建设特区的筑路大军刚开入工地，就碰上了种种困难："钉子户"拒不拆迁，工程队管理混乱，工程质量低劣，工程队长不接受新鲜事物，总工陆天杰闹离婚等等，使总经理杨磊面临着现代文明与困难局面的对抗。工程进展到一半，特区地位升格了，上级指示，按现代化城市的要求，将主干线路面拓宽一倍。　　工程要返工，工期照旧，任务迫在眉睫。杨磊立即召开会议，进行动员，并亲临工地指挥施工。一天，徐茂福的工程队挖断了总供水管，使全市突然断水……更大的困难接踵而来，一场大雨使九百米工地顿成一片烂泥塘。陆天杰在抢险中倒在了工地上，原来他已身患绝症。总指挥苏振批评了杨磊的过失，并给予处罚。杨磊是条硬汉子，他面对现实，更加奋发地工作。工程进入决战时刻，杨磊果断采取措施：勒令拖工程后腿的工程队让出一半工程给机械化程度高的队，对不顾工程质量、技术低劣的工程队，不予承包任何工程，赶出特区。陆天杰终因抢救无效与世长辞了。追悼会在工地举行，高高的吊车铁臂上悬挂着无数的花圈，寄托着人们的无尽哀思。杨磊任人唯贤，聘刺儿头柳石为总工程师，提升自学成才的钟培林为工程师，特区主干道建筑如期完成。深夜，开发特区的拓荒者杨磊、苏振乘车来到新的荒原，视察新的工程。漆黑的夜色中，两条光柱顽强地冲破一切，射向前方……

911后伊斯兰移民在美国的遭遇

一位天真的年轻农民攒了五年钱，搬到曼谷买了一辆出租车，希望能为自己和儿子创造更好的生活。

An elliptical look at a young man’s homecoming, emerging LA filmmaker Dwayne LeBlanc’s Civic idles in the in-between. Framed entirely within the confines of a car’s interior, LeBlanc’s richly textured short is built on small gestures, sporadic interruptions, and long pauses between belly laughs, all told beneath the soft rumble of traffic. Missed phone calls and muffled voices come and go as Booker (Barrington Darius) reconnects with friends and family, telling a subtle story of displacement and the enduring desire for recognition in South Central Los Angeles. The first of a trilogy of shorts investigating migration, Civic is concerned with what casual interactions and ordinary habits say about our circumstances, rather than any kind of clearly defined dramatic tension. After a lengthy absence, Booker floats through the familiar side streets and freeways of LA with fresh eyes. Along the way, he’s met with mixed reactions from those who’ve stayed. Some call him a “big shot” for leaving, others tease him for having the same haircut and music taste. A flag of Dominica hangs from his rearview mirror, which together with a few half-thoughts and unfinished phrases, hints at a previous generation’s parallel journey from home.

北京文投出品电视剧《公民》由高希希执导，展现了溥仪作为公民身份的生活，冯绍峰主演。

Ramu passe ses journées à chercher du travail. Soutenu par sa petite amie Uma, il rêve de construire une petite maison, loin des conditions médiocres dans lesquelles il vit avec sa famille. Le film est sorti en 1977, après la mort de Ritwik Ghatak.

影片讲述巴黎有一群不羁青年如何投身革命，让.皮埃尔.利奥出演一位理想主义愤青，邂逅了一位受爱戴的流行女星，通过他们的爱情故事，展现了60年代巴黎浪漫的“青春实验”。 影片有一个简单的故事，描述记者保罗访问刚出道的摇滚女歌手马德莱娜，趁机对她展开追求。过程之中出现了十多段断断续续互相交错的纪录片段，讨论到政治、性、喜剧、乡愁等诸多话题，等于对戈达尔所谓的“马克思与可口可乐下成长的孩子”作一总体剖析。

老旧的公寓房门上，贴满了著名足球队的合影照片。少顷，房间主人（Miroslav Kuchar 饰）购物归来，他将啤酒放入冰箱，随即打开电视机。电视里正在播放球迷们游行的热闹场面，伴随着人们的喧嚣吵闹，主人有条不紊准备他的晚饭和美酒。旋律动听的球歌响起，两队球员鱼贯涌入赛场，观众席上掌声雷动，热闹非常。我们所能看到的，是与主人长得一模一样的裁判和两队球员，他们伴着美妙的音乐翩翩起舞，上演着关于足球的华尔兹。 当然，音乐之外的赛场竞争激烈，垃圾桶盖、皮踹、水龙头等令人难以想象的物件接连出现，原来比起进球，似乎杀掉对方球员才是得分的关键……

该短片是音乐电视网MTV举办“看出不同“”创作者竞赛(Look Different Creator Competition)的赢家。从同性间关于阳刚与阴柔的一系列刻板印象，到基于男女两性的对心理强弱的差异感知，再到童年时期通过观察环境而对自身气质的伪装和限制，影片通过一名隐藏性向的兄弟会男子的旁白道出美国年轻社会中强调的理想化的西方男性气质赋予的男性特权，尤其是其造成的包括暴力与内化的恐同心理等恶性影响和对个性的泯灭。（小易甫字幕组）

In this docudrama Rosa von Praunheim looks into Johann Wolfgang von Goethe’s sexual orientation, especially into his erotic experiences during his travels in Italy. Contrary to the common belief, von Praunheim argues that Goethe was not a heartbreaker and conqueror after all. It was only in Italy, that he had diverse sexual experiences, not least with men. Von Praunheim bases his assumption on letters written by Goethe to his friend Friedrich Heinrich Jacobi about these sexual encounters. Some of the content of these letters is re-encated in the film. At the same time, historians and linguists analyse and classify the letters into their historical context.