该片提供了一个新的女性化的电影形式，这部电影探讨了女性艺术和科学的代表。结合家庭电影，个人回忆，舞台影像，残存的镜头组成一个复杂的视觉和听觉上的综合体。将一个女孩，有时很难面对的由于年龄增长所必经的事情重新编排成一个丰富的相互联系的整体进行肯定和成长。 　　 　　导演：Lynne Sachs 　　USA/1991/30min/实验片 　　 　　导演：Lynne Sachs 　　Lynne Sachs拍电影，表演，玩装置，通过将诗歌、拼贴画、绘画、政治等元素结合起来探索个人观察与更广泛的历史经验之间复杂的关系。自1994年以来，她的5部Essay Film将她带到越南，波斯尼亚，以色列和德国，这些曾经受到战争影响的国家。在这些地方，她尝试将当地人的记忆同她个人的观点相结合进行电影创作。强调电影理论和实践的结合，Lynne也寻求画面和声音的完美呼应，在她的每一部作品中都力求视觉和听觉的和谐统一。自2006年以来，她已经和她的搭档Mark Street合作了一系列戏谑的，多媒体的表演，他们称之为‘XY 染色体项目’。除了忙于流动影像外，Lynne也和他人一起编辑了以‘记录片实验’为主题的《千禧电影期刊》。通过古根海姆博物馆，洛克菲勒和杰罗姆基金会和纽约州艺术委员会的支持，Lynne的电影已经在纽约电影节，圣丹斯电影节和多伦多的图像艺术节，以及在布宜诺斯艾利斯电影节的电影调查环节中上映。旧金山电影中心最近发表的四篇论文全面回顾了琳恩的工作。2012年，林恩在整个纽约市的小剧场演出一系列的“你的白天是我的黑夜”现场电影。然后，她在现代艺术博物馆，温哥华电影节，联合文件，新奥尔良电影节，并在墨西哥，阿根廷和厄瓜多尔等场地播放她筛选完成的长达一小时的完整视频。林恩在纽约大学和新学院讲授实验电影和录像，她住在布鲁克林区。 　　 　　---------------------------------------------------------------------------------- 　　The House of Science: a museum of false facts 　　 　　"Offering a new feminized film form, this piece explores both art and science's representation of women, combining home movies, personal remembrances, staged scenes and found footage into an intricate visual and aural college. A girl's sometimes difficult coming of age rituals are recast into a potent web for affirmation and growth."(SF Cinematheque) Charlotte Film Festival, First Prize Experimental; Atlanta Film Festival, Experimental Prize; Black Maria Film Fest, Juror's Award; Humboldt Film Festival, Teffen Filter Award; Museum of Modern Art, Cineprobe; Portland Museum of Art, "Icons, Rebels and Visionaries"; Athens Film Festival, Experimental Prize; Oberhausen Short Film Fest, Germany; Utah Film Festival, First Prize Short Film. Supported by a NEA Regional Arts Fellowship. 　　 　　Director: Lynne Sachs 　　USA/1991/30min/Experimental film 　　 　　Director: Lynne Sachs 　　Lynne Sachs makes films, performances, installations and web projects that explore the intricate relationship between personal observations and broader historical experiences by weaving together poetry, collage, painting, politics and layered sound design. Since 1994, her five essay films have taken her to Vietnam, Bosnia, Israel and Germany - sites affected by international war-where she tries to work in the space between a community's collective memory and her own subjective perceptions. Strongly committed to a dialogue between cinematic theory and practice, Lynne searches for a rigorous play between image and sound, pushing the visual and aural textures in her work with each and every new project. Since 2006, she has collaborated with her partner Mark Street in a series of playful, mixed-media performance collaborations they call The XY Chromosome Project. In addition to her work with the moving image, Lynne co-edited the Millennium Film Journal issue on "Experiments in Documentary". Supported by fellowships from the Guggenheim, Rockefeller and Jerome Foundations and the New York State Council on the Arts, Lynne's films have screened at the New York Film Festival, the Sundance Film Festival and Toronto's Images Festival as well as a five-film survey at the Buenos Aires Film Festival. The San Francisco Cinematheque recently published a monograph with four original essays in conjunction with a full retrospective of Lynne's work. In 2012, Lynne began a series of live film performances of "Your Day is My Night" in small theaters throughout New York City. She then screened the completed hour-long hybrid video at the Museum of Modern Art, the Vancouver Film Fest, Union Docs, the New Orleans Film Fest and other venues in Mexico, Argentina and Ecuador. Lynne teaches experimental film and video at New York University and The New School and lives in Brooklyn.

