Under roaring fighter jets and missile strikes, Ukrainian artists Slava, Anya, and Andrey choose to stay behind and fight, contending with the soldiers they have become. Defiantly finding beauty amid destruction, they show that although it’s easy to make people afraid, it’s hard to destroy their passion for living.

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The elderly owner of a china shop leaves for the night, and the various figurines and decorated mugs come to life. A demonic figure captures an upper-class lady and does battle with her lord, damaging much of the shop. But the demon proves to have a glass jaw and, literally, a yellow streak, and the happy couple is soon reunited. No dialogue, but some signs are in English, particularly the final punch-line.

A handsome homicide detective is befriended by four old ladies who invite him for tea and proceed to play out a variation of Arsenic and Old Lace for his benefit.

片名：景德镇瓷器 编导：王永宏 摄影：鲁明 影片本数：2 色别：黑白 出品年：1950 拍摄单位：北京电影制片厂 内容简介 在历史上，中国的瓷器曾受到各国人民的喜爱，对于世界各国文化艺术的发展也起了一定的影响。颇负盛名的景德镇瓷器名扬海内外。 近百年来，由于大批东洋瓷器侵入我国市场，夺去了国瓷的销路，使景德镇的瓷业走向倒闭和衰落。解放后，人民政府为了发展民族工业，特在景德镇设立了国营瓷厂，加强对养瓷业的生产领导并做出示范，扶植私营瓷厂复业开工。由于生产设备的改善，并培养出一批设计和制作人员，不断推出新工艺，新产品，使景德镇瓷器再放光芒。

The adventures of three teenage girls - Inken, Vicky and Lena - and their quest to have their first orgasm.

Andrea (Helga Anders), just released from a youth detention center, is wooed by her boss' son and ends up in a love triangle that defies the moral and social norms of the time in more ways than one.

In November 2010, a Chinese vase unearthed in a suburban semi in Pinner sold at auction for £43 million - a new record for a Chinese work of art. Why are Chinese vases so famous and so expensive? The answer lies in the European obsession with Chinese porcelain that began in the 16th century. In this documentary Lars Tharp, the Antiques Roadshow expert and Chinese ceramics specialist, sets out to explore why Chinese porcelain was so valuable then - and still is now. He goes on a journey to parts of China closed to Western eyes until relatively recently. Lars travels to the mountainside from which virtually every single Chinese export vase, plate and cup began life in the 18th century - a mountain known as Mount Gaolin, from whose name we get the word kaolin, or china clay. He sees how the china clay was fused with another substance, mica, that would turn it into porcelain. Carrying his own newly-acquired vase, Lars uncovers the secrets of China's porcelain capital, Jingdezhen. He sees how the trade between China and Europe not only changed our idea of what was beautiful - by introducing us to the idea of works of art we could eat off - but also began to affect the whole tradition of Chinese aesthetics too, as the ceramicists of Jingdezhen sought to meet the European demand for porcelain decorated with family coats of arms, battle scenes or even erotica. The porcelain fever that gripped Britain drove conspicuous consumption and fuelled the Georgian craze for tea parties. Today the new emperors - China's rising millionaire class - are buying back the export wares once shipped to Europe. The vase sold in Pinner shows that the lure of Chinese porcelain is as compelling as ever.