1943年9月，行驶于大洋正中的潜水艇卡佩里尼号，正在前往日本输送战时物资。与世隔绝的他们并不知道本国已判出原有阵营，尚做着纵情欢歌美梦。殊不知等待着他们的是刻板严厉的日本海军少佐・速水洋平。奉行享乐主义的意大利船员与将捐躯赴国刻入灵魂的日本少佐，一段家国与本性的碰撞即将展开。

1943年9月，行驶于大洋正中的潜水艇卡佩里尼号，正在前往日本输送战时物资。与世隔绝的他们并不知道本国已判出原有阵营，尚做着纵情欢歌美梦。殊不知等待着他们的是刻板严厉的日本海军少佐・速水洋平。奉行享乐主义的意大利船员与将捐躯赴国刻入灵魂的日本少佐，一段家国与本性的碰撞即将展开。

十五岁的奥利弗坐在教室里的时候脑中总是充满各种幻想，周围的一切对他来说都是普通中蕴含奇异的存在。在同学里他总是显得不合群，他注意到同学祖娜也是如此。祖娜在铁桥下约见奥利弗并拍下两人亲吻的照片以此来刺激前男友，奥利弗为此付出了被祖娜前男友教训的代价，而这却让两个人真正走在一起了。

Lebanon, 2017. The garbage crisis has not been solved, the health threats are now bigger than ever and more acid rain is coming. Everyone in town, disillusioned and fed up with it, has decided that this situation cannot go on anymore, and plan to leave, forever. Hala, however, hardened wild child in the body of a young woman, who has been hiding in her nest for a long time, refuses to follow the movement, clinging to whatever remains of home. Through its colorful characters and lack of leader figure, Hala and this town serve as a microcosm of a country that has lots its glory, and its leaderless generation

Lebanon, 2017. The garbage crisis has not been solved, the health threats are now bigger than ever and more acid rain is coming. Everyone in town, disillusioned and fed up with it, has decided that this situation cannot go on anymore, and plan to leave, forever. Hala, however, hardened wild child in the body of a young woman, who has been hiding in her nest for a long time, refuses to follow the movement, clinging to whatever remains of home. Through its colorful characters and lack of leader figure, Hala and this town serve as a microcosm of a country that has lots its glory, and its leaderless generation

电影《黄色潜水艇》是一部插图艺术创作，画风、设计自成一格，与迪士尼唯美人物造型、浪漫故事情节全然不同。我们可视《黄》为一种视觉艺术，它融合了普…

海军上校达吉（凯尔希·格兰莫 Kelsey Grammer 饰）生性狂放不羁，因为屡犯军纪而被贬职，成为了即将报废的潜水艇“刺鱼一号”的舰长。尽管潜水艇上的船员们尽是一些乌合之众，但达吉却和他们颇为“臭味相投”，之后调来的美丽女上尉雷科（罗伦·荷莉 Lauren Holly 饰）更是让达吉觉得自己来对了地方。 　　在一次军事演习中，达吉率领刺鱼一号完成了一次根本不可能完成的任务，将军格兰（布鲁斯·邓恩 Bruce Dern 饰）是达吉的宿敌，心生妒忌的他再次给达吉出了难题。然而，让格兰没有想到的是，达吉凭借着勇气和幸运再一次侥幸完成任务，但这并没能让格兰回心转意，他甚至企图夺走达吉身为舰长的权利。

In 1515, Leonardo Da Vinci designed a weapon that would allow Venice to defend itself from the attacks of the Ottoman Empire: a proto-submarine that could sink enemy ships. In Hito Steyerl's immersive installation, we embark on a metaphorical journey aboard Leonardo's Vessel. Venice's waters, palazzi and skies, generated by future prediction artificial intelligence (AI) video processing, flow past while a silky voice-over speaks of technology, power, corruption, art and warfare. The voice-over addresses the recent name change of Finmeccanica, an Italian global company specialising in armaments, to Leonardo S.p.A., after the artist and weapon inventor. This manoeuvre is common in Steyerl's work: ripping apart the boundaries between reality and fiction, art and politics, philosophy and daily news through pointed, through nonchalant, rhetorical operations.

邮轮上，老是搞失踪的清洁工男孩被下了最后通牒，却没人知道他在船底发现一条连通都市公寓与深山丛林的走廊。孤单的他在往返穿梭间流连忘返，深夜里悄悄观察居住其中的女人，白天时体验居家生活；远方东南亚的丛林中，伫立着一栋荒废小屋，可疑的声响及震动频频传出，村民们计议着该如何铲除这栋威胁。穿越城乡和山海、传统与现代，哪里才是自己的归属？ 　　改编自十年前的乘船经验，导演以邮轮串起不同世界，打开通往现世狂想的大门。多线故事彼此错综交织，性别、环境、语言各异的主角穿越时空的无尽追寻，文明与阶级的对比俯拾即是。沉稳内敛的固定镜头，风格化的影像色调，为写实日常点缀奇幻色彩。精简的台词及含蕴的留白，缓慢节制又富诗意，言语之外的情绪流动令人回味无穷。

《潜水》讲述了一个悲剧性的真实故事，法国自由潜水的世界纪录高手奥黛莉·梅斯特在试图打破自己创下的557.7英尺潜水世界纪录时不幸丧生，她的丈夫皮平（Pipin）为了纪念她，决定为她完成遗愿，而这个经过都被卡梅隆拍摄了下来。 　　卡神将与他的光风暴公司(Lightstorm Entertainment)的搭档Rae Sanchini、Barry Josephson共同为这部电影担纲制片。至于“潜水达人”卡神为什么不亲自执导该片，显而易见，他已经为自己的《阿凡达》续集伤透了脑筋，正忙着同时撰写三部续集的剧本的卡神俨然已经分身乏术。