完全不懂园艺的喜剧大咖扎克，从零开始学习种花种菜、打理庭院。带着笨拙好奇心与搞笑脑洞，拜访各地园艺达人，尝试育苗、修剪、造景、蔬果种植。没有内卷竞赛，只用心感受草木生长，用松弛幽默治愈日常，在花草里找回生活本心。

纳维尔·罗斯是一位一丝不苟的中年园艺师，他致力于照料庄园，并向他的雇主--富有的哈弗希尔夫人献媚。当哈弗希尔夫人要求纳维尔照顾她的大侄女——一个任性的问题少女时，一段埋藏已久的黑暗秘密将被揭开。

修女Loyola Galvin是你所能遇到的最有活力的九旬老人之一。 作为惠灵顿湾岛湾慈悲之家的主园丁，她的日常工作包括与充满活力的铲子和手推车一起努力并肩工作，有时甚至一边拄着拐杖一边工作。Loyola和其他慈悲之家的修女一起追随着修道院院长Aubert的美好愿景——帮助那些在他们社区受压迫、无能为力的人。 电影导演Jess Feast(《牛仔和共产主义者》)上年一整年都在追踪拍摄修女Loyola，记录着她在一年四季中的历程，其中包括着她的90岁生日。通过她的花园，我们开始了解到她是如何献身于滋养所有有生命的事物，特别是那些“没有一个好开始的事物”。从她早年作为护士处理生病婴儿和死婴的相关事情，到她现在作为修女养育残障儿童，我们可以看到她令人难以置信的能量和对上帝的信仰让她度过了所有的困难时期。 这部充满活力的、美丽的纪录片是全部在惠灵顿的这个坐落在南部海岸的小社区中拍摄完成的。伴随着当地音乐家David Long创作的音乐，充满着诉说着洛约拉生活的海和园艺的景观，《灵魂园艺》向世界展现了这样一个当地的传奇和她所在的社区。真正可谓是Feast的胜利。

Queerness was and sometimes still is considered “un-natural.” Queer gardening challenges this “un-naturalness” by creating queer-feminist ecologies. Our documentary examines what horticultures look like when binaries such as nature/culture, human/more-than-human and body/environment are deconstructed in creative ways. Ella von der Haide collected 18 interviews with LGBTQIA*-gardeners about their relationships with plants and the land. These conversations take place in a variety of gardens, from urban vegetable production in Oakland to a community space garden in NYC, from a project to care for indigenous native apple trees in British Columbia to a reforestation project in Tennessee.

本剧由Sky和HBO联合制作，Olivia Colman和David Thewlis主演。Colman老公Ed Sinclair负责剧本，福田知盛担任导演。 改编自真实故事，讲述了Susan及Christopher Edwards二人独特的爱情故事。两人表面上是一对温文尔雅的普通英国夫妇，但当两具尸体在诺丁汉一所房子的后花园被发现时，他们成为了一项特别调查的焦点。 真实事件中，两人联手杀害了Susan的父母并埋在自家后院中，并一直冒领父母的退休金，超过10年才被揭发。

暂无剧情简介

陈桂兰经营餐馆多年，以真诚维系着八年老客户。却因定价误会，合作遗憾终止。正值旅游旺季，对方团建陷入订餐困境。这段经历让人深思：真心难得，唯有互相尊重与体谅，才是长久相处的根本，切莫因一时偏执错失情谊。

寡母张琪倾尽积蓄与房产，照料养子一家二十年。留学归来的孙女戏耍她，儿媳二人用法语辱骂，养子反倒指责她。张琪流利法语回击，收回房产、冻结补贴。养子一家拒不搬离，上门闹事，其养子身份被揭穿后被警方拘留。事后全家下跪致歉，张琪选择谅解，不再一味付出，独自开启新生活。

前夫浩天带着新欢琳琳探望孩子，顺便解决学区房问题，送了小敏和孩子一套房。小敏中途折返，意外听见浩天与琳琳的对话，得知琳琳只是雇佣来演戏的秘书，浩天公司濒临破产，早已倾尽所有默默扛下压力。小敏这才看清过往里他的隐忍付出。她主动前去浩天家里照料、坦诚沟通，双向释怀，最终以真心换真心，重修旧好。

The Kinema Junpo critics were, of course, mistaken to think that Naruse had abandoned his emphasis on women. His next film, Sincerity, features two strong female characters, played by Irie Takako and Murase Sachiko, each of whom have a daughter. The girls are schoolmates, but one (Nobuko) is from a middle-class home and the other (Tomiko) is from a poor family. Tomiko's mother Tsutako (Irie) is a single mother who works from home as a seamstress, while Nobuko's mother lives in an elegant home with her husband, Kei. Eventually, it is revealed that Kei had a romantic relationship with Tsutako, and may be Tomiko's father as well, but he is conscripted shortly after this revelation and goes off to war. This is very much a home front film, in which the women are involved in supporting activities, and the whole town cheers on the new recruits. As Kei is a banker, he is conscripted as an officer. He is introduced brandishing a magnificent sword, indicating his readiness for his call-up, for which everyone congratulates him when it comes. The wartime context is little more than a backdrop to the story of paternity and former love. The complex emotions among the women are conveyed through cutting on eye movements and eye lines, and through the use of the pastoral location.