一个因为偷羊而被打有烙印的男孩Tashan被迫开始了流浪，后来他被一善良的家庭收养，慢慢的他又找回了自己。

纬来电影台 2020 年自制强档影片，拥有全新的卡司组合与最强的制作团队。总导演为朱峰，总策划是林嘉莉，监制是辛建忠，制作人有苏瑞煌和锺巧娟，编导为王奇，执行制片是沈锴勛，摄影指导是陈振德，摄影师为江静明，灯光设计由吕庆鑫负责，美术指导是林纯贤，造型设计则是罗宇涵。

A telephone rings in the dark—three times, pauses, then rings three times again. A fully-clothed figure lights a cigarette before rising from bed, dons a raincoat, then sets out into the night. Another figure emerges from the shadows, lights a cigarette, then discards a crumpled cigarette pack, which the first picks up and carries home. Back in his room, the first man places the refuse on his desk, paces apprehensively about his apartment before he finally removes the inner foil and examines it. After letting what it reveals sink in, he sets it on fire, and a cold look comes over his face... Thus begins The Thief, a 1952 cold war, espionage thriller—unique in that it is completely without dialogue—directed by Russell Rouse, and produced by Clarence Greene, who co-wrote the screenplay. Allan Fields (Ray Milland) is an award-winning nuclear scientist working at the Atomic Energy Commission research laboratory. He is also a spy, photographing top secret documents, then relaying the miniature film canisters back through an elaborate network to enemy agents in Egypt. His signal is the telephone, and his liaison outlines his assignments through instructions on his cigarette refuse, with nary a word spoken. It is a dangerous business, and one that creates many close calls—too close for comfort. When one of his assignments goes awry, the FBI begins to close in, and the race is on to leave the country before he is caught. The Thief has all the trappings of classic noir. Produced at the height of the "Red Scare," the film manages to maintain a constant state of tension, relying heavily on reaction shots and Herschel Burke Gilbert's riveting musical score. The cinematography heightens the effect, utilizing lighting and camera angles to convey the unspoken. Milland, who won an Oscar® for his role in Billy Wilder's The Lost Weekend, carries the part off to perfection, letting the audience read his character's thoughts solely through facial expression and body language. The direction also fools the audience into anticipating dialogue, then cleverly avoiding it. Only the Oscar®-nominated score and sound effects break the silence. This is a fascinating use of visuals to tell a story, and a gripping suspense film, which held my interest throughout, and aside from one sequence where Fields' conscience begins to plague him, the narrative is fairly straight forward, without much in the way of gimmickry. Avoid the back cover text because it gives away the ending, which was the only part that didn't really work for this reviewer. For those interested in cold war-era film noir, this is certainly worth a look, if for no other reason than its uniqueness.

一场都市生活的闹剧，一次道德底线的碰触，一出令人捧腹又倍感心酸的演绎，一声无奈地呐喊——《贼》这一部高清作品向我们绘声绘色的讲述了生活在都市底层的无业小青年、痴傻的乞讨者以及善于伪装的小偷之间发生偷窃与被偷窃，侮辱与被侮辱，人性的挣扎与沉沦。当这种小人物式的沉重被用一种活灵活现又不失幽默地口吻讲述出来，给人一种加倍的心灵触动，让人深省......

ある人間の心の中に、アニマがいる。絶えず形を変え、邪悪さや愛が元型となって現れる。無意識的に、神智学的に、遺伝子的に。ある日、記憶の奥深くに、棲みついている兄弟と出会う。古い書物で聴いたような名前をしている。現実で見た数多の事物が、心の世界に影響を与えている。自意識は兄弟に誘われ、森の中を彷徨っていく

通过整个冬季的时间，用黑白影像纪录了一个羊群的生活。以此探讨绵羊这种被人类改造而成的物种的身份问题，以及人类与自然的关系。 2014北京獨立影像展 2014義大利跨亞洲電影節 链接： https://www.youtube.com/watch?v=Y07xFR7511Y

清朝末年，民风彪悍的巴蜀之地，盗墓猖獗频发，悍匪们你方唱罢我方登场，乱世各显神通。丑陋不堪的刘财主喜纳四姨太，不想新娘过门当天暴毙，为辟邪只能以刘财主盗墓得来的绝世宝物给新娘陪葬，谁知，所谓“暴毙”的新娘竟是当地有名的女盗墓贼于芳菲，于芳菲在墓中“复活”顺理成章获得宝物，秘密却被盗亦有道的“盗墓圣手”李世爻撞破。于芳菲的哥哥于芳凌嗜赌如命，无意间赌地方恶霸冯京四吐露了长平王陵墓的秘密，冯京四巧妙设局，掣肘李世爻，挟持于芳凌，使得于芳菲和李世爻两位盗墓高手不得不为冯京四卖命盗长平王陵墓，机敏狡猾的李世爻为求自保，假意迎娶了泼辣的于芳菲，却不知不觉的爱上了她，盗墓过程中，李世爻眼见众人挣宝夺利，泯灭人性不折手段，他心灰意冷，加上对于芳菲的歉疚之情，最终不自觉的站在于芳菲的一边，冯京四终于拿到宝物，陵墓机关开启，众人跌落万丈深渊，危难之时，李世爻为救于芳菲，却因祸得福，柳暗花明，两人最终成功逃出古墓。

讲述羊父子搞笑的日常亲子生活，羊咩咩是一个平凡的男孩，羊爹爹是个平凡的上班族，羊爹爹爱做家务，怕老婆，有点大智若愚，但特别爱儿子的父亲，羊咩咩是个特别调皮，爱卖萌，爱幻想的男孩，一家羊三口生活在东北那嘎达，羊爹爹和羊咩咩，看起来挺沙雕，又惹人怜爱，但搞笑是认真的。

樊小华（女主角）是一个亦正亦邪，身手不凡的女神偷。一次她的拍档犯事儿被人给扣下了，得花上一大笔钱才能把人捞出来。为了搞到这笔钱，樊小华瞄准了一户富裕人家下手，准备入室行窃。然而原本计划周详的偷窃行动在实际过程中破绽百出。她的下手对象，一对婚姻问题严重的夫妇的提前回家，更是打乱了樊小华的安排，使得她一时无法逃脱。然而随后事情的发展出乎意料，因为误会和积怨，这对夫妻之间的矛盾越来越大，他们开始百般设计，试图置对方于死地。樊小华不得不想尽办法，在不现身的前提下阻止悲剧的发生。

20世纪60年代，日本学生运动渐次激烈，学生和政府之间的对抗朝着暴力的方向失控狂奔。某晚，登川直造（笹原茂朱 饰）、丸山国男（山川蜜 饰）等人领导的学生组织在据点内遭到警方搜捕，混乱之中，他们夺下警察的配枪夺路而逃。在经过某个漆黑巷道时，他们将手枪扔在公共厕所的洗脸盆中，被路过于此的公司青年职员铃木（秋山未知污 饰）拾得。厌倦了枯燥呆板的公司氛围以及平庸无望的生活，铃木追上众人，希望加入他们的组织。次日，登川等人的拒捕行动被媒体歪曲成袭击警察的恶性案件。为避风头，他们跟随铃木躲进郊外一所公寓中，日常以吃喝、做爱打发时间，所有外务全由铃木打理。 学运的失败和理想的破灭让这群年轻人朝向破灭，纵情享乐。铃木却不愿面对这样的失败……