簡介 　　人總愛逃避過失，在犯錯後推卸責任。當事情出錯，第一時間是否認。我們總愛掩飾，無視往後於心有愧，企圖把錯失抹開。《屍人聚會》講述一個犯錯的人，如何遷罪他人，令自己脫罪，接著被怪罪的又繼續將罪行推卸在另一人身上，一樁由意外引發的責任問題就像電波般在空氣中散佈，猶如投石湖中，漣漪越廣越散蕩漾不停。 　　故事大綱 　　毒品拆家阿仁在酒吧搭上少女婷後發生一夜情，仁喝得酩酊大醉，迷迷糊糊，醒來時身在婷家，並發現身旁有一具男屍！婷向又驚又困惑的阿仁憶述事件經過，說昨晚把他帶回家時遇上男友，兩人發生爭執，結果阿仁把她男友殺了。 　　阿仁成功阻止婷報警，並努力回想昨晚情況，認為事有蹺蹊。追問之下，猛然揭發婷在說謊，事實是前一晚，婷男友喝醉後來到了她家，嚷著要和她做愛，完事後男友竟 　　不自覺地在床頭櫃放下兩千元。原來之前他以工作為藉口卻去了夜總會鬼混，並醉得誤以為帶了小姐到時鐘酒店，被誤當妓女的婷怒火中燒，更把男友殺了。 　　婷懇求阿仁助她處理屍體，但他只想清理現場後一走了之，怎料婷卻取出一些照片作威脅，阿仁只好無奈地配合。當二人正躊躇如何處置屍體時，客人叉燒強來電要向阿仁買毒品，他們靈機一觸，決定重施故技，陷害叉燒強，並威脅他分屍，收拾殘局。事情似乎進展得非常順利，叉燒強墮入陷阱，誤以為自己是殺人兇手，並無奈把屍體處理好。但人的行為往往最難預料，他向阿仁提出把婷也殺掉，以去除這計時炸彈，但阿仁不能洩露事件真相，同時又不能讓婷被殺，更不能無故蒙上殺人之罪，進退兩難。他們各懷鬼胎，又會如何自保？是繼續讓事件蔓延，還是…… 　　導演闡述 　　「我們犯錯，我們逃避責任，有錯嗎？」 　　人心難測，很多錯誤的行為或罪行都被旁人評定為自私、絕情、殘忍、瘋狂甚至滅絕人性，當有人在社會上行差踏錯就一定是壞人。有否想過我們在現實中很多事情卻是身不由己？若有天自己當上了事件主角，便會發現其實人總會被生活牽著走，又或者只能見步行步。所以外間各種負面殘酷之評價，從主觀角度來看，可能完全不正確。 　　「世上既然有不能確定的事情，那麼事情就不能確定。」 　　世事難料，處身看似有邏輯的世界中生活，但事實上我們連將會發生的事情亦不能準確預測，意味著我們無時無刻也活在危機當中。嘗試從明天起，把一天內所發生的事件計算總結，就會發現整個生活都充滿意外。 　　我們每天在社會中努力地往前走，目的除了生存，還有什麼？

A chamber orchestra is working out of a rundown theatre in Reykjavik. Financial hardship places a great strain on the band and the lead violinist, Sigrun. The annual grant from the city is coming to an end so the band hires a world renowned cellist in order to save the band. The media goes wild and money starts to flow to the band again. Too bad the cellist is not a very nice person – he is quite the assgrabber and a two faced cheater. Too late to fire the star and the grand concert that will save the band is about to begin when the cellist chokes to death – 15 minutes before the concert. The band decides to risk it all and play the concert with a dead solo artist – not really thinking about how to end such a macabre show.

A chamber orchestra is working out of a rundown theatre in Reykjavik. Financial hardship places a great strain on the band and the lead violinist, Sigrun. The annual grant from the city is coming to an end so the band hires a world renowned cellist in order to save the band. The media goes wild and money starts to flow to the band again. Too bad the cellist is not a very nice person – he is quite the assgrabber and a two faced cheater. Too late to fire the star and the grand concert that will save the band is about to begin when the cellist chokes to death – 15 minutes before the concert. The band decides to risk it all and play the concert with a dead solo artist – not really thinking about how to end such a macabre show.

蜀山首席大弟子林长卿惨遭诬陷后被废去修为发配锁妖塔，却意外激活最强悟性系统，从此顿悟各种绝世功法。从练气一层到陆地剑仙，他以一己之力镇压万妖入侵，与狐族圣女胡夭夭和冷艳师姐叶倾城上演了一边斩妖除魔，一边谈恋爱的逆袭传奇。

At the Laberint d’Horta in Barcelona, the film charts several journeys into the garden in search of its centre, where a statue of Eros waits. As the film navigates the maze’s false pathways, its recursive structure begins to crack, and a mysterious underworld floods its gates. 　　源自：https://www.cinemadureel.org/en/films/laberint-sequences-2/

Within the human struggle to live and work on a changing planet, questions of value, extraction, and adaptation echo across seemingly disparate worlds. A Common Sequence examines shifts of life and labor through a critically-endangered salamander and plant patents in the apple industry. Weaving the stories of Dominican nuns running a conservation lab, a group of fishermen attempting to live off of a depleting lake, engineers developing AI-driven harvesting machines, and an indigenous biomedical researcher resisting the commodification of human DNA, the film becomes a meditation on the shifting border between the natural and unnatural world, and the dynamics of power at play. 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1269/14984

以照片作為媒材，透過膠卷播放的平行捲動、機械式的 　　聲響，呈現香港這座城市中獨特的密集住宅建築風貌。 　　Serial Parallels approaches Hong Kong's built environment 　　from the conceptual perspective of celluloid film, 　　by applying the technique of film animation to the 　　photographic image. Its signature architecture is 　　reimagined as parallel rows of film strips.