The events take place in a small Albanian village, around the 1930s. This isolated land, dominated by rituals and patriarchal relationships is the spirit that welcomes the newborn child of Abas. Servet, a co-villager, emigrant in the United States of America comes back in his homeland bringing a new vision and a new mentality, which serves as an inspiration for the 10 years old boy, Gjoleka, the son of Abas. Gjoleka founds himself in between of the ideas of his wild father, Abas and his godfather, Servet. Gjoleka symbolizes the young generation in the difficult realities that offer small and underdeveloped countries, where the outside world constitutes an irresistible attraction. The movie shows with a deep realism the human relationships, such as love, jalousie, hate, the impossibility to be integrated with another world, making this way a cruel autopsy of the weird society to which, "sometime" we belong.

跟随Piv和Ulrik，他们正努力成为女儿新学校班级家长群体的一员，竭尽全力争取被录取。

After Clown Teddy lost his son, he lost his gift for laughter. He opened a joke shop and lived above the shop. His landlady has had a foster son since birth, and Teddy decides to raise the child, who always believed that Teddy was his father. When the mother suddenly appears five years later and wants her son, Teddy decides to run away with the child and goes back onstage with his son. Will the family catch up with them, or will the mother never get her son back? Had some unfavourable reviews, but it's a movie, it's make believe and it's fun. (Bamboo)

千堂真澄（松重丰 饰）是在高中里执教的老师，个性古板严肃的他和儿子胜喜（井之胁海饰）之间的关系非常的疏远，他甚至完全不知道胜喜整天都在忙些什么。一天，千堂意外的收到了胜喜出意外的消息，当他赶到医院时，等待着他的，是完全失去了意识，陷入了昏迷之中的儿子。 在这个节骨眼上，3个身穿偶像服装的可爱女孩忽然出现在千堂的面前，她们是还未出道的地下偶像组合，而她们的经纪人不是别人，正是胜喜。失去了胜喜，偶像团体面临着解散的危机，此时，被三位少女的活力所打动的千堂，决定接替儿子的工作，成为她们的制作人。

布鲁克林友谊学校四、五年级的学生合唱团和布鲁克林犹太老年中心的退休老人合唱团每年都会联合举办一场音乐会。他们各自练习了几个月，只通过笔友交流，最终在音乐会前见面进行彩排。孩子们对老年人的各种固有观念，以及老人们对待衰老和与年轻搭档合作的态度，是这场音乐会的主要关注点。

When Jihan was six years old, her father flew to Cairo and never returned. Mansur Rashid Kikhia was the Foreign Minister of Libya, ambassador to the United Nations, and a human rights lawyer. After serving in Qaddafi's increasingly brutal regime, he defected from the government and became a peaceful opposition leader. Kikhia was obsessively loyal to his country but ultimately, his determination to reason with Qaddafi led to his disappearance from a hotel in Egypt in 1993. Jihan’s mother Baha Omary, a strong-willed Syrian-American artist, began searching for him, launching the family into an international political maze. Her mission to find justice brought her to the Libyan desert in the middle of the night, face to face with Qaddafi to negotiate her husband’s release. Yet it wasn’t until after the regime’s fall, 19 years later, that his body was found in a freezer near Qaddafi’s palace. My Father and Qaddafi takes the audience on a raw and reflective journey as Jihan pieces together a father she barely remembers, while discovering the troubled history and politics of Libya. Her journey starts from fading personal memories, leading to encounters with family members, her father’s peers, and historical archive footage. Hoping at first to uncover the truth, Jihan instead transforms the mystery into a curiosity that brings her closer to her father and her Libyan identity. She approaches politics not as a distant subject, but as a lived experience that penetrates into every human relationship - even between a little girl and her father. Mansur Rashid Kikhia was the former foreign minister of Libya, ambassador to the United Nations, and a human rights lawyer. In 1980, he defected from the Libyan government and became the peaceful opposition leader to Qaddafi’s regime. In 2012, his body was found frozen and fully intact near Qaddafi’s palace. For 19 years, Jihan and her family were living between two worlds: the political and the personal. While she and her siblings were busy memorizing dance routines and watching Disney movies at home, their mother, Baha Omary Kikhia, was navigating the often suspicious political agendas of the United States, Libya, and Egypt. Soon Baha, a Syrian-American artist, became an unexpected player in a dangerous political game with some of the most powerful political figures in the world. Her mission would eventually lead her to the Libyan Desert in the middle of the night, alone face to face with Qaddafi to negotiate her husband’s release. "Searching for Kikhia" is navigated from Jihan’s perspective as she tries to understand the country that both created her father and killed him. She approaches politics not as a distant subject, but as a lived experience that penetrates deeply into every human relationship - even between a little girl and her father.

该片围绕主人公谭东与父亲谭克俭之间的情感黏连展开，在母亲三周年回乡祭拜期间，无意中见证了父亲重建生活的全过程，这使得他开始重新审视自我、认识生活、完成了与父亲的和解。由此，他的记忆、幻想与现实开始密集交织在一起，父亲、母亲、妻子、女儿以及村镇上的人和事都统统浮现在他的笔下，完成了一场现实与虚妄交织的情感自愈。

オレは約1年ぶりに京都の実家に帰ってきた。大学は出たが、子供の頃から好きだった映画の世界に進みたいと思いながら、フリーター生活を送っている。 母は中学生の頃、父は3年前に亡くなった。父は男手一つで子供たちを必死で育てた。父が残した家を姉が守ってくれていたのだが、結婚が決まり、更に夫の海外出張が決まったため、姉はこの家を売ろうと思うと告げた。オレは父の遺品から「思いでの記」と題されたノートを見つけた。そこにはオヤジの恋の思い出が記されていた。 23歳の父。若い頃から映画が大好きな父は、 ある日映画館で勇さんという年長の男性に体を触られる。慌てて映画館を出てきた父を追いかけてきた勇さんと出会い、初めて男性との接触を体験した。その後、父は勇さんを誘って歩く中、手を繋ごうとするが、勇さんは周囲の目を気にしそれを跳ね除ける。父の恋は儚く散った。 それから父は行きずりの恋を繰り返した。そんな時、ゲイバーで知り合った戸田と映画の話で盛り上がり、ホテルへ行った。彼の変態的なセックスが父には新鮮だったが、彼は既婚者だったのでうしろめたさを感じた。戸田との関係を続けながらも、彼にとって父は単なるセフレにすぎず、やがて二人は別れた。父はオレの母と結婚し…。

Eduard and Charlotte live an isolated and idyllic life together. But soon Eduard feels that something is missing and he invites his friend Otto to come stay. Charlotte, meanwhile, decides that her foster daughter Ottilie should come live with them. Complex and passionate relationships between the four people begin. Based on Goethe's novel of the same title.