What do the Algerian war of liberation and Yugoslavia have in common? Stevan Labudović. In 1959, Tito himself sent his favourite cinematographer to Algeria. The resistance against the French colonial rule needed the eyes of the world, and the experienced partisan Labudović helped open them: His images gave the lie to the propaganda of the occupiers and their Western allies. This is a portrait of the man, the mission and the age – as film, ideological and personal history. 　　For three years, until the Democratic Republic of Algeria was proclaimed, Labudović put himself and his camera at the service of the people fighting for independence. Mila Turajlić found the newsreel footage shot at the time in the Filmske Novosti archive in Belgrade, got in touch with the aged pensioner and followed his trail. From a wealth of archive material, diary entries by and interviews with Labudović, with contemporary witnesses from Yugoslavia, Algeria and New York, where the young Maghreb state, like many other former colonies, struggled for admission to the United Nations, she distils the promising origins of an alliance that stood at the beginning of the Non-Aligned Movement, which was to oppose the dichotomy of the superpowers. Thus the bow to her compatriot also gains global political topicality.

In an unexplored vault in Belgrade, the capital of the former Yugoslavia, lies a collection of films known as “the Labudović Reels.” On them are images of African and Asian liberation movements and revolutionary leaders that defined the era of the 1960s. How is it that the archive of these revolutions lies on another continent, forgotten in a film archive? The answer to this question takes us into the story behind the images, on an intimate voyage with the man who filmed them. 　　As the cameraman of Yugoslav president Tito, Stevan Labudović captured an era of politics, personality and promise, filming the birth of the Non-Aligned Movement. Sent on missions by the President to film liberation wars, he would play a key role in the information battles that defined the era of decolonization. Together with Ciné-Guerillas, this film diptych examines the legacy of these extraordinary archives, seeking to project their political vision forward. 　　Non-Aligned re-traces the birth of the Non-Aligned Movement during the era of decolonization, and the personalities who defined it, examining how cinema gave expression to their political dream. 　　源自：https://www.idfa.nl/en/film/39f5e864-4439-413a-b67c-d3f7e1cf818b/non-aligned-scenes-from-the-labudovi%C4%87-reels

故事设定在黑人权利运动时期（上世纪七十年代）的英国，主人公是一对充满激情的情侣Jas和Marcus。他们爱得死去活来，但理想和价值观驱使他们从政治活动家变成激进的极端主义者，爱情也面临终极考验。他们于1971年解救了一名政治犯，还在伦敦成立了一个地下激进组织，专门针对不公正的社会现象展开武力行动。在现实生活中，英国政治保安处的确成立了绝密的反谍报部门「Black Power Desk」，专门打击所有形式的黑人极端主义。

本片以第二次世界大战末期，在意大利登陆的美军攻破德军防线为背景，导演以令人感动的场面把美军从南部攻到北部期间所引发的一些意大利民间故事编成一部有连贯性的社会写实的电影，画面上的真实感，给予人们非常大的冲击，创下了意大利电影的新潮流……

1946年，西府地下党接受习仲勋指示，收编地方武装柳汉周成立西府游击队，策应三五九旅北返。游击队指导员孙桂芳努力改造这支队伍，为延安运送了大量紧缺物资。支援了解放战争。

1946年，西府地下党接受习仲勋指示，收编地方武装柳汉周成立西府游击队，策应三五九旅北返。游击队指导员孙桂芳努力改造这支队伍，为延安运送了大量紧缺物资。支援了解放战争。

1946年三五九旅北返延安时，新成立的西府游击队劫获了一批国民党军用物资，地方保安团与警察拼命争夺，游击队做出巨大牺牲，终于把物资送到延安，有力地策应了三五九旅成功返回延安。

1946年三五九旅北返延安时，新成立的西府游击队劫获了一批国民党军用物资，地方保安团与警察拼命争夺，游击队做出巨大牺牲，终于把物资送到延安，有力地策应了三五九旅成功返回延安。

抗日战争时期，山东南部枣庄矿区以刘洪、王强为首的一批煤矿工人和铁路工人，不堪日寇的欺压和蹂躏，在中国共产党的领导下，秘密建立起一支短小精悍的游…

抗日战争时期，鲁南临城、枣庄一带的铁路线上活跃着一支游戏队，队员在大队长刘洪（曹会渠）、政委李正（冯奇）的领导组织下，配合主力部队给予了日军沉…