明治末年，大正初期，十市是一名将家安在河边的船夫，他每天的工作是划船接送形形色色的人过河。为了方便村民的出行，一座横跨河两岸的桥即将落成。村民兴高采烈地讨论着桥落成后的便利，只有十市对此有着复杂的感觉。某日，他从河里救了一名受伤的神秘年轻女子。无处可去的她最终只能返回十市家中，这次邂逅开始改变了十市的生活。小田切让首次执导长片，入选威尼斯电影节威尼斯日单元，浅野忠信、苍井优、永濑正敏亦有参与演出。

This simple story of a mother and daughter finds them struggling to find work and food in Paris. Micheline Bezancon is the expressionless young mother who alone worries about the future of her and her daughter. Filmed in black and white, the directorial approach is as simple as the title. She engages in a poignant narrative about her daily life. Half of the time the screen is black, evoking a feeling of despair that permeates the feature. Shot in 16 mm in Paris & its suburbs and co-produced by French television on a very low budget. This was inspired by an item on the back page of a newspaper. The essence of the film is captured by its first person voice-over commentary, and was considered "one of the few genuine masterpieces in the entire history of cinema" by film theorist Noel Burch. The film is not available in English translation, either dubbed or subtitled. But it works very well in simultaneous translation, if prepared in advance.

In a documentary about Samuel Fuller, the spectator gets different impressions about the Hollywood director and his films. The film is divided into the three sections: The Typewriter, the Rifle and the Movie Camera. The first segment covers Fuller's past as a newsman where he began as a copy boy and ended as a reporter. Part two describes Fuller's experiences in World War II, in which he participated as a soldier. The last section focuses on Fuller as director. Tim Robbins interviews Samuel Fuller revealing the director's own memories and impressions. Beside the interview, Jim Jarmusch, Martin Scorsese and Quentin Tarantino accompany the documentary with their comments. Written by Gerhard Windecker {g.wind@mbox300.swipnet.se}

The shrill and tragic story about an event that involved Count Lev Nikolaevich Tolstoy. In an infantry regiment of the military based in the Tula region an offence occurs. In this regiment, the capital’s lieutenant Grigory Kolokoltsev — inspired by progressive ideas — does his service. A military tribunal and execution await the soldier charged with the offence. Kolokoltsev asks Count Tolstoy for help — and he decides to protect the innocent man. The pointed history about the complexity of choice and fidelity to one’s ideals is based on real events.

1940年代末黎巴嫩即将陷入战争时，一对兄妹埃米莉和埃米尔逃往巴西。他们在亚马逊的马瑙斯市开始新生活。埃米莉爱上了商人奥马尔，而埃米尔因嫉妒而挑起事端。在一次争吵中，埃米尔受伤，被奥马尔带往亚马逊丛林寻找巫医救治。埃米尔康复后，埃米莉与奥马尔成婚。而此时，一场悲剧也同时发生。这部电影不仅是对移民过程的描绘，更是对记忆、激情和偏见的深刻探讨。

本剧是电影《纽伦堡》的电视剧剪辑版。1945年，国际军事法庭在纽伦堡正式开始运作。这场后来被载入史册的“世纪审判”，吸引了世界各地无数人的目光——整座城市里满是记者、律师、翻译、证人以及参与审判的各类工作人员和相关人士。伊戈尔·沃尔金就是其中之一，他虽年轻，却经历过战火的考验，不仅获得了勋章，还精通好几门外语。此次，他将在米加切夫上校带领的苏联代表团中担任翻译。一天，沃尔金在纽伦堡的街头遇到了年轻的俄罗斯女孩莉娜，两人渐渐产生了感情。这段感情注定要经历诸多考验，但爱，始终是让世界避免异化的核心力量。

本片将电视影像糅合进动画里，讲述了一个老实本分的普通人成为罪犯的过程。 精神萎靡的Vasily Vasilievitch打死两个喋喋不休的妇人，招来邻居围观，他们都不相信他会杀人。警察赶过来，讲了昨天发生的事：Vasily Vasilievitch一如往常上下班回到家，坐在阳台读报时，楼下四个赌博的男人发出巨大的噪音，不过他仅当这为生活中不协调的奏曲；看一部电影时，不知多少层的楼上传来极吵的电视机播放拳击比赛的声音，忍受不了的他上楼有礼貌地和人交涉，无果；再然后，调好闹钟上床休息时，各种奇怪的声音接踵而至，他终变得对些微风吹草动都异常敏感；而好不容易入睡后，一声厉响传入他的耳朵。