墨西哥母亲玛格达勒娜在前往美墨边境寻找失踪儿子的路途中，遇到了不久前被美国驱逐出境的男子米格尔。玛格达勒娜寻子，而米格尔则希望能再见他母亲一面…

1965年荷蘭阿納姆電影節大獎 史高林莫斯基含自傳成份的第一部片，描寫一個不滿現狀的青年(史高林莫斯基親自扮演)在半天裡的心路歷程。安德烈要在短短數小時內決定參加為期兩年的兵役，抑或繼續學業和面對現實的社會？安德烈一直將他的身份與背景隱藏，不想向任何人揭露，就算同居女友泰蕾莎對他亦一無所知。安德烈與泰蕾莎之間的隔閡，正好暗示兩人之間面臨決裂。雖然安德烈答應接見他的軍官會依時報到，但冷靜下來時卻盤算有沒有其他值得留下的理由。即使有太多的失望與挫折：與泰蕾莎的愛情生活不如意，愛犬又因染上瘋狗症而被人道毀滅，安德烈並沒有準備離去的跡象，只是努力地找尋留下來的藉口。當安德烈不斷與他的朋友碰面，時間逐漸消逝，他亦不斷進行自我的鬥爭。影片發展下去，這個像夢境一般的旅程，漸漸演變成找尋自我的心路歷程。史高林莫斯基的電影皆以年青人面對的社會問題為中心，對心態的刻劃十分深入。

暂无剧情简介

The main character recovers consciousness after a terrifying accident and discovers that it is 2035. The last thing he can recall is his work for a corporation that created robotized systems.

Comic Trash Productions推出了双片连映的影院放映模式。这两部影片都通过俏皮的妓女形象和色彩斑斓的悬疑元素，捕捉到了邪恶美女的迷人画面。这种精彩的双片连映让人仿佛时光倒流回70年代，重温了廉价露天电影院的美好岁月。对于真正热爱剥削电影的磨坊电影爱好者来说，这无疑是一场饕餮盛宴。这两部电影都经过了重新剪辑，并重新打造出了磨坊电影的风格。

In 1991, when images of the Gulf War flooded the international media, it was virtually impossible to distinguish between real pictures and those generated on computer. This loss of bearings was to change forever our way of deciphering what we see. The image is no longer used only as testimony, but also as an indispensable link in a process of production and destruction. This is the central premise of Erkennen und Verfolgen, which continues the deconstruction of claims to visual objectivity In War at a Distance, Farocki returns to themes explored in works such as Images of the World and the Inscription of War, bringing them technologically up to date. The automation of factory production is paralleled with the automation of destruction in warfare, and a new world of machine images is revealed – images not intended for human eyes, but for the visual tracking systems of the digital age. The video traces the history of missile guidance systems from WWII through the present day using visual artifacts of machine guidance systems, as well as training films, missile footage from the Gulf War, and flight and battle simulations. A coolly terrifying glimpse of the future.

为研究俄罗斯狩猎传统，芬兰年轻人莱沃来到俄罗斯，被朋友邀请加入一支由各色人等组成的打猎队伍。当莱沃发现，猎人们随身携带的主要是伏特加后，莱沃意识到，事情和他期待的有所不同……

Several friends (General Ivolgin, huntsman Kuzmich and Leva Soloveychik) decide to spend their vacation by fishing. Taking with themselves a large helping of vodka, they sail off, but quickly find themselves without much understanding as to their present location. Finally reaching some shore, which they mistakenly believe is still Russia, but which in reality happens to be neighboring Finland, they get off the ship and spend some time on the shore, eventually falling asleep. Not without the effect of previously consumed alcohol, the friends manage to forget their supplies of vodka as they sail off the shore. The quantity of forgotten goods being sizable (15 cases, with each case traditionally holding 20 bottles), they now face the challenging task of getting back their belongings, which now happen to reside across the border in a different country.

Now the peculiarities of the national hunt are investigated during the winter season.

一个女孩子在路上捡到一台相机，自拍的时候却发现相机屏幕除了自己一直有另外一个人脸识别的标识，其实什么都没看到。然后故事就这么悄悄而又恐怖的发生了……