黎明到夜晚，再从夜晚到黎明，奥斯卡先生在自己的生命中总是在不断地变换着角色。他时而是大老板、时而是杀手、时而是女乞丐、时而又是怪物或者是居家男人。就好像是旅途一般，他总是在这些人物中间乐此不疲。 看上去他是在表演、拍电影、演话剧——但是，摄像机却总是缺席。他很孤单，只有赛丽娜陪伴他。赛丽娜是位身材修长的金发女郎，总是在轮胎和引擎的背后，从不现身。她开着巨大的汽车在巴黎和巴黎周边到处转悠。看上去，他就是像是一个杀手，完成着一个又一个目标，从不停歇。 为了追求那些虚无缥缈的东西，为了寻找奥斯卡背后的动机，这个女人的背后似乎隐藏了太多的玄机。有人知道他的家在哪里么？有人知道他的家人么？有人知道他什么时候会停下来么？

蔡明亮指导第一部电视剧

1987年的北京，李修轮、潘为民、戴少华到汽车修理厂当了工人。辛萍是修轮青梅竹马的恋人，因文革时两家的过结，辛家让辛萍出国。辛萍的出国使修轮很痛苦，在修车时出了事故，被判了刑。修轮出狱和少华、为民创建了“兄弟车行”。旁边“胜利车行”老板徐蔓常请为民帮她干活，为民同情她身为女人不容易，便加盟了“胜利车行”。 修轮得知后一噘不振。辛萍从国外归来，但差距让修轮自卑。后在辛萍劝说下修轮开始振作。在进口汽车行业进军中国时，修轮有了兴办民族汽车配套产业的设想。此时，辛萍被修轮的变化吸引，他终于自信的向辛萍求婚了。徐蔓因与“兄弟车行”恶意竞争犯了法，修轮不计前嫌，主动邀请两车行联手，建立中国品牌的汽车服务业。在一次抢修工程车会战中，历经坎坷的三兄弟终于团聚了，为中国汽车服务业的发展，将要成就一番大事业。

汽修老手顾修年深耕汽修行业，手艺精湛踏实肯干，在门店兢兢业业工作，却无端遭到管理层刻意打压，无端罚款，原本属于他的熟客工单也被尽数夺走。门店拿下豪车维修授权后，才惊觉唯有顾修年拥有对应专项维修认证。门店想将他重金请回，被顾修年断然拒绝。他另寻平台开设汽修门店，推行公开透明的维修规范。旧店生意一落千丈，竟造谣抹黑，上门寻衅。顾修年拿出维修单据与客户证词洗清污名，坚守诚信底线，凭过硬技术收获大批顾客，诠释出手艺人本心重于利益的道理。

广东卫视《车行天地》节目，为你深入探索汽车奥秘！

侣行夫妇驾车超越6688米海拔高的山峰，网络户外真人秀节目。

暂无剧情简介

在4S店购买限量跑车时，韩风遭遇销售坐地起价，未婚妻柳眉不仅不支持他，反而伙同家人百般羞辱。一个电话后，这家店因违规经营被集团查封——原来韩风正是集团董事长。柳眉一家得知真相后立刻变脸，甚至伪造怀孕敲诈五个亿。面对贪婪无度的前女友一家，韩风不再隐忍，用法律手段将他们一一送入绝境。多年后，曾经的仇人或锒铛入狱，或沦为乞丐，而韩风已携手真爱，活成了他们永远高攀不起的样子。

Katrina Jade performs in a cuckold scene with mysterious hooded men on the lap of her real life partner. Honey Gold is lured into having sex with a stranger from the floor of a surrealover. Angela White is pulled back from the grasp of re-imagined sirens. Kayden Kross and Jillian Janson perform the ultimate tease in a grand champagne room after dark. TRENCHCOATx presents four hardcore stories made more erotic by their ties to real life.

Svyato is the first film in a planned trilogy (working title Palindrome) by director Victor Kossakovsky, who won the Joris Ivens Award (and the Audience Award) for Belovy at IDFA in 1993 and was nominated for the same award for Tishe! in 2002. In Russian, "Svyato" means both "happy, clear, joyful," as well as "considered holy." But Svyato is also the short form of Svyatoslav - the nickname of the two-year-old subject of this film. For the first time in his life, Svyato looks in the mirror. Simultaneously, his reflection is recorded by three HD cameras. Kossakovsky calls Svyato a film about "self-cognition and loneliness." "A baby can be surrounded by love; parents can play with him and teach him things, but no one can help him with the most important questions. Who am I? With a question like that, you are on your own. You can read a lot of books about love or God, but in the end, you are the only one who can answer the question as to whether they exist or not." This film is a unique document of interest to psychologists and parents. Its theoretical basis is the discovery by the French psychoanalyst, Jacques Lacan, presented in a paper first in 1936, of what he termed the mirror stage of development. His discovery and the concept was a genuine addition to Freud's theory of early development. We see the little Russian boy use a mirror for the first time. He sees the mirror image as an other being but then relates it to his own body and by that route to his self or "I". Lacan's observation established that from this point on the child first has a self and that it has been acquired by way of an other. Throughout life the self is assessed and validated by way of the other.