佩德罗·阿莫多瓦透露他计划在接下来几个月里执导的两个项目。一部是由蒂尔达·斯文顿主演的短片，改编自让·科克托执笔的独幕剧《人之声》，讲述了一个女人和情人的最后一次电话交谈，将围绕女人和她的狗展开。阿莫多瓦表示该片是“非常个人化的”，4月份将在马德里开机，并希望《人之声》 能赶在秋季电影节上首映；另一部是剧情长片，改编自已故美国作家露西亚·伯林（Lucia Berlin）的短篇小说集《清洁女工手册》。阿莫多瓦表示该片的初稿是在去年秋天参加多伦多国际电影节和今年年初的颁奖典礼之间完成的。他已经有了两位演员人选，但目前拒绝透露细节。这两个项目标志着阿莫多瓦在多年来的几次尝试之后，终于展开了期待已久的英语片制作。

It shows the life and problems of Marinete, a cleaning lady with a short temper. She always ends up depending on her friends, who are distracted by any stupid thing and leave her to solve things on her own.

The "Ladies Who Do" are office cleaners. One of them discovers some hot stock tips and they make a fortune. They then make good use of it to save their old neighbourhoods from the wicked developer.

James Bentley is tried for the murder of Abigail McGinty, the charwoman of Broadhinny who also took in Bentley as her lodger. The evidence is overwhelming, and soon after he is sentenced to hang. Superintendent Spence is not convinced of the man's guilt, and so he visits Poirot, asking him to look into the case. Poirot then heads off to the village, where he becomes the paying guest of Maureen and Major Johnnie Summerhayes. Ariadne Oliver, Poirot's novelist friend, has also come to Broadhinny to collaborate on a stage adaptation of one of her novels with dramatist Robin Upward. With the clue of a bottle of ink purchased by the dead woman shortly before her death, Poirot searches Mrs. McGinty's belongings and finds an edition of The Sunday Comet newspaper, where an article concerning two women connected with famous murders has been cut out. With the story are two photographs of the women. Poirot discovers that Mrs. McGinty had seen one of the photographs before, and knew to whom it belonged to. But which woman was this case connected with? Are any of the people living in Broadhinny related to these women, as one of their children? Or perhaps one of them is one of the actual women? The puzzle pieces begin to fit in, especially after Poirot is shoved into the path of an oncoming train by an unknown entity. But will the murderer strike again?

这是猝不及防的灾难，这是无法回避挑战，这是刻骨铭心的见证，这是不能忘却的记忆。为了阻击新型冠状病毒，政府一声令下，武汉，中国特大城市，900多万市民，两百多万个家庭，齐刷刷地开启了隔离生活模式，向世人展示出众志成城、万众一心的国家力量和九头鸟的顽强生命力！我在武汉，武汉有我。湖北广播电视台和腾讯视频联合出品的《非常手记》用手机记录隔离生活，用微弱之光照亮你我，用勇敢面对治愈心灵创伤，用统一意志发出武汉人的声音——大江大湖大武汉，没有我们过不去的坎！

薄京晏重生后幡然醒悟，前世他执着追求一名女生，轻信身边友人，反倒冷落辜负青梅，最终下场不好。重返校园，他彻底放下对那名女生的执念，急忙拦下准备出国的青梅，诚恳道歉挽回了对方。面对旁人的不解议论，他毫不在意。

改编自胡安·梅约加的西班牙舞台剧《最后一排的男孩》。 讲述了一位写作失败的韩国文学教授，对坐在教室后面的学生的写作着迷，并希望培养出一名合格学生的故事。

As he turns thirty, a penniless young man is overwhelmed with artistic doubt. In order to forget a recent break-up, his slim figure drifts aimlessly through the streets of Taipei, buzzing with the rumours of the autumn 2019 general elections. Wang Chun-Hong has composed a bewitching piece of documentary autofiction, enhanced by a glossy black and white.

“槟榔西施”燃烧着青春与肉体，美化这小小的霓幻空间，使其可亲、可欲、可望。在产业凋敝的乡间、求职不易的时机里，西施们的青春不再值钱。在神秘的玻璃宫中，她们诉说日常生活琐事、彼此关爱、分享情感、性爱的困惑或工作的寂寥。每一个太阳升起时，继续展露灿烂的笑容，再一次地妆扮自己，期待又一天美好业绩的到来。