遭遇大洪水与背叛惨死后，林晓果断放弃船票，夺回父母留下的储罐并改造成钢铁堡垒。洪水降临，她凭借自循环系统在深海中优雅生存，击退掠夺者。最终，她发现史前文明晶体，进化为掌控海洋法则的领主，开启了深海文明的新篇章。

A Swedish indie shot on black-and-white 16mm with lively music: fleet-footed, mercurial, zany, improvised, atmospheric and full of sidesteps. Forty-year-old diabolo performer Alf still lives with his mum Monica and wanders, flaneur-like, through Norrköping, where the massive cultural cuts are happening to which director Kim Ekberg, inhabitant of the city and founder of anti-capitalist production company Post Post, is stepping up with Doggerland. For him, culture is about daily life, reviving the social democratic “we’re all on board”, about real locations, spaces and people who – like John and Anita Holm here – can become Alf and Monica while also being mother and son in real life. They like talking at cross purposes, too. She wants him to look for a real job and move out. When he finally goes on tour through Europe, she seems to regret it. Following XXL (2024, co-directed by Sawandi Groskind), Ekberg keeps building worlds of everyday wonder with familiar characters, where the creative and the social intermingle and one can learn what (documentary) film is capable of in evening classes from Jan Lindqvist. Like measuring time with light and production design, now and across the arc of life.

快40岁的阿尔夫没有找一份“正经”工作，而是和母亲住在一起，在诺尔雪平的文化圈里随波逐流。影片通过黑白模拟影像，展现了聊天与面孔、日常与直觉、当地政治与日常生活——私密与社交的方方面面。

乔·诺兰少校率领一支救援任务前往南太平洋，以回收一枚坠毁的原子火箭。机组人员在一座神秘的岛屿上迫降，并花费了大量时间进行攀岩。他们遇到了一位当地女孩、一只大蜥蜴和一些恐龙。

大曜王朝赤地千里，饿殍遍野。罪臣之子陆沉川被族人诬为灾星，推入枯井活埋祭天。坠井之际，他触发了千年前埋藏的远古粮仓，更唤醒一卷失传的上古神书《山河救荒录》。神书不赐一粒米，却能勘破水脉、辨识饥食、开启暗仓、改良粟种、铸水车固城垣。陆沉川从腐骨堆中爬出，以神书为刃，剖开灾荒背后的人心鬼蜮。当活埋他的族长惊觉枯井有异，连夜带人掘井灭口时，陆沉川已循着书卷指引，找到了隐藏在地下的巨大粮仓——而粮仓深处，还刻着他父亲被冤杀前留下的十六字血书。

九天玄女萧艺上魂穿癌逝女孩，虽靠近陆沉渊会失仙力， 仍逆袭虐渣。陆沉渊从厌恶到追妻，最终发现她竟是自己苦寻的白月光，两人解除误会终成眷属。

九天玄女萧艺上渡劫失败，魂穿到身患癌症、受尽欺凌的女孩身上。她发现只要靠近霸总陆沉渊就会失去仙力，却仍选择留下，一边用仙术打脸渣男恶女、逆天改命，一边应对陆沉渊的厌恶与试探。相处中，陆沉渊被她的反差魅力吸引，开启追妻火葬场，最终发现她竟是自己苦寻多年的白月光，两人解开误会，终成仙凡眷属。

Biologist and filmmaker Jean Lemire, accompanied aboard the schooner Sedna IV by a handpicked team of scientists and filmmakers, dared to experience climate change and its consequences within Antarctica's icy grip. More than a full year of daring, isolation, danger,intensity: it was a spectacular adventure full of risks and triumphs, joys and peils. The crew was prepared for the worst but faces even worse! Le Dernier Continent is a testament to a human adventure at once chilling and inspiring. The film alternates between captivating images of deep serenity and spine-tingling sequences in which the ship's crew finds itself, time and again, on the edge of catastrophe. Before our eyes, the crew members live out their most exhilarating highs and grimmest lows. Whith landscapes, fascinationg wildlife, a courageous and sensitive crew, relevant and troubling environmental information, exceptional filmmaking. The film is worthy tribute to the courageous Sedna IV mission it documents, a voyage to the heart of the last continent: Antarctica.

宁静的小岛，水清沙幼，生活纯朴，海洋生物学家和他的儿子独居岛上，过着与世无争的生活。 一日，儿子在海边发现一头垂死的小生物，像海狮，又像没有壳的海龟，到底是什么生物的小孩子？原来，是罕有生物－－海龙。 父子两人对着这出生不足二十四小时的小动物不知所措，为保这小生命的安全，两人努力照顾它，并把它命为「Coo」。 Coo一天一天长大，世界一天一天在转，在远方一个政治阴谋，带动了这小小岛屿的命运。黑暗的烟雾一天一天逼近，生活在快乐中的父子和小海龙蒙然不知。 一个祥和的下午，旅行摄影机嘉茜来到小岛，带来了一个重要的消息...... 日本文坛最高荣誉直木奖1988年得主景山民夫得奖之作。

寧靜的小島，水清沙幼，生活純樸，海洋生物學家和他的兒子獨居島上，過著與世無爭的生活。 一日，兒子在海邊發現一頭垂死的小生物，像海獅，又像沒有殼的海龜，到底是甚麼生物的小孩子？原來，是罕有生物－－海龍。 父子兩人對著這出生不足二十四小時的小動物不知所措，為保這小生命的安全，兩人努力照顧牠，並把牠命為「Coo」。 Coo一天一天長大，世界一天一天在轉，在遠方一個政治陰謀，帶動了這小小島嶼的命運。黑暗的煙霧一天一天逼近，生活在快樂中的父子和小海龍矇然不知。 一個祥和的下午，旅行攝影機嘉茜來到小島，帶來了一個重要的消息...... 日本文壇最高榮譽直木獎1988年得主景山民夫得獎之作。