"The Smell of Burning Ants" looks at the underbelly of what it calls "male socialization and boyhood cruelty." At one point the narrator says that boys "become boys, in large part, by not being girls. The ones who don't figure this out are the same ones who get beat up." One of the problems that the film is probing is the vacuum of clear social edification; boys get their identity through social cues which are mediated with large distortion. Men who are already fragmented find themselves inexplicably angry, unable to cope with a mechanized society that pigeonholes masculinity as automated and repetitive violence (verbal and physical). The anger gets loosed on the family, and the children internalize this as both being directed toward them and a pattern to mimic. Masculinity is a poisoned bloodline but is the only one transmitted. Boys must reject the creative anima in place of loyalty. If there is a social genealogy the film tracks then it is sired by brute strength and alienation. A lot of the footage is found footage, but it is cut and manipulated enough (optical printing, slowed framerate) that it feels like fiction rather than a documentary. It's a highly charged fiction though, given a haunting soundtrack and a narrative voice that lisps just enough to undercut the seriousness of the tone. It teeters between art and melodrama. It's my favorite Rosenblatt of the bunch I've seen and should get a receptive audience at kg.

讲述了五只蚂蚁因为各种缘由入坑股市，他们一起参与神秘股市聚会，通过股票领悟到人生、友谊、爱情的human喜剧故事。

An Englishman and a cabby try to save an heiress from murder in Spain.

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影片讲述的是三个来自不同文化背景的人，他们的人生都有着相同的悲惨境遇。他们意外地踏上了一段公路旅行，想要在这次旅行中找寻在土耳其难民营里失散的亲人。但是，随着故事的发展，他们最终痛心地发现，他们不过是在寻找自己。

◎译　　名　肥料推销员

“我们的记忆中充满了不同的味道。让我们回到第一次见面的那一天，好吗？”对于两位女孩来说，这是一次新鲜的冒险。她们决定深入记忆，寻找那些气味。通过照片、音乐和对话在这个时长两分钟的混合了图片与影像的风格之作中讲述她们的爱情故事。

90年代當紅搖滾樂團「她好樣的」主唱貝琪，每次開唱粉絲都把體育館塞爆。她瘋狂、熱情，卻又有著無法掌控的自我毀滅特質。隨著樂團名氣起起伏伏，貝琪與團員、母親、男友和女兒之間的距離也忽遠忽近。她要帶領樂團走向成功，得先設法馴服自己躁動不安的靈魂。