该片提供了一个新的女性化的电影形式，这部电影探讨了女性艺术和科学的代表。结合家庭电影，个人回忆，舞台影像，残存的镜头组成一个复杂的视觉和听觉上的综合体。将一个女孩，有时很难面对的由于年龄增长所必经的事情重新编排成一个丰富的相互联系的整体进行肯定和成长。 　　 　　导演：Lynne Sachs 　　USA/1991/30min/实验片 　　 　　导演：Lynne Sachs 　　Lynne Sachs拍电影，表演，玩装置，通过将诗歌、拼贴画、绘画、政治等元素结合起来探索个人观察与更广泛的历史经验之间复杂的关系。自1994年以来，她的5部Essay Film将她带到越南，波斯尼亚，以色列和德国，这些曾经受到战争影响的国家。在这些地方，她尝试将当地人的记忆同她个人的观点相结合进行电影创作。强调电影理论和实践的结合，Lynne也寻求画面和声音的完美呼应，在她的每一部作品中都力求视觉和听觉的和谐统一。自2006年以来，她已经和她的搭档Mark Street合作了一系列戏谑的，多媒体的表演，他们称之为‘XY 染色体项目’。除了忙于流动影像外，Lynne也和他人一起编辑了以‘记录片实验’为主题的《千禧电影期刊》。通过古根海姆博物馆，洛克菲勒和杰罗姆基金会和纽约州艺术委员会的支持，Lynne的电影已经在纽约电影节，圣丹斯电影节和多伦多的图像艺术节，以及在布宜诺斯艾利斯电影节的电影调查环节中上映。旧金山电影中心最近发表的四篇论文全面回顾了琳恩的工作。2012年，林恩在整个纽约市的小剧场演出一系列的“你的白天是我的黑夜”现场电影。然后，她在现代艺术博物馆，温哥华电影节，联合文件，新奥尔良电影节，并在墨西哥，阿根廷和厄瓜多尔等场地播放她筛选完成的长达一小时的完整视频。林恩在纽约大学和新学院讲授实验电影和录像，她住在布鲁克林区。 　　 　　---------------------------------------------------------------------------------- 　　The House of Science: a museum of false facts 　　 　　"Offering a new feminized film form, this piece explores both art and science's representation of women, combining home movies, personal remembrances, staged scenes and found footage into an intricate visual and aural college. A girl's sometimes difficult coming of age rituals are recast into a potent web for affirmation and growth."(SF Cinematheque) Charlotte Film Festival, First Prize Experimental; Atlanta Film Festival, Experimental Prize; Black Maria Film Fest, Juror's Award; Humboldt Film Festival, Teffen Filter Award; Museum of Modern Art, Cineprobe; Portland Museum of Art, "Icons, Rebels and Visionaries"; Athens Film Festival, Experimental Prize; Oberhausen Short Film Fest, Germany; Utah Film Festival, First Prize Short Film. Supported by a NEA Regional Arts Fellowship. 　　 　　Director: Lynne Sachs 　　USA/1991/30min/Experimental film 　　 　　Director: Lynne Sachs 　　Lynne Sachs makes films, performances, installations and web projects that explore the intricate relationship between personal observations and broader historical experiences by weaving together poetry, collage, painting, politics and layered sound design. Since 1994, her five essay films have taken her to Vietnam, Bosnia, Israel and Germany - sites affected by international war-where she tries to work in the space between a community's collective memory and her own subjective perceptions. Strongly committed to a dialogue between cinematic theory and practice, Lynne searches for a rigorous play between image and sound, pushing the visual and aural textures in her work with each and every new project. Since 2006, she has collaborated with her partner Mark Street in a series of playful, mixed-media performance collaborations they call The XY Chromosome Project. In addition to her work with the moving image, Lynne co-edited the Millennium Film Journal issue on "Experiments in Documentary". Supported by fellowships from the Guggenheim, Rockefeller and Jerome Foundations and the New York State Council on the Arts, Lynne's films have screened at the New York Film Festival, the Sundance Film Festival and Toronto's Images Festival as well as a five-film survey at the Buenos Aires Film Festival. The San Francisco Cinematheque recently published a monograph with four original essays in conjunction with a full retrospective of Lynne's work. In 2012, Lynne began a series of live film performances of "Your Day is My Night" in small theaters throughout New York City. She then screened the completed hour-long hybrid video at the Museum of Modern Art, the Vancouver Film Fest, Union Docs, the New Orleans Film Fest and other venues in Mexico, Argentina and Ecuador. Lynne teaches experimental film and video at New York University and The New School and lives in Brooklyn.

《博物馆》讲述的故事发生在1985年，一群罪犯为了嘲笑墨西哥人类学博物馆的安全指数，而去盗窃博物馆中的140多件前西班牙的文物。尽管电影取材于1985年发生的真实事件，电影与原始事件本身一样让人吃惊，它以精细的手法接近真相，又在每一个转折处进行重塑，并借鉴了多种电影类型 。

《博物馆》讲述的故事发生在1985年，一群罪犯为了嘲笑墨西哥人类学博物馆的安全指数，而去盗窃博物馆中的140多件前西班牙的文物。尽管电影取材于1985年发生的真实事件，电影与原始事件本身一样让人吃惊，它以精细的手法接近真相，又在每一个转折处进行重塑，并借鉴了多种电影类型 。

