ivens' lifelong wish to film the impossible: the wind. It was difficult to find a producer for this film, for most people were rather sceptical to finance a film with an invisible main character. Finally Claude Nedjar was willing to produce the film, which despite many financial problems was finished in 1965.

从监狱里出来后，梅迪打算清算旧账。但首先，他必须与他的帮派恢复联系，而那群人正悠闲地住在一处优美的泰国海滨度假村。