“从来没听说过奥内蒂”是一部关于乌拉圭作家胡安•卡洛斯•奥内蒂纪实片，其中再现了奥内蒂遗著中的部分语言、文字、图片和音乐。通过研究不同类型作品之间的联系，对作者的创作目的及创作过程提出疑问。

高中生陈凯约隔壁班的漂亮女孩陈菲儿在下晚自习后去夜操场表白，不巧被检查老师发现，陈凯逃跑了留下陈菲儿一人，陈菲儿被开除，同学们议论纷纷而陈凯班上的女班长顾小满却陷入了自己的情感漩涡，危险正在靠近……

男人在街上看到一个抽烟的女人，以为她是学生而教训了她一顿，原来她是个成年人。她打了教训她的男人一巴掌，被她重击的男人决定把她培养成斗士...

一名十几岁的凶案证人发现自己在蒙大拿州的荒野中被两名暗杀者追杀，一名求生专家负责保护他-——而一场森林大火正危及他们所有人。

一名十几岁的凶案证人发现自己在蒙大拿州的荒野中被两名暗杀者追杀，一名求生专家负责保护他-——而一场森林大火正危及他们所有人。

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. 　　Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. 　　Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.

The female office worker who works for the company where the Saiki lily (Sakurai Ami) with a trauma deals with the interior decoration of the love hotel in the past with mother. The lily had an introverted character and usually received sexual harassment to a senior.

The female office worker who works for the company where the Saiki lily (Sakurai Ami) with a trauma deals with the interior decoration of the love hotel in the past with mother. The lily had an introverted character and usually received sexual harassment to a senior.