在北京剧院里跑龙套的小王在演出临近时接到了发小的结婚请柬，不得不硬着头皮请假回到了老家。这封请柬带着所有关于故乡的时间线闯入小王还在游荡的生活。老家好像在不经意之间发生了好多事情，而同龄人的婚嫁也让毫无方向的他感到无所适从。

尽管关于熊场改造庇护所的"月熊计划"看似延续前作主题，本片却转向新维度。当观众刚理解照料无法回归自然的圈养熊之艰难时，志愿者自身的故事逐渐浮现。《影片跟随四位90后女性在江原道华川照料13只黑熊的日常。她们的停留是暂时的，或许很快又将启程。"照护熊的经历于我人生必要吗？"她们如是自问。但当一人离开，总有新来者接替。影片以温柔目光凝视这些"特别"的年轻人——她们选择迂回之路而非捷径，暂停脚步环视四周而非匆忙前行。

Mike may always be wandering, but you’d hardly call him a man on the move. His stamping ground is modest, the strip of suburbia between his mom’s house in New Jersey and the pizza place where he works. Mike’s no great conversationalist and isn’t big on direction either, preferring to let things happen than making them happen himself. Feeding a neighbour’s dog, bumping into a friend, catching a hockey game: all just different reasons to trudge along the same wintry streets, unhurried, ungainly, alone. One day, opportunity knocks. Mike bumps into his old school friend Mark, who asks Mike to take over his walking tour job and Philadelphia apartment during his trip to Poland. A change of season, a change of scene, a change of fortune? The streets Mike now wanders through are different and the sun is shining, but otherwise it’s the same old story: new people and new encounters, laced with the usual awkwardness and inertia. Ted Fendt’s charming 35 mm miniature is not quite a comedy, nor quite a drama, but rather a moral tale: a lesson on how anything that falls into your lap can just as easily fall out of it again. We can change our context, but we can’t change ourselves. berlinale 2016

住店总有点超现实。艺术短片集《暂停》邀请三位青年影人将酒店空间作为创作基点，展现了他们大胆的想象：彭磊波普文化样式的《有猫的房间》是一个漂亮女孩的等待，赵晔的《Excuse Me》像科幻也像隐喻，刘伽茵以她的一贯风格拍摄她父母的表演。三个短片是三场白日梦，同一舞台上的三场表演，艺术家与环境间的三段对话，影人们分享出来的三种想象。希望您暂停下来畅游此梦中。

Daniel loses his wife and son in a car accident. While slowly recovering from his injuries, he rebuilds his son's video camera that was destroyed in the crash. Infused with power from the moment of the crash, the camera develops the ability to stop time when Daniel presses the pause button. This discovery restores Daniel's purpose, and he fills the vacuum in his life by taking responsibility for another victim, Sarah, a newlywed who lost her husband in the same accident. At first Daniel only watches her, then tries to improve her life in small ways. But using his power to "help" becomes an addiction, and the vastness of Daniel's power can do only one thing...corrupt him

根据《申报》1923年5月15日报道： 记卡尔登之大跑马电影 杨左匋君所绘之滑稽画亦绝佳 “上海大跑马影片，于上星期四（ 即跑香槟之次日）起，已在卡尔登戏院映演。手续之迅速，殊不及料。内容亦复不恶，而犹以片首字句之书法为最佳。附以画图，亦能引人入胜。按片中字句（ “Art Titles”）影片之优美，大有关系。今我国自摄影片，尚鲜有注意及此。跑马片后更附以本埠名画家杨左匋君之速写滑稽画，先绘一吴佩孚，次绘一张作霖，寥寥数笔，形容毕肖。初因长城横贯于中，互相仇视，继因吸香烟遂相和好。此片一望而知为某公司之广告，惟此种广告，确为中国所仅见，闻绘滑稽画影片之画家，在影片界素占重要位置云。”

已婚七年的男主角方南终于没有跨过七年之痒这个坎，在自己生日当天决定与美丽能干的妻子白叶分手，深爱方南的白叶从此遭受重创，生活变得一片混乱，几近崩溃；此时方南却因为一个钦慕其才华愿为他出诗集的黄彩萍决定离开。白叶疯狂的寻找方南想让他给一个解释，并在大街上嘶喊出了真情告白… … 观看完整电影：http://t.cn/zWSINSi

失业后，一个正在戒毒的人挣扎着生存，遇到了一个自由的女人，这个女人改变了他的世界，但却不能留在他的生活中。

1945年10月,一群德国战俘在波兰华沙火车站的站台上等待，准备带走。一个妇女走到押送战俘的军官面前说了些什么，年轻的德国战俘尼布尔被留了下来，并被关进了监狱。尼布尔不知自己犯了什么罪，而其他人也只有猜测。后来才得知自己是杀人犯。在狱中他受了真正法西斯分子，杀人犯的虐待，受到了罪人的待遇。最后经调查尼布尔确实没有杀过人，也没有到那妇女指控他犯罪的城市去过后，就把他放了。本片的主题是表现马克·尼布尔为什么被关在华沙的监狱里，表现了他得命运，通过这个人物使观众看清真正法西斯分子的本来面目。

April 2020 – Lockdown. Etienne, a film director, and his brother Paul, a music journalist, are confined together in their childhood home with their new partners Morgane and Carole. Every room, every object, reminds them of their childhood, and the memories of the absents - their parents, their neighbors…This compels them to measure the distance that separates them from each other and the roots they share, those of their ground zero. As the world around them is becoming increasingly unsettling, unreality, and even a disturbing strangeness, invades their daily gestures and actions.