一部记录电影中的同性恋的记录片，从消极面到积极面——两个方面谈同性恋角色以及男女演员遇到的困境。

一名性感的凸轮女孩因在成人网站拍摄非法内容被赶出家门后，搬进一座豪华的沙漠豪宅。在那里，她被一位孤独且情绪不稳定的女继承人引诱，陷入了一段充满色情意味却又有毒的关系。

http://firstrunfeatures.com/makingtheboys/

Short documentary. Interviews with the cast & crew of 'The Fog'

《豪华同志电影史》片如其名，不管是文献份量、受访者的代表性、以及论述纵深，都称得上无比“豪华”！电影从50年代谈起，纪录六十年来大屏幕对同志题材的呈现与转折。除了邀请到奥斯卡最佳导演李安、金棕榈最佳导演葛斯凡桑、柏林影展金熊奖得主托德海恩斯、约翰卡麦隆米契尔等巨擘现身说法，畅谈创作理念与作品意义外，更搭配性别及媒体研究权威从学术角度出发，审视半个多世纪以来电影里同志论述如何与时代氛围及社会运动交相撞击、激荡的动态过程。配合年表，观众除了可以在片中回味《男孩别哭》、《毒药》、《摇滚芭比》、《断背山》等经典作品的片段，更能看到数个世代以来全球各地同志运动所留下极为珍贵的新闻片段与影像纪录。而在《魔戒》中饰演白袍巫师甘道夫的英国资深演员伊恩麦克连在数万人面前公开出柜，并号召其它同志勇敢挺身的动人宣言，也收录进《豪华同志电影史》。

Ilan, an adolescent boy who lives in a farming community, is in constant clash with his father. He accidentally finds a stack of letters in the house attic, letters from his sister Dalya, that never reached him. Through these letters he learns the story of his sister's disappearance, and some facts about his life and his deceased mother. He decides to run away to his sister. A complex relationship develops between the two. Ilan gets closer and closer to his sister's eccentric neighbor. The neighbor, an aging communist with a grand military past, runs, with Ilan's help, a battle against the authorities. The story starts as a conventional adolescent drama but quickly turns into a fascinating and unexpected maturing journey.

Ginger Rogers stars in this rousing, patriotic drama as Jo, a young woman whose husband (Robert Ryan) goes off to fight the Nazis, leaving her home, poor and pregnant. In order to make ends meet, Jo takes a job riveting planes and then moves into an all-girl commune with three other women (Ruth Hussey, Patricia Collinge, and Kim Hunter). It's a touching illustration of grace under pressure as the ladies pool their money and share the household chores while nervously awaiting word about the fate of their brave husbands overseas. The major irony is that the film's title, along with the concept of the women pooling their salaries and living together in a commune-style environment, prompted the HUAC to later use this film as part of their case in blacklisting writer-director Edward Dmytryk, despite the movie's patriotic premise. Whatever one's take on the film today, it was a big hit at the time of release and is certainly unusual from a historical perspective. No other film before or since has offered such a strange blend of genres: part wartime morality booster, part unashamed tearjerker, and part (perhaps) communist propaganda. As a curious piece of history, it is certainly worth rediscovering.

从默片时代开始到如今metoo时期，聚焦和探讨电影中裸露戏份，和其中道德规范的变化，跟其背后政治、社会和艺术的变化有关，以及裸戏的改变如何改变了电影。

2人の子どもを抱える二枚目弁護士と下町の銭湯屋の娘の2人が対立するが、次第にお互いを意識し始める下町人情ラブコメディ。