Trapped in museum archives, Ancestors bend time and space to find their way home. History, spirituality, and the law collide as tribal repatriation specialists fight to return and rebury Indigenous human remains, offering a revealing look at the still-pervasive worldviews that justified collecting them in the first place. Aanikoobijigan [ancestor/great-grandparent/great-grandchild] documents the emotional and vital work of MACPRA (Michigan Anishinaabek Cultural Preservation and Repatriation Alliance). This alliance, made up of 11 Indigenous repatriation specialists, fights to bring their ancestors and funerary objects home from settler colonial institutions like museums, libraries, and archives. Adam and Zack Khalil’s monumental and formally daring film follows the pressing struggle to rebury Indigenous human remains that have been held in sterile storage, laying bare the history of Indigenous collections and the battle to recognize and enforce the laws intended to facilitate their repatriation to the communities they were originally stolen from. Using an essayistic approach alongside vérité portraits, the film celebrates the courageous individuals who carry out this hard and emotionally draining labor of return. — AP

Shadowed by a strict, military father who inflicts severe methods of punishment as a form of discipline, seventeen year old Ariella commits a grave error that her father isn’t willing to punish her for. Seeking a punishment of her own, Ariella embarks on a dark quest where she will discover a secret to her father’s past that will lead them to confront one another.

Based on true events, several stories about dis empowerment of women, are closely intertwined, affecting to each other's, unfolding against the background of the traditional, patriarchal society of modern-day Kyrgyzstan ultimately result in a series of tragic outcomes. The realities of modern-day Kyrgyzstan, despite the status of a "secular state", are violence, hypocrisy, and widespread infringement of the rights of women who are stay a socially unprotected part of the population. Under the conditions of aggressive propaganda of both patriarchal and radical, religious ideology, the ideas of feminism in Kyrgyzstan are equated with the popularization of LGBTQ communities, are openly criticized and the justice system, in most cases, takes the side of murderers and rapists.

故事基于真实事件，围绕几起女性权利被剥夺的事件展开。这些故事相互交织、彼此影响，以现代吉尔吉斯斯坦传统父权制社会为背景逐步展开，最终导致了一系列悲剧结局。尽管吉尔吉斯斯坦是“世俗国家”，但现实中充斥着暴力、虚伪等现象……

一个谋杀犯逍遥法外：一位衣冠楚楚的商人囚禁着几名受害者，把他们锁起来，不提供任何食物，并且记录下他们死在自己的排泄物中的过程；同时，在城市的另一端，一位女性在妓院工作。这两条故事线在电影中被一个共同的主题所联系起来：女人们的苦难是男人愉悦的基础。 A murderer is at large: a well-dressed businessman who incarcerates his victims, chains and starves them, and documents their death amid their filth with instamatic snaps. Meanwhile, in another part of town, a woman joins a brothel. These two simple strands of plot come together within the film, and are united by a single theme: that women's suffering is basic to man's pleasure.

制作公司三橙传媒耗资百万，横跨四大洲，赴往十余个国家和地区，走访了世界范围内的数十家区块链领军机构，打造了世界首部关注区块链技术的系列纪录片，第一次以最直观的方式梳理了过去10年中影响着区块链行业发展变革的重要事件。从饱受争议的比特币，到区块链社区纷争；从日益兴起的智能合约、区块链概念下的“价值互联网体系”，乃至新科技掀起的泡沫骗局…关于区块链技术的前世今生和价值反思，都能在这部纪录片系列中找到答案。

印度拉其普特邦，世代武士的特昂与渴望成为武士的十几岁儿子平静机械的生活着。特昂是邦主的第一武士，忠诚的率领其他武士执行邦主的任何命令：对不交税或交不足税的农民进行斩首，并将其村庄实行三光，等等。直到有一次杀戮村民时发现一女孩带着他儿子的项链，他停手了并仓惶而逃。随之，在邦主的命令下，其他武士开始追杀特昂并杀害了他儿子。伴随着不断出现的着雪山梦境，特昂是逃亡，还是复仇，抑或走向圣洁雪山......

Father Michael, a Catholic priest presiding over a Northern urban parish who is Modern, maverick, and reassuringly flawed; must be confidante, counselor and confessor to a congregation struggling to reconcile its beliefs with the challenges of daily life.