In Joe Weiland and Finn Constantine's stylish and captivating drama, the risks and anticipations couldn't be any higher for the title character: the only female bull-jumper in France.

在乔·韦兰（Joe Weiland）和芬恩·康斯坦丁（Finn Constantine）执导的这部时尚且引人入胜的剧情片中，主角——法国唯一的女性斗牛跳跃者所面临的风险和期待达到了顶点。

这是一部关于老人和关于改变的电影。固步自封又内心苦闷的亚瑟在失去老伴之后终于迈开了改变的第一步，他要“唱”出自己的心声。

故事关于一个男人和他的私家侦探朋友试图搞定他难缠的前女友，还有一大袋现金……

〖The Saga Of Birn(2011)〗Birn，‘巴昂’一个年老的维京人;瓦尔哈拉殿堂，一个他下定决心要去的地方（北欧神话中死亡之神奥丁款待阵亡将士英灵的殿堂））。为此，他必须光荣地战死沙场才可进入。但是，他发现，死得光荣并非易事。 就像许多短片一样，依然会有让你意想不到的结局。

内德爱他美丽的妻子玛丽，但由于他的性功能障碍无法满足她，无论他怎么努力，都无济于事。有一天他发誓将自己的灵魂卖给魔鬼，以换取他缺乏的男子气概，并提出接受他的提议，魔鬼答应了。内德很快发现自己能够享受他梦寐以求的体验，但不知道魔鬼对内德和他所有的新玩伴有一些可怕的计划......

墨西哥超现实吸血鬼片，导演Juan López Moctezuma是JODOROWSKY大师的好友，曾经参与杨大师多部经典CULT片的拍摄工作。 A beautifull artist (Cristina Ferrare) moonlights as a vampire while in Mexico, killing lovers of both sex. It seems that the only person who has any chance of stopping her reign of terror is her father (John Carradine), who's also a vampire. Model and future TV host Christina Ferrare is a lesbian vampire whose victims are dying to quench her thirst for blood. Mexican authorities and her father (John Carradine) try to come between Ferrare and her next target's neck in this horrifying shockfest. Juan Lopez Moctezuma's MARY, MARY, BLOODY MARY (1975) is one of those movies you watch and, after mentally cataloging all the things wrong with it, realize how cool it really is... mostly because of all the things you thought were wrong with it. Cristina Ferrare is such a Pamprin headache of an actress, as stiff as a celluloid collar, and yet she does create one of cinema's most interesting vampires. In many ways, Mary couldn't be worse at what she does - while the early murder of a man interested in more than her paintings goes off smoothly (Miss Thing slyly sliding a hairpin out of her chignon during female superior sex and using it to lay open his jugular), her next victim (a fisherman, whom she has attempted to drug) nearly fends her off until she takes him down in one of the most ungainly vampire attacks of all time. Elsewhere, Mary proves herself a complete chicken shit in moments of tension, as when she breaks down in big boo-boo tears when confronted on a country road by a mysterious figure clad in black. She's lachrymose, emotionally withdrawn, sexually disengaged and her art sucks... what a perfect portrait of an Ugly Americana spreading the white man's poison south of the border. It's in this context that the cheapness of the production, the harsh 70s decor, the cold, perfunctory performances and the wall-to-wall Muzak score actually begin to seem like grounded artistic choices and have a lot to do with why I keep coming back to this one. MARY, MARY, BLOODY MARY ends in a surprisingly cynical bloodbath of ultraviolence that leaves only the pathetic title character standing... or in reality on her knees sucking the life out of the one person whose love she had relied on to point her to some kind of normalcy. Not enough vampire movies use awkwardness and incompetence as character traits to define their bloodsuckers and that's too bad. George Romero had similar ideas for MARTIN (1976) a year later but portraying vampires as just folks is definitely the horror road not taken.

为了赢得一家肥皂公司奖金20亿美元的竞赛，居住在西苏门答腊岛马宁焦湖畔的村民们制定了一个宏伟的计划。比赛的获胜者、村里的老人Angku Wan在领奖前不幸去世。尼塔、达阿姆、斯玛等村民通过各种方式试图让肥皂公司相信安库万还活着。他们的意图不是出于贪婪，而是出于贪婪。他们希望将这笔奖金用于崇高的目的，例如根据 Angku Wan 的最后信息，为公共福利建设村庄。然而，村民们提出的方案却遭到了支持和反对的声音。当肥皂公司代表安瓦尔突然来到村里确认获胜者时，情况变得更加复杂。

Ombline, a 20-year-old woman, is sent to prison for three years after committing a violent assault on a police officer. Just when she has lost all hope for the future, she discovers that she is pregnant. The law allows her to rear her newborn for the first 18 months of its life, after which time the child must be given up and placed into state care. Ombline has no intention of surrendering her beloved little boy and is prepared to do anything to convince the authorities that she is capable of rearing the child after she has left prison. As her maternal instincts assert themselves, the young woman finds she has a cause worth fighting for, and an opportunity to rebuild her shattered life…

本片讲述的是三位主人公，因为神秘的“抹大拉的玛丽亚”而相互认识的故事。声名狼藉的导演托尼正在拍摄一部关于耶稣的电影，这部电影极端地描写了教士们的阴暗和狠毒，所以在上映的时候备受指责。电影中的女主人公玛丽在扮演完抺大拉的玛丽之后，被这个角色所感染，并前往耶路撒冷开始了一段启迪灵魂之路。同时在纽约，一个叫泰德的电视记者正在准备一支探索耶稣精神的纪录片。这三个人物的命运就戏剧性地走到了一起。