Sarah, a pagan high school student, is sexually assaulted. In an emotional felt revenge, she summons the likes of Freddy Krueger, Ghostface, Jason Voorhees, Michael Myers, and other horror movie icons to kill her peers.

马克揭露了他最喜欢的年代——20世纪50年代和60年代的电影背后的故事，这激发了他毕生对恐怖的热情。这些主要是英国电影，由传奇的汉默电影主导，他改写了恐怖的规则，以革命性的注入性和全彩的血腥——所有的镜头都在英国本土拍摄。

被苍蝇启动的光学影戏机里走出的小人伴随观众走过百年影史的重要站点，你能认出片中的哪些经典影片呢？这部两分钟无对白短片1995年首映于柏林电影节短片竞赛单元，是德国动画导演海因里希•萨布最富原创的作品。

Personal and profound look into lives immersed in film. These documentaries about films and culture show the medium's role in love and war, nostalgia and national identity. Cinema was born in the late 19th century when inventors in three different countries almost simultaneously developed the technology to shoot moving film and to project it. The Lumiere Brothers were the first in Paris, 1895. To celebrate cinema's centenary, in 1995 the BFI produced a series of documentaries in which talented directors were invited to contemplate their own national cinemas. The results ranged between highly personal and profoundly universal, and together constitute this collection, Century of Cinema.

电影主要讲诉发生在一家午夜恐怖电影院内外的一连串诡异故事。漆黑的影院放映厅、午夜十字路口，诸如此类的场景使得整部影片凸显了“午夜时分、身临其境…

Three-part series in which actor and writer Mark Gatiss (The League of Gentlemen, Doctor Who, Sherlock) celebrates the greatest achievements of horror cinema. Mark uncovers stories behind the films of his favourite period - the 1950s and 60s - which fired his lifelong enthusiasm for horror. These mainly British pictures were dominated by the legendary Hammer Films, who rewrote the horror rulebook with a revolutionary infusion of sex and full-colour gore - all shot in the English Home Counties. Mark meets key Hammer figures to find out why their Frankenstein and Dracula films conquered the world, making international stars of Christopher Lee and Peter Cushing. He looks at the new boom of horror that followed in Hammer's wake, including the ravishing Italian movie Black Sunday, and talks to the influential American producer Roger Corman about his disturbing and dreamlike Edgar Allan Poe films. He also explores the intriguing cycle of British 'folk horror' films, such as The Wicker Man and Mark's personal favourite, Blood on Satan's Claw. Mark also speaks to leading horror ladies Barbara Steele and Barbara Shelley about their most famous roles, makes a pilgrimage to Whitstable, home of Peter Cushing, and finds out why Dracula's bedroom activities got the British censor steamed up.

In the world of corporate espionage anything can happen. A few years ago, international hackers cracked sensitive encryptions on a film studio's servers. These "unauthorized users" leaked the previous unreleased collection of horror films onto the dark web.

八个年轻人受到开发商邀请来到荒郊一座刚落成的电影院观影，这家影院从施工时就不断“闹鬼”，传说影院的位置正处城市的鬼门关，古代有高人以“八棺镇邪”之术，将八具恶人尸体入棺，以八卦阵图埋葬。施工队把棺材挖出后，鬼门打开，工地不断有人离奇死亡，发生不少灵异事件，随着同学们进入电影院，诡异的现象开始接连出现不断，同学们陷入恶鬼的陷阱，开始亡命之夜