Fisherman Choon-sam (Yoon Buk-yang) is suffering financially because of a prolonged scarcity of fish. Pestered by miserly Mr. Jang to pay back his debt, Choon-sam goes out to sea in hopes of a catch but meets a watery end instead. As payment for the debt, Mr. Jang tries to take Choon-sam's daughter In-soon as his second wife. Meanwhile, In-soon (Park Noh-kyung) is mutually in love with Chun-suk (Park Hak), but torn about the suggestion of Ok-bun (Chun Hyo-bong), who lives in Seoul, to join her in the city. In order to get a job and pay back her father's debt, In-soon follows Mr. Jang's son Chul-soo to Seoul, not knowing that he harbors illicit intentions toward her. Violated by Chul-soo and emotionally distraught, In-soon goes to live with Ok-bun. However, she fails to find employment and is so tormented by the burden she is imposing on her friend that she decides to become a gisaeng. Chun-suk, who has come to Seoul to find In-soon, finds out what happened between her and Chul-soo and returns home with a broken heart. In the end, In-soon tries to commit suicide but is saved by Chun-suk's love for her, and the two of them return home together. Fisherman's Fire is one of the films from the late Japanese colonial period that the Korean Film Archive (KOFA) obtained through the China Film Archive (CFA) in 2004. Along with Homeless Angel (Jib-eobsneun cheonsa), Story of Sim-chung (Sim Cheongjeon), and Military Train (Gun-yong-yeolcha), it is one of just four films from the 1930s whose existence in Korea has been verified. However, since a mere 10 minutes or so of footage remains from Story of Shim Cheong and Military Trainwas the first film to serve as a government mouthpiece, it would not be an exaggeration to say that there are only two movies in the true sense of the term dating from 1930s Korea. Although it is hardly a polished masterpiece, Fisherman's Fireis an important work that allows us to judge the level of technique, form, and content that characterized Korean films of the period. The abundant sights of Seoul (called Kyeongsungat the time) that crop up in the latter half of the film alone are sufficient to endow Fisherman's Fire with historical value. The film alsoprovides fleeting glimpses into the values and practices of so-called "modern boys" and "modern girls" at the time.

该剧主要讲述一位女大学生为了渔村的现代化建设，放弃了现代的城市生活和优厚的工作待遇，并忍受着恋情破裂的危机，毅然回到故乡渔村，在党的领导下，与村民一起战胜一切困难，闯出了一条科学养鱼致富之路。剧中的渔村可以说是改革开放时期新型渔村的缩影：既保留浓郁的岭南渔乡气息，又加入了“网箱养鱼”的现代科技成分。

苏晓鸥遭前夫背叛，赌气嫁给哑巴渔民陆潮生。两人白手起家，潮生却因童年目睹母亲投海而创伤失语。当前夫闯入伤害晓鸥时，潮生暴怒喊出\

林知秋替妹嫁入周家，面对婆婆刁难、村民非议和丈夫海上失踪等重重磨难，以坚韧与智慧撑起家庭、创办渔村小学、带领乡亲发展养殖脱贫的励志故事。她不向命运低头，用行动赢得尊重，也唤回了迷失的亲情与爱情。剧集弘扬了女性自强不息、家庭守望相助、乡村互助共富的正能量，展现了平凡人在时代浪潮中改写命运的动人力量。

林知秋为报恩替妹嫁入周家，面对婆婆刁难、村民非议和丈夫海上失踪等重重磨难，以坚韧与智慧撑起家庭、创办渔村小学、带领乡亲发展养殖脱贫的励志故事。她不向命运低头，用行动赢得尊重，也唤回了迷失的亲情与爱情。剧集弘扬了女性自强不息、家庭守望相助、乡村互助共富的正能量，展现了平凡人在时代浪潮中改写命运的动人力量。

渔民王德福开局遭遇退亲，还被村里垄断海产品生意的同行处处刁难打压。为人踏实本分的他，救下意外落水、丧失过往记忆的女子清漪结伴出海捕鱼。依靠多年积攒的赶海实操经验，再加上清漪对海洋气象、鱼群洄游规律远超常人的敏锐洞察力，二人每次出海都能收获大量优质海产，一步步打破对方的行业垄断。突发海上风暴时，清漪凭借专业的海洋避险知识提前预警，守护了整个渔村的安危。后来王德福建起海产品冷链代收站点，添置福满号远洋大船，牵头带领全村渔民规范经营、抱团发展，携手走上共同富裕的道路。

张海生自幼被大伯一家抚养，十分信任堂哥张海龙，两人合伙捕鱼约定收益平分。张海生靠着祖传捕鱼技巧辛苦出海，收获三百万渔获，可堂哥串通姐夫做假账，只分给自己三万，还想将他排挤走。张海生不再一味忍让，依靠捕鱼的本领与人脉，一步步揭穿对方阴谋，夺回本该属于自己的财富与尊严。

国际影后徐明珠因小三事件陷入舆论危机。反应迅速的徐明珠找到偷拍照片中误入画面的 观星村渔民程星野，打算假借契约结婚来洗白形象。而程星野真实身份为沈氏集团总裁沈 妄，半年前隐居渔村。极度明星作派的徐明珠空降观星村，为达成目的留在了程家。虽与 外冷内热的程星野处处不对付，但也凭借自己跳脱的处事方式解决了村里诸多矛盾，本就 善良的两人在这段搞笑又治愈的日子里互生情愫，相互扶持共同成长，最终走出各自内心 的阴霾。

这里是五十万，立刻离开我儿子！

方罗兰回到乌镇成为县政府的办事员，与小学教师陆梅丽结婚。怀有隐秘个人动机的特派员胡抱素来到乌镇，准备大捞一笔，被点燃梦想的方罗兰和从上海来的女协干部孙舞阳被其利用……