妻子赵婉莹突然查出绝症，林阳心如刀绞，为不让她忧心，独自隐瞒病情，四处奔波拼命筹钱，默默扛下所有压力。可他的隐忍，却被赵婉莹误解，以为患病的是自己，心生嫌弃与恐惧。她联合弟弟赵宝生，对林阳百般算计、无情背刺，将他推入绝境。心死的林阳不再退让，毅然开启绝地反击。机缘之下，他的能力与担当被贵人王若雪看中，一路扶持。历经沉浮，林阳终成行业顶尖大佬，风光无限。

三年前，曾是女将军的慕容离，在萧冶的铁骑下，被吊城墙、极尽凌辱，从此“疯癫”失常。然而，诡异的是，萧冶对她百般纵容，即便她砸碎珍品、划伤他的脸，他也只是颤声哄道：“阿离，你开心就好，别离开我。”三年后，红烛摇曳，慕容离竟身披嫁衣，成为王爷萧冶的正妃。大婚之夜，丫鬟们窃窃私语，惋惜王爷竟娶了个疯子。慕容离掀开盖头，手握碎瓷片，任由鲜血浸染掌心。

等着我的一定是幸福的结局-没错，我一直坚信着······大森综合医院的院长大森昭雄（生濑胜久）陷入了难以忽视的病危状态，虽有意识身体却动弹不得。这时，急忙赶来的家人以及同事···无视关键的重危病人。继承者战争以及迫在眉睫的记者见面会等，种种问题一起迸发。还有，趁着昭雄不省人事，众人渐渐暴露出了昭雄之前所不知道的心声和秘密···无视病危这场悲剧的喜剧。以想醒却醒不过来的昭雄为中心，展开了怒涛澎湃的人性故事的电视。

Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence. Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles. Magdalena lives with her adopted parents and works in an art gallery. The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion. Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch. Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date. The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride. The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled. Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert. The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.

张瑶带着前世的锥心之痛，重生回到了婆婆病危的决定性一天。上一世，她竭力劝阻丈夫江源，却因此惹来记恨，最终惨死。这一次，她选择放手，不再阻拦江源奔向他的“白月光”江柔婉，任由命运的齿轮按照新的轨迹转动。果然，江源为了初恋缺席了婆婆的手术，导致婆婆撒手人寰。葬礼上，当他盛怒之下摔碎母亲的骨灰罐，却意外得知江柔婉所谓的“出国留学”不过是一场精心编织的谎言。真相大白，悔恨交加的江源彻底崩溃，在一怒之下杀害了江柔婉，最终锒铛入狱，为自己的愚蠢和狠心付出了惨痛代价。

楚家河病危之际，告诉儿女关于自己身世的秘密，女儿楚栀栀不屑一顾，直接拿走父亲的玉佩卖钱，玉佩的出现让豪门楚家终于得到了楚家河的下落，楚家河也因病终于看清了儿女的真心与否，他终于决定揭开自己继承人的身份。

天地灵气复苏，各类超凡能人现世，一场大灾难过后，一名孤童落下腿部残疾，医师断言他生命仅剩三个月。深陷绝望之际，少年意外解锁万界人生模拟系统，可将自身意识送入各类虚拟世界历练。每一次模拟结束，都能根据历练成果领取对应丰厚回馈。走投无路之下，他牢牢抓住这唯一转机，依靠模拟器不断淬炼自身、积攒力量，打破注定早逝的命运枷锁，一步步走出属于自己的超凡传奇道路。

前世她机关算尽，漠视丈夫的深情，在他重伤时狠心离婚夺走股份，最终却遭至亲算计丧命。一朝重生，她竟回到丈夫车祸病危、沈家众人逼迫他交出产业的关键时刻。这一次，她毫不犹豫撕碎转让合同，誓要守护这个曾被她辜负的男人。面对他满含戒备的冰冷目光，前世的伤害历历在目，她只求能抚平过往的伤痕，用余生的所有温柔与坚定，换取他一次真心的信任。

“Break Through the Limits of Eroticism!” So read the title of one newspaper advertisement for SABANGJI, set during the Chosŏn dynasty (1392-1910) and undeniably catering to heterosexual male desire to gaze into the realm of female homoeroticism. In classic exploitation form, the title character of the film possesses both male and female genitalia, leading Sabangji to suffer an identity crisis and experience feelings of self-contempt. And yet the film erases the protagonist’s masculine characteristics altogether. Sabangji’s penis never reveals itself even as a contour, existing merely as a crashing sound effect in the first sex scene. The erasure might be a sop to placate heterosexual men, but it also creates a space for female homoeroticism and an alternative, if tragic, form of love. In this sense, an otherwise sensationalistic phrase in the newspaper advertisement for the film is quite honest: “Hot female-to-female relations that rise above ethics and morals!” –Han Sang Kim

中日混血棄子Tsubame，飄洋過海來到這個母親說很美的地方，尋回自我認同的起點，體悟到失去的反而是收穫。Tsubame 五歲起和母親分隔兩地，直到成年後仍無…