A forgotten avant-garde masterpiece by a forgotten avant-garde director Brumes d'automne (1929, Dimitri Kirsanoff) is the best avant-garde short film, and one of the best films of any kind, that I have ever had the pleasure of seeing. There are so many positives to it, and no negatives. It is even better than Man Ray's Le Retour à la Raison, which I previously believed to be the gold standard for the quality of experimental short films. The title translates to Autumn Mists, which the film is filled with. Unlike most experimental works, Brumes features a clear protagonist. This unnamed character is played by the absolutely gorgeous Nadia Sibirskaïa. When we first meet this woman, she is burning papers in a fireplace. The papers are presumably letters from a lost love. Sibirskaïa's work here is a perfect example of how to act through body language. Through slight facial gestures and movements, she says so much more than words ever could. Her eyes tell her story for her. Paul Devred's score is mesmerizing, and works perfectly with the tone of the film. It's also a very beautiful musical composition in its own right. However, the single best aspect of the film is the cinematography by Jean de Mieville. The shots that feature water remind one of what Ralph Steiner's experimental short H2O could have been, and should have been. This film should be seen by all. There is a real tragedy, far worse than the one in the film, and that tragedy is that there probably are not a thousand living people who have even heard of the film. It is a true forgotten masterpiece. I will go as far as to call it the best film of the 1920s. (author: Matt McGraw (WhenTheRadiatorBurst) from Florida at imdb.com)

患了一种罕见失忆症的年轻的伟，正尝试从家人朋友口述回忆中努力寻回自己的过去。动荡不安中，伟发现对自己过去隐藏着的重要线索，最后决定面对后果。「雾」片随伟漂流于正处于历史的十字路口的香港，展开一场自我发现与救赎的旅程。

一个男人（冢本晋也 饰）从昏迷中醒来，突然发现自己置身于一间昏暗类似迷宫的房间（地下室）里，关于自己的一切完全没有头绪，记忆尽失。是幻觉，还是恶…

An ordinary day of little boy's life in a Russian countryside. He goes fishing but instead meets a father he'd never seen. This helps the boy to overcome his fears and awake his spirit. Or was it just a dream?

Two Turkish brothers find themselves on opposite sides of the political fence. When one of the brothers is murdered, the boys' father suspects that his surviving son was instrumental in the killing. Celebrated film director Elia Kazan returns to his acting roots in a key supporting role.

武汉疫情期间，一场大雾中，汉正街的人们持续着他们的生活。

《雾》这支纪录片中记录了艾热在新专辑《Air Plan》创作期间的想法与感悟，以及去年首次个人巡演深圳站的Live现场。

街上常年晃荡着四个小孩，他们就睡在河边一个管道里。这四个小孩组成了一个团伙，常常在繁忙的街道边合伙犯罪，做一些偷鸡摸狗的事情，以维持生存。有一天，其中唯一的一个女孩子金吉消失不见了。先前有一个出租车司机因为堵车，被这个团伙戏弄了一把，并偷走了一些东西，现在女孩消失，剩下的大伙认为是出租车司机将其绑架了。团伙中年龄最小的人叫做莫，在一次抢劫作案的过程中发生了交通事故。拉什德，团伙中的穆斯林男孩得知他以前是从一个孤儿院中逃跑出来的。莫没有其他的亲戚，所以为了给莫一个葬礼，拉什德要去学习基督教的仪式。同时，金吉的男朋友在每天照例寻找金吉的过程中也越来越迷茫。当他看到一个哭着的小男孩之后，他开始回想自己肮脏的过去，并哭喊着母亲的名字。直到他经历了这些超越平常的事情之后，他才发现生活真正的意义。

一幅编织精美的挂毯，将那些无法相提并论的事物融合在一起。它讲述的是什么呢？是我们都熟知，但每个人感受又不尽相同、难以用言语表达的东西。你可以称它为我们内心的共鸣。