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    破碎婚典:玫瑰诉说真相 - 短剧

    2026短剧
    陈章和苏锦相恋三年,满心期待步入婚姻。可接亲当日,丈母娘当众阻拦迎亲队伍,临时提出高额要求施压,现场气氛瞬间陷入僵局。面对旁人劝说与舆论压力,察觉到疑点的陈章,毅然选择终止这场婚礼。不甘心的女方家人四处散播流言抹黑他。陈章搜集线索,逐步揭开这场婚事背后的巨大阴谋。原来恋人早已被他人蛊惑,意图算计陈家,甚至泄露公司重要资料。陈章保留完整证据,依靠法律途径维护自身与家庭的权益。

    双生玫瑰之真相 - 短剧

    短剧
    方以枚好心收留被前夫家暴、怀有身孕的闺蜜柳依依,却不料对方嫉妒她的幸福,联合丈夫何承霄与整容医生赵兴,精心设计一场身份骗局,将她驱逐并试图抹去她的存在。方以枚被宋昭救下后,化名易眉重回故里。她凭借智慧与谋略,精准利用三人的贪婪与猜忌,层层设局、巧妙离间,让仇人自食恶果。最终真相大白,恶人受到法律严惩。方以枚放下过往,接受宋昭的心意,开启全新人生。
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    玫瑰的真相 - 短剧

    短剧
    苏白原名苏凤鸣,多年对家庭的付出并没有换来丈夫江寒的忠诚。苏凤鸣遭背叛离婚,失去孩子和家庭。十年后,整容换脸的苏白归来,获得江氏股份,揭露江父和江寒种种罪行,让他们绳之以法。
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    无人诉说 - 纪录片

    2017美国纪录片·纪录
    记者的专业就是揭发故事背后的真相,正当他们调查有关霍克·霍肯的性爱偷拍影片和报章Las Vegas Journal-Review的收购事件时,却发现从未曝光的秘密:亿万富豪用巨款令传媒收口。《无人发声》透过彼得·蒂尔如何用钱对付高客传媒的官司和谢尔登·阿德尔森购买内华达州最大报业事件, 为你探讨有钱有权的巨富们力量有几尽、“美国宪法第一修正案”能否保障媒体言论自由及如何危及新闻传媒界的未来等问题。
    搜索《无人诉说》

    婚典惊变择新归 - 短剧

    2026短剧
    婚礼前夜,周希为讨好赵愿,将张家世代相传的翡翠戒指随意赠予对方,还拿彼此的孕史当作戏谑谈资。爷爷念及旧日救命之恩,劝张思媛顾全脸面,可二人愈发肆无忌惮,抢占她的婚纱,私自吞没婚礼份子钱。彻底心冷的张思媛暗中联合顾骁搜集完整证据。大婚仪式之上,她与顾骁携手踏上红毯,当众披露全部真相。面对周希的道德绑架,顾骁挺身而出护她周全,旧婚约即刻解除,二人就地领证。周希与赵愿怀恨蓄意作乱,最终受到法律制裁身陷囹圄。
    搜索《婚典惊变择新归》

    重临婚典以账证清浊 - 短剧

    2026短剧
    前世沈知窈亲眼目睹姐姐嫁入郑氏后意外离世,沈家产业尽数被郑肃侵占,直至弥留之际她才看清,这场联姻本就是对方图谋家产的算计。一朝重回婚礼当日,身为顶尖审计师的沈知窈毅然顶替姐姐完成婚约,主动踏入布满圈套的豪门。她凭借专业能力核查企业账目,逐层撕开虚假账务与隐秘资金往来的漏洞,即便屡次遭遇人身胁迫也未曾退缩,收集完整实证提交司法机关,让图谋不轨之人接受法律制裁,凭借自身专业改写满门悲剧。
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    诉说吉他 - 纪录片

    2008英国纪录片
    Part 1 - In the Beginning Alan Yentob embarks on a three-part personal journey to discover how the guitar became the world’s favourite musical instrument. Beginning with the rise of the acoustic guitar, the series takes him from an ancient Middle Eastern ancestor of the lute, to the iconic guitars draped round the necks of Bill Hailey and Elvis Presley and beyond. Featuring interviews with Bert Weedon - the man who taught Britain to ‘Play in a Day’, Pete Townshend, Bill Bailey, flamenco player Paco Pena and classical guitarist John Williams. Alan Yentob着手三次私人旅行,探索吉他是如何成为风靡世界的乐器。首先是原声吉他,从原古的中东鲁特祖先,至 Bill Hailey、Elvis Presley及后来者琴颈绑着商标的吉他。同时采访Bert Weedon,Pete Townshend,Bill Bailey,弗拉门戈演奏家Paco Pena和古典吉他演奏家John Williams。 Part 2 - Out of the Frying Pan 以Robert Johnson的早期Blues为起点 Alan Yentob presents a three-part series examining how the guitar became the world’s favourite musical instrument. As the guitar turns electric, music is changed for ever. The world’s first electric guitar had nothing to do with jazz or blues, but Hawaiian-style music and was known as the ‘frying pan’. Yentob continues his investigation from the blues of the Mississippi to the guitar wars of the 1950s, when the Fender Stratocaster and the Gibson Les Paul were battling for supremacy. Part 3 - This Time it’s Personal 逐一介绍了ROCK的吉他发展 In the final programme of the series the guitarists talk about how they find their own sound, and how the guitar has changed their lives. Since its invention, the electric guitar has unleashed a seemingly inexhaustible sonic invention among guitarists. Featuring Muse’s Matt Bellamy, who turns out to be following in his father’s space age footsteps, Tony Iommi from Black Sabbath, who talks about the invention of heavy metal, David Gilmour from Pink Floyd, Pete Townshend (Perhaps equally famous for smashing guitars), Johnny Marr from the Smiths on ‘the mother of all riffs’, Slash and The Edge from U2 among many others.
    搜索《诉说吉他》

    海的诉说 - 电影

    2026印度尼西亚剧情·历史
    一个家庭失去了亲人,一群朋友心中感到空虚,一群喜欢折磨他人、精于背叛的人,许多家庭在寻求关于他们孩子的真相,以及关于永不消逝的爱的真相。
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    福岛在诉说 - 纪录片

    2019日本纪录片
    东日本大地震已过去8年。在2020年东京奥运会前夕,全日本都兴奋不已,福岛却似乎正被当作“已过去的事”而逐渐被遗忘。然而,因核电站事故造成的辐射污染,被迫离开故乡和住所、失去生计、家庭离散、被剥夺对未来希望的十多万受灾者,他们的伤痛不仅没有愈合,反而在化脓、持续作痛。受灾者们吐露了内心深处郁积已久的深切感受。现在,要将从超过100名见证者中挑选出的14个“福岛之声”传递给所有居住在日本的人——。
    搜索《福岛在诉说》

    乌布说真话 - 纪录片

    1997南非动画·纪录片·短片
    Kentridge's short animated films are typically made from a series of large-scale charcoal and pastel drawings which the artist repeatedly alters and interchanges as his narrative progresses. Ubu Tells the Truth marks an important change in technique, as Kentridge has combined images from documentary films and photographs together with moving puppets as well as his animated drawings. This film was made from a basis of thirty drawings. Sleeper (Tate P78231) is a related etching he made in the same year. Much of the footage was originally created to accompany action on stage in the multi-media theatre work Ubu and the Truth Commission (1997), in which Kentridge collaborated with the Handspring Puppet Company in Johannesburg. It was subsequently edited to accentuate the drama implicit in the series of images. The result is a greater degree of abstraction than in his earlier films and a more heightened violence.
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