和许多犹太青年一样，萨姆（杰西·艾森伯格 Jesse Eisenberg 饰）的一生几乎都被安排好了，这让毫无悬念的生活令萨姆十分厌倦，家里的每一个人和每一件事都让他感到窒息。邻居齐默曼（贾斯汀·巴萨 Justin Bartha 饰）看出了萨姆的动摇，他主动找到了萨姆，告诉他了一些关于贩毒的消息。 齐默曼把萨姆介绍给了毒贩所罗门（丹尼·A·阿贝克恺撒 Danny A. Abeckaser 饰），就这样，萨姆开始了他离经叛道的新生活。很快，萨姆就展现出了聪明伶俐的一面，在业界获得了好评与肯定，与此同时，他和家人之间的嫌隙也越来越大。最终，萨姆被父亲赶出了家门，然而，他并没有因此而产生退却的念头，萨姆的野心最终会将他引导到破灭的境地。

Second feature film by German-Turkish director Thomas Arslan (Ferien, Aus der Ferne), and a rough diamond of the first generation of the so-called ‘Berlin School’. Can is a young and smart upstart; he dreams of a small family but the money that fuels this dream comes from the streets. Can is a dealer, he works for Hakan who is supplying the kids in his neighbourhood with drugs. And while Can struggles to get control over his life he sees his girl friend, the mother of his kid, leaving and himself increasingly surrounded by false friends. On top of it, a cop (Birol Ünel, the male lead from Fatih Akin’s “Gegen die Wand) is on his back trying to persuade Can to work undercover for the police. The more Can attempts to free himself, the deeper he sinks into a life he never aspired to. “Dealer” uses the form of the gangster film for a superb character study of a young man on his way down. It’s a bleak film, as most of the Berlin School films, but Arslan’s precision is astonishing. His framing of the action (or rather non-action) is almost geometrical, Arslan has a keen eye for space – space that is mostly empty in his film. His characers are lost in the city, although they are never alone. Abandoning all conventional mumbo jumbo like character psychology or empathy, “Dealer” remains as erratic as his main protagonist. It was Arslan’s second film of his 'Berin Trilogy' and the first of his films critics described as ‘Bressonian’. It is nothing but true. “Dealer” displays an honesty and depth that is rarely seen in German cinema. Arslan was never this good again.

故事讲述于佩尔饰演一名为巴黎禁毒小组工作的法语-阿拉伯语翻译。一天她被派遣帮助一个女人陷入困境的儿子，却因此卷入了一场失败的毒品交易，获得了一堆大麻。在坚持与禁毒小队工作的同时，这名翻译悄然走向另一方，成为了知名的毒贩。

14-year old drug dealer Johnny is in a home for young people. When he learns that he cannot go home at weekends any longer, he asks one of his customers, famous successful actor Antony, to be his weekend guardian.

A young orthodox man searches for his place within his family and the rest of the world.

穿越回时光，重返那些消逝的犹太小镇（shtetls）的世界——这些小镇在19世纪的犹太定居点（Pale of Settlement）和前苏联地区曾十分普遍，然而在大屠杀之前就已逐渐没落。如今，仅存的少数犹太小镇都位于现代乌克兰和摩尔多瓦地区。在《犹太小镇》（Shtetler）这部作品对这些小型、残存的……的细致探索中，既充满了引人入胜之处，又带着悲剧色彩。

提到创新，无人不称以色列。令人充满敬畏的犹太文化，他们可以用占世界0.2%的人口获得超过20%的诺贝尔奖。究竟是什么样的教育铸就了她的灿烂？耶路撒冷，究竟有着怎样魂牵梦绕的精神魅力？\n陈明键先生用一年半的时间，扎根耶路撒冷，身临其境，踏入学府，访问了三十余位各界代表性人物。\n道可道，非常道。他们的学校教育并不是顶尖的，但他们的家庭教育如此不同；他们拥有宗教与科学的双重标签，但他们却又对一切保持着质疑；他们有周密的思维传统和严谨的生活准则，但他们却同时热爱挑战和创新；他们的军事教育不是纸上谈兵而是荷枪实弹；他们也可以一个妈妈把十个孩子管理得井然有序。\n这是华人世界第一次对五千年犹太文明的深入探寻！\n这是一次美好而深刻的精神之旅！\n如何养育中华民族下一代的创新者？让我们跟随着陈明键先生的每一次深入对话，去寻找自己的答案。