玛丽十六岁，1813年战争期间居住在法国一座偏僻的庄园里。她经历了初恋。随着劫掠成性的叛军到来，庄园脆弱的和平被狂欢和放纵打破，庄园里的居民沦为阶下囚。

内德爱他美丽的妻子玛丽，但由于他的性功能障碍无法满足她，无论他怎么努力，都无济于事。有一天他发誓将自己的灵魂卖给魔鬼，以换取他缺乏的男子气概，并提出接受他的提议，魔鬼答应了。内德很快发现自己能够享受他梦寐以求的体验，但不知道魔鬼对内德和他所有的新玩伴有一些可怕的计划......

墨西哥超现实吸血鬼片，导演Juan López Moctezuma是JODOROWSKY大师的好友，曾经参与杨大师多部经典CULT片的拍摄工作。 A beautifull artist (Cristina Ferrare) moonlights as a vampire while in Mexico, killing lovers of both sex. It seems that the only person who has any chance of stopping her reign of terror is her father (John Carradine), who's also a vampire. Model and future TV host Christina Ferrare is a lesbian vampire whose victims are dying to quench her thirst for blood. Mexican authorities and her father (John Carradine) try to come between Ferrare and her next target's neck in this horrifying shockfest. Juan Lopez Moctezuma's MARY, MARY, BLOODY MARY (1975) is one of those movies you watch and, after mentally cataloging all the things wrong with it, realize how cool it really is... mostly because of all the things you thought were wrong with it. Cristina Ferrare is such a Pamprin headache of an actress, as stiff as a celluloid collar, and yet she does create one of cinema's most interesting vampires. In many ways, Mary couldn't be worse at what she does - while the early murder of a man interested in more than her paintings goes off smoothly (Miss Thing slyly sliding a hairpin out of her chignon during female superior sex and using it to lay open his jugular), her next victim (a fisherman, whom she has attempted to drug) nearly fends her off until she takes him down in one of the most ungainly vampire attacks of all time. Elsewhere, Mary proves herself a complete chicken shit in moments of tension, as when she breaks down in big boo-boo tears when confronted on a country road by a mysterious figure clad in black. She's lachrymose, emotionally withdrawn, sexually disengaged and her art sucks... what a perfect portrait of an Ugly Americana spreading the white man's poison south of the border. It's in this context that the cheapness of the production, the harsh 70s decor, the cold, perfunctory performances and the wall-to-wall Muzak score actually begin to seem like grounded artistic choices and have a lot to do with why I keep coming back to this one. MARY, MARY, BLOODY MARY ends in a surprisingly cynical bloodbath of ultraviolence that leaves only the pathetic title character standing... or in reality on her knees sucking the life out of the one person whose love she had relied on to point her to some kind of normalcy. Not enough vampire movies use awkwardness and incompetence as character traits to define their bloodsuckers and that's too bad. George Romero had similar ideas for MARTIN (1976) a year later but portraying vampires as just folks is definitely the horror road not taken.

暂无剧情简介

Inspired by a true story, On the End centers on Tom (Nelson), a down-on-his-luck Montauk mechanic who finds unexpected love with Freckles (Enos), a fellow outcast. Their budding romance faces a dire threat when local elites conspire to forcibly remove Tom from his beachfront home and auto repair shop. As Tom and Freckles fight back, their love story evolves into a David vs. Goliath battle against greed and power in the rapidly changing town known locally as “The End.”

Here For Life is an uncommon story on common qiwan.cc ground. Wayward, hybrid, tender.

A mother and her daughter -- who are both victims of incest-rape perpetrated by the same man now languishing in jail -- are approached by a couple of filmmakers with an offer to produce a movie based on the two women's true story. They hesitate on the idea at first but agree eventually for the sum of money they will be paid in exchange for selling the rights to the material. When the finished film is finally shown in theaters, they proceed to the city all the way from their hometown to catch the screening. They are elated at the prospect of seeing the larger-than-life versions of themselves. But as the motion picture gradually unfolds before their very eyes, they instead go through another harrowing experience of a lifetime. Another Version： A movie production company wants to make a film based on a newspaper report of a man convicted of raping his granddaughter. The producer and director interview the girl and her mother, assuring them that the film will be tastefully done. But when the women turn up for the screening, they are dismayed to find their story turned into a sexploitation flick called "Lust for Flesh." They leave the cinema halfway, feeling they have been violated all over again.

《迷失》作为一部心理惊悚片，在剧情上做了一个更加戏剧性的转变，剧中的美国心理学家（埃桑特）却成了一位被迫返回巴塞罗那了结宿怨的畅销作家，Meyer扮演了一位去世病人的妹妹。

尼克（Nick）和埃利奥特（Elliot）兄弟俩是正在逃亡的小毛贼，过着放纵无度的生活。然而，随着尼克的躁狂行为愈发疯狂，埃利奥特竭力想要控制住他。《流浪兄弟》（Strays）是一部扣人心弦的剧情片，讲述了这对兄弟虽然彼此相依，但为了各自的利益却不得不分开的故事。