《博物馆》讲述的故事发生在1985年，一群罪犯为了嘲笑墨西哥人类学博物馆的安全指数，而去盗窃博物馆中的140多件前西班牙的文物。尽管电影取材于1985年发生的真实事件，电影与原始事件本身一样让人吃惊，它以精细的手法接近真相，又在每一个转折处进行重塑，并借鉴了多种电影类型 。

多姆是一家濒临倒闭的咖啡馆的咖啡师，他得到了一份意想不到的工作。这个提议来自一个咖啡馆的常客，Khatha，他点的咖啡他从来不喝。这份工作是在日落后才开门的一家奇怪的博物馆。几乎没有选择，多姆接受了卡沙的提议。第一天，一名员工告诉他博物馆闹鬼。被监督者禁止进入16区，多姆在里面受到诱惑。Khatha试图控制伤害，但是Dome无意中唤醒了一些东西，里面的几乎所有东西都设法溜走了。多姆承担起责任，并与卡沙一起，试图找到丢失的东西，以便让它们回到属于它们的地方。 　　Dome, a barista at a café on the verge of closure, receives an unexpected job offer. The offer comes from a café regular, Khatha, who orders coffee he never drinks. The job is at an odd museum open only after sunset. With few choices, Dome accepts Khatha's offer. 　　On his first day, an employee tells him the museum is haunted. Forbidden by the overseer from entering Zone 16, Dome is tempted inside. Khatha attempts to contain the damage, but Dome has unintentionally awakened things and nearly everything inside manages to slip out. Dome takes responsibility and, with Khatha, attempts to hunt down what went missing in order to return them to where they belong.

主持人吉米·多尔蒂走进英国自然历史博物馆的幕后，与博物馆工作人员进行近距离交流，探索该馆浩瀚藏品的秘密。 　　博物馆幕后是如何运作的？为何要保存7000万余件标本？馆中科学家们的研究工作，与当今世界有何关联？他们为保护生物多样性、防止热带传染病，又做出了何种贡献？ 　　共六集： 　　1. Museum in a Modern World.现代世界的博物馆 　　2. Digging up the Past. 挖掘过去 　　3. All Creatures Great and Small. 生物无巨细 　　4. Discovery. 发现无限 　　5. The Power of Insects. 昆虫力量 　　6. A Collection for the Future. 未来收藏

The Phantom Museum was originally commissioned by the Wellcome Trust as a video installation for the British Museum exhibition Medicine Man: The Forgotten Museum of Henry Wellcome, which ran from June to November 2003. This provided an opportunity for the public to examine some of the rarer items in the extraordinary collection of American-born pharmaceutical pioneer Sir Henry Wellcome (1853-1936), who assembled over 125,000 medical artifacts, many of which are currently stored in London's Science Museum and normally viewable by appointment only. 　　Typically, the Quay Brothers' film consists more of a series of impressions of the Wellcome collection than a guided tour, their approach summed up by its subtitle 'Random Forays into Sir Henry Wellcome's Medical Collection'. A linking device (shot on grainy black-and-white Super 8 stock) involves a man clad in a black suit and white gloves ascending staircases, warlking along corridors, switching on lights and investigating rooms full of cabinets bearing tantalising labels ('Shrunken Heads - Scalp'). 　　Interspersed with these are much sharper colour sequences, depicting various objects in Wellcome's collection. Sometimes they're displayed as static museum pieces, sometimes rotated, and occasionally animated. Many of the exhibits are explicitly sexualised, from the diagram demonstrating the use of a chastity belt (next to an example of the real thing) to tender Oriental sculptures of human lovemaking. Many of the collection's many dolls come apart to reveal their anatomically-correct innards - one female body has a baby in her walnut-sized womb, connected via an umbilical piece of string. 　　Prosthetic arms and legs abound, in one case attached to a live human body, while there are plenty of dead ones glimpsed in the collection's storerooms, their lipless mouths fixed in a permanent grin. If the film is often unsettling, this is less because of the Quays' proven feel for the uncanny than for the way the Wellcome collection itself inescapably exploits our most fundamental fears: of birth, sex, mutilation and death. 　　The Quays originally edited the film to pre-existing recordings of the music of Czech composer Zdenek Liska (previously featured in The Cabinet of Jan Svankmajer in 1984), but were unable to clear the necessary rights. In the final version, filmmaker-musician Gary Tarn provided a plangent semi-electronic accompaniment, occasionally interspersed with sound effects, notably in the shot of an old birthing chair and forceps being pressed into service on an invisible mother-to-be, whose baby can be heard crying as it emerges.

Don Wildman unearths relics from the world's greatest institutions to reveal secrets from the past. He examines each artifact to illuminate history's most incredible triumphs, sensational crimes and bizarre encounters.

《博物馆之城》是北京卫视推出的文博探秘类文化互动真人秀，由单霁翔、李杰、冯琳组成博物馆探秘团。该节目由单霁翔等三人组成博物馆探秘团，走进北京市各类博物馆，挖掘博物馆内文物所蕴含的历史价值、文化价值及时代价值。