As he sits on a present situation where his childhood's expiration date gives way to an uncertain adolescence, Agustín decides to create a small freedom spot far from his daily routine, which includes taking care of his sick grandmother. When the last day of school is over, Agustín and his friend Javier escape during the nap time when his anonymous river town closes the shades and blinds itself from adventure. Capturing the nuances of every tiny experience and managing to make reality and imagination float without forcing the storytelling, Fernando Gatti's first film escapes the easy portrait of puberty and gets a quiet, broken adventure to project the same whispered and blinking vitality of a strong river's murmur and reflections. With no sentimentality but rather a perplex emotion, the world portrayed in this film is a relaxed crossroads where the paths open up without disturbing the landscape, as if change was a new perspective about to be revealed

方蓝雨声称被同学赵一航“袭胸”，准备从严处理的教导主任突然改变态度，称其诬陷赵一航，赵一航坚决否认自己的行为，不雅照片的流出逐渐让方蓝雨成为了校园里的众矢之的。作为“袭胸”唯一的目击者，蓝雨最好的朋友何婧却在此时选择了沉默。

2014年毕业设计作品，韩国建国大学09届

Tale of sorrow and nostalgia mixed with pop songs and feminine ysgou.cc strength.

Binya是一个11岁的小女孩，生活在一个平静的乡村小镇里。

Binya是个11岁的小女孩，居住在宁静的乡村小镇。有一天，她用外祖母那条被视为能带来好运的项链，换来了一把蓝色的日本式洋伞，她对这把伞喜爱至极。得到伞后，Binya在空地上欢快地唱歌跳舞，这既是庆祝愿望实现，也是一种物神崇拜仪式。小镇上的人都渴望拥有这把漂亮的伞，自然对伞的主人Binya态度也不一样了。影片添加了许多绚丽多彩的画面，融入宝莱坞风格的歌舞场景，揭示了“物质崇拜必将受罚”这一古训。

暂无英文版的简介，请添加内容帮助我们完善数据库。

Once more, Vlacil's films are largely about subjects that are not seen on screen. With some spoilers, here we have a story set in 1947 when Ukrainian right-wing anti-Communist guerillas, looking like and feeling like Nazi's, are trying to fight their way through Czechoslovakia to Austria. They come out of the forest to occupy a family's countryside farm house, kidnapping a doctor to help heal one of their wounded, but this could just as easily be about the post-war occupying forces in Eastern Europe, or the occupying Soviet forces in the 60's, as there is an initial belief that there is nothing anyone can do, or to coin a STAR TREK phrase, `Resistance is futile.' The film has a very languid pace which establishes the mood and pace of this small village, much of it is wordless, with a Sergio Leone acid-western feel, easily the most outstanding feature is the original music by Zdenek Liska, which plays on the inner psychological turmoil, providing an unseen character in the film. The father gives the appearance of passivity, as he is outmanned and outgunned, while his eager young son wants a taste of immediate revenge. But a wiser course of action is called for, waiting, giving the impression he is yielding to their demands, as the father wants to protect the lives of his wife and children, which allows for large doses of screen time where various family members are performing daily farm chores, just trying to survive this ordeal, while interspersed in each frame are men with machine guns who sadistically threaten their every impulse. This farmhouse under occupation represents a country under occupation, all feel like helpless victims where every moment is spent in fear, any minute things could spin helplessly out of control, and this film skillfully gets under everyone's skin.

故事围绕一个孤独少年展开，因与当地反叛者坠入爱河，他的生活渐渐失控，他也在盛夏时光浸溺于药物的糜烂。本片是以利亚·拜纳姆的导演处女作，剧本由其亲自撰写，该剧本更曾登上2013年好莱坞剧本黑名单。影片也将于3月13日在西南偏南电影节首映。

末日炎夏，女科学家“我”的实验室是人类生存的关键。男友苏远洲却与小青梅周雨棠高调宣称孵化出全国唯一“冰蚕”——实则为“我”的失败品。苏远洲假意致歉，实则为周雨棠开脱，并屡次将“我”的珍贵物资搬至周雨棠家。当“我”撞破苏远洲彻夜狂欢、醉酒不归，并被周雨棠挑衅后，苏远洲仍谎称是为周雨棠解决危机，甚至指责“我”冷血小气。面对他为小青梅不惜耗尽保命物资、不知悔改的嘴脸，“我”终于愤怒地划清界限，看清了这场炎夏背叛的真相。