Having naively assumed that Kalatozov without Urusevsky would be somewhat underwhelming, I was astounded to see the brilliance of the imagery and montage in his early silent works (both here and in Salt For Svanetia). The machine-gun editing is as exhilarating as anything I've seen, and would surely have Guy Maddin weeping tears of joy. I've no idea what the film is actually about, but I believe it may well be a Russian paean to quality footwear (in the spirit of St. Hubbins). Either way, the lack of subtitles is entirely irrelevant, as this is a film where the inventiveness of the visual language is of paramount importance - indeed, it's so formally daring that it makes the vast majority of contemporary filmmaking seem utterly anaemic by way of comparison.

A bookish historian is married to a steely Southern belle who raises horses, an animal that he doesn't care for. However, the cute young neighbor girl doesn't feel that way about him and makes no bones about letting him know it.

影片简介： 雷锋说：钉子有两个好处：一个是挤劲，一个是钻劲。 这个纪录片是2007年3月底的两天拍摄的重庆杨家坪的“最牛的钉子户”的情形，拍摄者更感兴趣的是“钉子户”周围的那些人——围观群众、闻讯而来的媒体、受到激励的别的地方的“钉子户”——他们的被各自不同的因素兴奋起来的“钉子精神”。 导演介绍： 蒋志，1971年生于湖南沅江，1995年毕业于中国美术学院，现居住和工作在北京。（主要从事摄影、纪录片和剧情片)的创作，同时，他又是一个跨领域的艺术家，除做了大量的试验短片以外，在小说的创作上也有不菲成果。还创办过艺术社团和民间文化刊物。主要作品有《木木》（摄影）、《吸管人》（摄影）、《食指》（纪录片）、《片刻》（纪录片）、《香平丽》（纪录剧情片）等等。作品十分关切当代中国社会现实，呈现个人对社会人文的细腻观察，趣味中带有丰富的省思。

居住在英国的颇具争议的日本艺术家 Aiko 正努力完成她的最新系列作品。她的灵感缪斯兼女友 Elisabeth 也面临着自己的压力，要应对刚刚起步的演艺事业。Aiko 创作最终杰作的过程中充满了激情、欲望和痴迷，而且看起来不会有一个圆满的结局。

小朋友一半儿和人说相声，讲起自己因瞧不起小钉子而差点酿成大祸的故事。到底是怎么回事呢？ 一半儿走路时瞧见一个小钉子，随脚将它踢到了远处，没想到小钉子生气了，开始紧跟着他不放。一半儿回到家后，小钉子开始让他尝试自己的厉害：它号召兄弟姐妹们罢工，一半儿挂在墙上的照片、坐的椅子、住的房子等顷刻间全都散了架。不服输的一半儿追着排成队列整齐前行的钉子们到了街上，想要将它们抓住，哪知钉子们的力量实在强大，像自行车、小汽车等更多物件在他面前散架。后来，一半儿跟着钉子们来到了一个施工现场，要是这里的钉子们也罢工，事情可就麻烦大了。

影片以男孩"一半儿"踢走路上小钉子的行为为开端，讲述钉子集体罢工引发的连锁反应：家中照片掉落、椅子散架、房屋倒塌，街道上自行车和小汽车随之解体。钉子队伍最终集结至建筑工地，即将引发更大危机时，一半儿认识到小事物的重要性并诚恳道歉，社会秩序方得恢复。

在鄉下種葡萄維生的農夫阿堂，一天意外發現自己的外籍老婆在小吃部下海陪酒。為了挽回老婆，決定重回運毒老本行大幹一票來證明自己，但是又放不下家裡失智的母親和年幼的兒子，決定帶著這兩個拖油瓶一起踏上這一段冒險。

This is a story of lifetime. A story full of spiritual power biography, behind which stays a whole age in the national development of Bulgaria. Reality & Fantasy, 6 May 2006 Author: lordsin from Bulgaria This is one of the best movies I've seen. Some may say it has no sense, but if you look closely you'll notice that this movie is a philosophical masterpiece. It shows several scenes of life in the village and then the brilliant Rangel Vulchanov puts reality into a boy's fantasies. The movie jumps from birth to death, from wedding to funeral, from joy to sorrow, from reality to fantasy, from war to peace. There are lots of laughable moments for the comedy fans, and there's drama for the drama fans. You won't forget this movie once you've seen it. It's a true gem! It will give you all you want even more...One of the best Bulgarian movies ever made. Better than all of the French movies altogether!

这部电视记录片讲述了为城市发展而进行的老城改造过程中，北京老四合院居民拒迁的事实情况。此片着眼于居民、社团、公司及国家之间的平衡关系。 获奖记录： 《钉子户》获得日本放送基金会一等奖(1998) 第三届 ASIA NOW 电视纪录片一等奖(1998) 荷兰中国艺术节开幕影片(1999)