Three young friends – aspiring film director Roberto, aspiring producer Ben and aspiring comedian Cico – move to Rome looking for a career in a film industry that they discover being well past its heyday.

《光影戏游》独立电影导演林家威，踏上与电影主角同样的旅程，由冲绳到北海道，走访日本全国多间独立戏院（Mini Theatres），但今次不是争取放映机会，而是访问职员和老板，细说各自戏院结业、转型或继续经营的原因。空荡荡的观众席上，只坐着导演和受访者，谈论行业发展兴衰。娱乐文化和观影习惯转变，行业不景气，票房收入减少，戏院老板不论放弃或坚持，皆流露对电影纯粹的爱和信念。凭一口气，点一盏灯。戏院人真掣诚恳，尽力传承电影文化，教人感慨。

Jancsi Oláh is in the transitional phase between adolescence and adultness. He is born in 1938, and is now getting his first employment as an electronic engineer. On some TV-screens he happens to see a young lawyer, Éva Halk, who arrests his attention. In his imagination she is the most interesting woman he ever saw. Jansci is part of a closely knit gang of young engineers. They see the older engineers as mediocre, and have grand ideas about developing new inventions together. With changing living conditions the five friends start to grow apart. At a party Jancsi suddenly meets Éva Halk. They fall in love, and find common memories in the engagement in The Pioneer Railway at the age of 12. Both of them also chose to stay in Hungary in '56, when many of their friends fled the country. The sudden death of the gang member Laci in leukemia is a hard blow for them all. The fear of death grabs Éva and Jancsi. They start seeing each other as obstacles to their own development, and drift apart.

1936年11月，整个马德里笼罩在法西斯血腥的轰炸之中。轰炸机所到之处，生灵涂炭、房屋被毁，到处呈现出一片浓烟四起、残垣断壁之象。为了保护珍藏在普拉多博物馆内一批珍贵的艺术品，议会决定将全部艺术品随政府一起转移至相对安全的瓦伦西亚。当满载艺术品的车队出发后，一直在博物馆从事保安工作的马诺尔却在一个不太被人注意的角落发现了一幅被遗忘的、著名艺术大师戈雅的一幅自画像。就在此时，又一轮轰炸在博物馆的上空开始了，马诺尔四顾无人后，只好怀揣着画像随同避难的人群钻进了防空洞。 在防空洞里，马诺尔结识了年轻的卡尔曼姑娘，并将已经无家可归的卡尔曼带回了婶婶弗诺娜的家里。卡尔曼对戈雅也略微有些了解，听了马诺尔的介绍后，两个年轻人一致认为必须将戈雅的自画像归还回去。然而，此时政府都已经撤离了马德里，要归还戈雅的画像谈何容易。虽然，这期间，已经相爱并结婚的马诺尔和卡尔曼在爷爷的帮助下，尝试了许多的努力，也为保护戈雅的自画像做出了巨大的牺牲，但戈雅的画像终归是无处可还。 1939年4月，马德里战争在以马德里军民的失败而宣告结束后，一直租住在弗诺娜家里并对戈雅的自画像垂涎三尺的卢卡斯却摇身一变成了革命军的一个小头领。得知卢卡斯带着士兵前来搜查，马诺尔诀别卡尔曼和幼小的儿子后，带着一直被他视为朋友的戈雅自画像试图逃跑。马诺尔终究没能逃出卢卡斯设下的罗网。若干年后，当戈雅的自画像再次悬挂在博物里供人观赏时，卡尔曼带着逐渐长大的儿子，站在画像前向曾经保护过画像的马诺尔致以默默的敬礼。

A dissolute rich society boy marries a worldly nightclub singer, and she begins to have a wholly unexpected effect on him.

Indian Military Intelligence assigns their agent, Vikram Sabharwal, to travel to Kashmir. There he is to locate the person(s) behind the violence, under the guise of a press reporter, Gul Jahangir. Once there, he begins his investigation by visiting highly sensitive areas as such as the Jama Masjid, Dardpura Village and Rainawari Chowk. He is accompanied by a tailor, Char Chinar, who sells uniforms to both militants and the military soldiers. Vikram meets up with Aziza Abbas Ansari, and her mentor, Haji Sayyed Shah, and aspiring political leader, Aatif Hussain. And it is after these meetings that he will conclude who is behind the extremism in this beautiful yet 'most dangerous place on Earth'.

一个在古镇修了八年钟表的年轻人，在铺子即将被旅游开发公司征走的前夜中得大奖。他用奖金守护铺子、守护手艺、守护师父的遗愿，也在金钱的考验中看清了谁是亲人、谁是过客。

2011年BBC3台推出的这部纪录片，在回顾经典作品的经典场景时，还会带你走进工作室大楼，采访卢卡斯、拉塞特等业界大佬以及各部作品的导演和配音演员，揭示制作过程中的诸多内幕。

我捡到了一把神奇的小刀，只要被刀子划过就能变出钱来。 我兴奋地把这件事告诉了夫君和公婆。 那之后，家里的日子越来越好。 全家从茅草屋搬到了青砖瓦房，一日三餐从稀粥变成了山珍海味。 家里奴仆成群，夫君还纳了两个美妾。 仿佛取之不尽的钱财甚至引来了知府女儿的下嫁，然后将我扔到了柴房。 在夫君迎新人过门那天，我离世了。 再睁眼，我手里正握着那把刀。