《猪哥与母老虎》，也叫《猪公猪孙》或《猪公猪孙（猪哥与母老虎）》。猪清风和月英本是青梅竹马的恋人，然而他们的父母猪哥亮和虎嫂关系不和，这使得两人无法长相厮守。在双方父母的安排下，他们各自准备谈婚论嫁，可就在这时，却突然传来新郎缺席的消息……

《母老虎》是1994年上映的德国犯罪、剧情片电影，由Karin Howard执导，James Remar 及Goetz Hellriegel 等主演。 《母老虎》讲述了一位美丽、狂野而又非常独立的街妓爱上了一位潇洒的骗子。当她的一位情人心生嫉妒后，她背叛了他并匆匆离开城里。骗子告诉她能让她进入上流社会，并让她跟自己一起去卡尔斯八德而发生的一系列故事。

现代母老虎薛良玉一觉醒来，竟穿成了古代追妻火葬场文里女主的恶毒婆婆。原著里，她虐待儿媳、纵容儿子、助攻绿茶，最终落得众叛亲离的下场。而穿过去的薛良玉，只想亲手改写这一切！绿茶女配上门欺负小白花儿媳？薛良玉上去就是一巴掌！渣男儿子赶来劝架？薛良玉直接动用家法！可收拾来收拾去，薛良玉震惊发现，那位本该与她感情破裂的夫君——锦衣卫指挥使陆焰，看她的眼神越来越不清白了。原来陆焰竟能听见她的心声。

《猪哥会社》（英语：ZhuGe'sReturn／ZhuGeClub）是台湾的电视综艺节目，2009年8月1日起在民视播出。导播黄治伟，制作单位是和展影视，由徐嘉森和阮文弘制作，为猪哥亮自2009年复出后主持的第一个节目，并搭配女主持人侯怡君。主题曲为张宗荣作词、林玉峰作曲、孔锵编曲、猪哥亮主唱。2012年3月，猪哥亮以身体健康为由，请辞《猪哥会社》，并由余天接棒与侯怡君搭档主持，余天主持的第一集，猪哥亮还以特别来宾的身分出席。

百年虎妖胡小满被天道送下凡，体验世人的七情六欲。胡小满一睁眼便成了恶毒后娘。为了完成历练，胡小满做起了贤妻良母，护犊子，赚钱养家，除反贼。与谢家人日复一日的相处中，胡小满也逐渐懂得了人类的情感，并与丈夫谢朗乾终成眷属。

独居寡居女子偶然救下一只受伤白虎，自此白虎便一心追随，终身守护女子。乡内蛮横村痞时常上门骚扰刁难，白虎挺身而出将其驱退；山间山匪劫掠村落，白虎奋勇对敌保下女子平安；黑心奸商企图欺瞒算计女子，也被白虎震慑惩戒。这只白虎灵性十足，甘愿倾尽自身一切护佑恩人。一人一兽跨越物种相伴，历经无数危难，彼此舍命相护，结下深厚难断的生死羁绊，山野岁月因这份双向守护多了安稳暖意。

“Chinese artist”: put those two words together and you get a virtual “open sesame” for biennales, art galleries and private collections. Though they were known only to a happy few early on, word of the discovery of the Chinese avant-gardes from the 80s soon spread. Being an artist in China today can be very lucrative indeed… as long as you hopped on the bandwagon at the right time. For trends change in the blink of an eye. This film gets inside an art system as well as penetrating Chinese creators’ dual identities: both predatory and exotic. Both “tiger” and “panda”. Spanning China’s eras and profound mutations over the last two decades, artists and critics, curators and gallery owners talk about the different currents that left an impression: the “political-pop” paintings of the 80s that thumbed their noses at the recent political past, the outrageous caricatures of Chinese society produced by adepts of “cynical realism,” performance art bordering on terrorism, then the multicultural 00s, steeped in manga culture, video art, internet, and more. From Suzhou Creek in Shanghai and Factory 798 in Beijing, the two main showcases for contemporary Chinese art, the film plunges into the buried memories of the earliest hippie-artist villages in the 90s, up to the first wave of demolition… The choice of a Franco-Chinese co-direction has quickly become selfevident. A dual gaze made all the more valuable if we wish to bring into clear focus the confrontation of two imaginary worlds: the West that the Chinese long for and the East that we Westerners fantasize. In so doing, the film hopes to scramble our western gaze, which seems to be stuck on a China we believe to be gung-ho and productive, in a state of fecund, inspired flux… yet which can not live up to this idealized portrait. More than ever, artists are questioning their deepest identity and what they are to become. What is the price to pay to preserve art’s independence? What does it mean to be an artist in today’s China? Or to be Chinese when you decide to be an artist?

《猪哥会社》是台湾一档音乐类综艺节目，也是号称秀场天王的猪哥亮隐身10 年复出后主持的第一个民视节目，节目延续猪哥亮一贯的“猪式幽默”，以歌厅秀模式为主轴，邀请歌星来演出和访谈，更兼娱乐搞笑。

故事发生在南台湾的一格村庄，许水生独身一人无妻无子，以猪配种为业，一天在黄昏归途中路过土地庙，忽闻婴儿哭声，走向前一看是名弃婴，水生又惊又喜急忙抱回家。同村夫人阿枝生有二女，丈夫早被日军征召南洋充当军扶音讯渺无，对水生亦很关怀照顾，久之在村人凑合下两人结婚。很不巧，前夫归来百般纠缠勒索，阿枝无奈远避，为抚养二女操劳成疾，病逝，两女交给水生抚养，转眼孩子们长大成人，弃婴福来孝顺憨直，丽红追求浮华生活，丽惠内向乖巧，最后丽红坠落入红尘，福来为找丽红寻遍亦与人发生口角互打，幸老板娘出面和解无意中看到福来身上玉佩问明由来，原来老板娘是...

清朝乾隆年间，猪哥亮打算寻找唯一的亲人舅舅。没想到，舅妈竟与当地恶棍“王豹”勾结，毒害了亲夫。猪哥亮因目睹这桩通奸杀夫惨案，遭到王豹追杀。幸运的是，他得到李阿成的大力相助，化险为夷。此后，猪哥亮跟随李阿成进京赴考，结果两人失散。在孤苦伶仃之时，猪哥亮买香蕉时遇到了嘉庆君和他的随身忠将李勇。