歪研会创始人方晔顿在求学期间，他见证了首届“ 一带一路”全球峰会的召开和 燕京学堂、 苏世民书院的诞生，经历了中国移动互联网创业的热潮，还结识了来自 以色列的学弟高佑思，他们想做一档讲述在华外国人积极融入中国的节目 。2017年1月，《歪果仁研究协会》推出系列短视频，视频中的外国人像中国人一样思考和娱乐，深度而积极地参与到中国文化生活的讨论之中 。年轻的中国和年轻的中国人，是方晔顿和团队街访的焦点。“歪研会”最开始聚焦于中国各类新兴APP，比如采访外国人使用微信红包、用手机点外卖、网购的体验，后来慢慢延伸至影视、综艺、中外对比等各个领域 。“歪研会”有一档视频节目叫《别见外》，是外国年轻人体验中国不同的职业，非常受海外年轻人欢迎，它就是通过无数个忙碌的背影，反映中国的民族精神和民族智慧 。

The series follows an outspoken woman, Chelsea Newman (a character based on the real Chelsea Handler and the show's main protagonist) and her circle of working-class twenty-something friends in New Jersey. Through the narration and observations of the fictional Chelsea, most of the situations were inspirations from Handler's book, which is based on her early career in her twenties.

作为一名资深“软饭男”，好吃懒做的李勇长期寄生在妻子青青的生活里——不仅心安理得花着对方的工资，还出轨假白富美，落入对方精心设计的杀猪盘。假白富美百合盯上吴天，不仅频繁送他‘奢侈品’，更主动提出资助他“创业”。李勇白日做梦以为自己遇到真千金，殊不知百合正是跨境杀猪盘团伙的核心成员，她精心设计的“富婆人设”背后，是一整套通过情感操控实施诈骗的成熟套路。待李勇发现真相后已落得妻离子散的境地，他为了追回被骗的钱款假意加大投资引百合和天哥上钩，吴天将2人绑架准备鱼死网破，好在前妻青青带警察前来阻止，才避免软饭男李勇铸成大祸。

A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and poems and live on beyond their inevitable endings, as Shakespeare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a polyamorous chorus of lovers, and this oft-told tale is multiplied. In Club Scheherazade, there is no protagonist, and every song has various versions. Heteronormative dramaturgy is challenged polyphonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and past dates. Pop clichés are twisted, heartache permeates the men’s singing, and poems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a happy ending as her characters exit the story. “If pain could be forgotten through words,” we hear at one point, “no lover would ever have to walk away wounded.”

A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and poems and live on beyond their inevitable endings, as Shakespeare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a polyamorous chorus of lovers, and this oft-told tale is multiplied. In Club Scheherazade, there is no protagonist, and every song has various versions. Heteronormative dramaturgy is challenged polyphonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and past dates. Pop clichés are twisted, heartache permeates the men’s singing, and poems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a happy ending as her characters exit the story. “If pain could be forgotten through words,” we hear at one point, “no lover would ever have to walk away wounded.”

张磬（方中信 饰）和方韵（汪裴 饰）是一对常见两地分居的夫妇，虽然事业小有成就，生活优渥，但是二人始终膝下无子，此事不仅令张磬的父母分外焦急，也令这对喜欢孩子的夫妻忧心忡忡。在好友的建议下，他们决定请人代孕生子。经过几次见面，他们最终选择了美丽清秀的女孩李妍（秦岚 饰）。李妍独自来京闯荡，在物欲横流的社会里依旧保持着本性的善良。在张磬夫妇细心呵护下，李妍肚子里的孩子一天天长大。在此期间，身为记者的方韵在地震灾区收养了一名少数民族孤儿。 　　两个小生命的命运发生着改变，张磬、方韵、李妍三人的内心情感也在悄悄变化……

没有哪个欧洲国家说着比德国更多的方言，在北海与楚格峰之间，德国境内可以区分的方言至少达到五十种。但是，如今谁还在说这些方言？在德国的人口稠密地带，说标准德语早已成为规范，那么方言究竟还能和其高度繁荣的社会相匹配吗？或者它们只是乡巴佬的代名词，且早已过时？德国中部电视台（MDR）出品的电视纪录片《母语》将带领我们一起踏上德国之旅，共同拜访那些说“母语”的人。（小易甫字幕组）

在偏远闭塞的山村里，李翠兰在丈夫病故后，独自挑起抚养亲生儿子王铁云与养子王铁成的重担。生活的艰辛并未磨灭她对两个孩子的疼爱，然而，年少的王铁成却因觊觎家中微薄资源，在一次上山玩耍时，残忍地将王铁云推下山崖，并编造其坠亡的谎言。幸运的是，王铁云被路过的首富楚总夫妇所救，此后以“楚行云”之名在楚家长大，凭借过人的商业天赋，他成功挽救了濒临破产的楚氏集团，成为商界新贵。