囚犯埃里克·埃弗哈德（Erik Everhard）和詹姆斯·迪恩（James Deen）越狱后，闯入了一个金矿营地。巧合的是，这里恰好雇佣了两名性感的假释人员——米西·马丁内斯（Missy Martinez）和艾莉·海兹（Allie Haze）。她们的老板（由汤米·冈恩 Tommy Gunn 饰演）因无法得逞于她们，便对这两位迷人的女性百般刁难、压榨劳力。正当两人陷入绝望之际，这两名囚犯的到来打破了僵局，为她们带来了急需的欢愉。

Mine is Kentridge's third film, although it is often shown by the artist as second in the series, before Monument (Tate T07483). It was made from eighteen drawings and is set to Dvorak's Cello Concerto in B minor, Opus 104. In it, Kentridge develops the analogy between landscape and mind begun in the earlier films. A journey into the mines provides a visual representation of a journey into the conscience of Kentridge's invented character, Soho Eckstein, the white South African property owner who exploits the resources of land and black human labour which are under his domain. Throughout the film the imagery shifts between the geological landscape underground inhabited by innumerable black miners and Soho's world of white luxury above ground. When Soho, breakfasting in bed, pushes down the plunger of his cafetière, its movement is transformed into a rapid descent through the tray, through the bed and into the mine-shaft. Here the miners' world of overwhelming misery is depicted in claustrophobic tunnels where they are trapped digging, drilling and sleeping, embedded in rock. Above ground, Soho sits at his desk in his customary pin-stripe suit and punches adding machines and cash registers, creating a flow of gold bars, exhausted miners, blasted landscapes and blocks of uniform housing. At the end of the film a tiny, live rhinoceros is carried up from underground to appear on Soho's desk. This, like the image of a Nigerian Ife head which appears at the beginning of the film, alludes to exoticising colonialist attitudes towards Africa and its people, which reduce human and animal resources to trinkets and symbols of wealth. It also refers to the ecological damage caused by industry, a theme common to this series of films.

一群年轻的朋友在一个废弃的矿井里有了一个难以理解的发现，但他们越是试图改变未来，就越是封死了自己的命运。

伙伴集合准备一同外出探险，等待途中撞见陌生奇特角色，众人好奇跟上前去，却跟丢目标。大家分头行动，有人计划搜寻黄金，有人一心寻找钻石。休整完毕收拾好随身物资，结伴向着矿井进发。矿洞内意外发现珍贵黄金，宝物立刻引来争抢，有人抢夺宝物迅速逃窜，其余人奋起追赶，开启一场紧张又搞笑的宝物追逐博弈。

赵向南重生回到1988年，醒来就被家人逼迫替兄长下井。前世心软赴险，落得满身伤病，所得好处还被亲人夺走，落得悲凉结局。这一世他不再妥协，戳破家人的算计，果断离开偏心的家。靠着精湛维修手艺开店立足，在矿区踏实打拼，遇见温柔正直的宋玉梅，把握机遇扭转自己的人生。

二十年前唐月笙赠车票救下抵债少年韩峥。二十年后韩峥成能源董事长回乡，得知唐家因旧矿蒙冤，唐月笙遭赵家欺压。二人联手深挖线索，找到巷道图纸、父亲笔记等证据，历经纵火、绑架、封井险境，收集赵家伪造责任、私改巷道害命的实据，扳倒反派洗清唐父污名。唐月笙拒绝独占矿场，牵头成立矿业安全监管公司，让矿井长明灯守护矿工公道。

Nearly a million smartphones and cameras are lost in the wilderness each year. For the first time in history, recovered footage from such devices is presented in a chilling anthology series. Wilderness Tapes: Volume One chronicles a journey into an abandoned gold mine that goes wrong, plunging "Prospector Pete" into the depths of supernatural madness.

罗小棠来到矿区，在矿井口支起小摊售卖热汤简餐，用心为辛苦下井的矿工提供热乎乎的吃食。原先经营井口食堂的杜金贵心生嫉妒，不愿有人分走生意，便伙同旁人屡次蓄意捣乱，毁坏小摊设施，四处散播谣言抹黑罗小棠。危急时刻，矿工班长梁满仓仗义出手，一众善良矿工也选择站出来支持小棠。罗小棠坚持本分经营，保留完整账目证据。经过矿区韩主任实地调查核实，杜金贵的种种劣迹全部败露。最终罗小棠成功拿下矿区后勤保障点。

波罗跑去银行核查帐户余额，意外得知帐户被莫名其妙地透支了足足60英镑，这让他很不开心。 当晚，波罗正与黑斯廷斯玩大富翁游戏，银行行长跑来找他，这让他颇感欣慰。谁知银行行长不是为透支一事来道歉的，而是带来了一个消失的神秘银矿，以及因此而发生的一桩诡异的谋杀案…… 对一个传说中的巨大银矿而言，区区60英镑又算得了什么呢？