当朱莉亚庆幸自己终于熬到退休，能有大把时间专注于心爱的雕塑创作时，却不得不面对独自赡养九十岁老母亲的困境。本片灵感来自于西班牙16世纪，以神迹和诗歌闻名的圣女“阿维拉的特蕾莎”的事迹。导演伊万·鲁伊斯·弗洛雷斯以静谧的镜头语言对抗喧嚣的当代世界：片中的白头老妪虽被梦想与责任间的矛盾所困扰，但却在艺术创作中身心沐浴于优雅境界，传递出隽永的欧洲文艺复兴艺术气息。

这是一部关于克服电影和生活中陈词滥调的视觉喜剧。一个色彩黯淡的女孩试图找回自己的色彩，直到她遇到一个人，这个人改变了她对自己和周围世界的看法。

七月是一名医学生，在大学城经营着一家咖啡店，凌晨四点总会遇见一位带着电脑的神秘客人，某天对方遗落了一个U盘，她意外破解密码后得知一种高传染性病毒将在72小时内爆发，毁灭性灾难即将来临，于是当即决定撤离。

A young mother is plagued by a tragic mistake and alienates her little boy. A brilliant writer is released from prison after serving a 15-year sentence and begins working at Vic's Diner. Their stories converge when the man must overcome obstacles of the past to save the little boy and ultimately himself.

花艺天才霍司丞因创伤失去辨色能力，却在夜市偶遇摆摊卖花的苏沐葵时重见色彩。为赢国际花艺大赛、两人从针锋相对到默契并肩，历经抄袭污蔑、公司破产、车祸危机，他们携手揭露真相，最终霍司丞恢复色彩感知，两人收获爱情，用爱与坚守书写重生传奇。

木下惠介遇上黑泽明的剧本，分明一部喜剧，越看下去越是人性和命运的交响曲。喜剧的前提和开篇，滑稽贪婪的房屋经纪要赶走租住其目标破房子的穷画家，跟情妇搬到画家楼上见步行步。不正经的情妇给楼下的开心快活人天天小姐前小姐后，叫得真以为自己是大家闺秀了，谁知烦恼就这么开始。当画家 的模特儿本是美事啊，给那眼睛望着真如沐在清澈河水里，但善良的眼神无声无息变了穿心箭，用心做小姐原来好痛苦。楼上叹世界楼下捱世界，孰是天国孰是地狱，就是吊诡。 @Summer IFF 2012 From a script by his more widely recognised peer, Kurosawa Akira, Kinoshita Keisuke constructs a sensitive examination of an affluent but spiritually bankrupt real estate broker forced into a fresh outlook on life by an impoverished but enlightened artist. Intending to turn a tidy profit renovating a crumbling house, the broker tries to drive the artist and his family out of the home by moving his bawdy mistress into it. The plan starts to splinter when she agrees to sit for a portrait. Kinoshita deftly balances humour and drama for an astute reflection on art, reality, commerce, and fundamental humanism.

“FRESH肖像”是“FRESH新鲜中国”纪录片频道旗下的节目，于2016年6月首播。这部剧集将镜头聚焦于不同行业的小人物，像纹身师、脏辫师、街舞爱好者、老戏骨、健身教练等。每期节目会让受访者绘制一幅自画像，并对着镜头阐述自己的“生活宣言”。

This movie is a collection of still pictures of residents of Russian countryside. Not a single word. Only long look into the camera. Landscape. Flow of time.

Melodrama detailing the real-life love affair between feminist writer Vita Sackville-West (Janet McTeer) and novelist Violet Keppel (Cathryn Harrison) against the backdrop of post-World War I England and opposition by Vita's politican husband Harold Nicolson (David Haig). Vita and Violet's romantic relationship becomes increasingly obsessive which spawns destructive feelings of possessiveness and jealouy between them.