作为NHK的《松本清张系列·黑色组曲》中的一部作品，分两次进行了放送。

釣り好きの中年作家・釣部渓三郎は、山登りが縁で知り合った女子学生の上條アキと親交を深めていたが、一年前にアメリカに語学留学に行ったまま最近は便りもなくなっていた。ある日、そのアキが奥多摩日原小川谷の渓流で男の死体を発見した。実は彼女は二日前に帰国し、時差ボケもなおらぬままにザックを背負ってやってきたのだ。出動した所轄署員は、落石事故による死亡と断定するが…。

Jayasinghe describes Dhara as a profound story of liberation that resonates on both personal and universal levels. “It’s about defining liberation through individual and collective actions,” he explains, rooted in his memories of the 1987-1989 insurgency in Sri Lanka, a time when conflict touched nearly every aspect of life. His own journey through periods of social unrest, marked by oppression and marginalization, deeply influences the story. The film unearths two distinct paths to freedom: the revolutionary and the spiritual. “Revolutionary liberation seeks to overthrow oppressive systems, challenging the status quo and envisioning a society free from corruption and injustice,” he explains. “Spiritual liberation aims for enlightenment, transcending suffering and cycles of rebirth.” This duality is the foundation of Dhara, blending these outer struggles for justice and societal reform with an inner search for personal peace and understanding. The two paths, though distinct, weave together in the narrative, illustrating how liberation can be both an act of defiance and a journey toward inner harmony. In Dhara, the characters must navigate between these worlds, each choice bringing them closer to their own understanding of freedom.

本片为中国传媒大学艺术学部动画与数字艺术学院13级学生毕业作品。

本片为中国传媒大学艺术学部动画与数字艺术学院13级学生毕业作品。

这部实验性纪录片通过一位中国女性艺术家的人生故事，探索主流历史版本之外的其他可能。她在“文化大革命”期间在中国长大，最初来到美国求学，之后在政府镇压后留在美国生活。《FLOW》中关于“文化大革命”的叙事构建于她极为个人化且常带讽刺性的……

This experimental documentary uses the life stories of a Chinese woman artist to explore alternatives to dominant versions of history. Growing up in China during the Cultural Revolution, she first came to the U.S. to study, and then, after the government crackdown, to live. FLOW's narratives of the Cultural Revolution are constructed from her extremely personal and often satirical points of view. The fragments of her memory are used to undermine the master narrative of history. Yau Ching writes, "An exiled native speaks a language not fully comprehensible to her 'fellow-natives' any more. A part of her is not able to go back any more. Given its politically subversive content, the very fact that this tape can only be made here, when the native is not at home, highlights the limitations of 'home.' Her memory haunts her and blocks her from being assimilated by the dominant American society. She lives in this 'between-world dilemma,' deprived of the privileges of being fully identified either as a native or as a westerner." In Mandarin, Cantonese and English with English subtitles. Producer/Director/Editor: Yau Ching. Camera: Yau Ching, Ellen Pau. 'Butterfly in California' Camera: Robert Harris. On-line Editors: Karen Heyson, Eric Kinke, John Grod. Sound Mix: Karen Heyson. Creative Consultants: Yvonne Rainer, Mary Kelly, Deirdre Boyle. On-line Facilities: Center for New Television, Chicago, Film & Video arts, NY, Electric Film NY. Off-line Facility: Girls make Videos, inc. Ordering & Fees

墨阳退役化名任逍遥回江城报恩，以平凡人的身份帮助妻子陆芊芊出道五年成为当红歌星，结果惨遭妻子背叛。6位大佬赶来支援男主。

中年导演怀疑妻子爱上其他男人，他带着甜美的女实习生去追踪，一路上导演精准地拿捏着尺度和女实习生暧昧调情，两人心情不错，最后导演有了意外的发现……

Set in the 1920s, two drifters are being chased by the police after a failed train robbery.