我穿成po文里的冷漠的路人。茶水间里，总裁霸道地将泪眼朦胧、无力拒绝的女主壁咚在角落，眼看总裁双手即将没入女主衣服下摆，我将手里的咖啡泼了他满背。趁他脸色怒黑瞪着我时，我大喊道快来人啊，总裁的衣服脏了。

带着前世惨痛记忆的温梨，在一趟开往下乡地点的绿皮火车上重生。前世遭人陷害、家破人亡的悲剧还未上演，她意外发现脖颈木牌藏着一片带有灵泉的神秘空间。路途之中，她冷静化解列车危机，撕下伪善友人的面具。抵达红星公社知青院后，温梨决心不再任人拿捏，独自安家、置办家当，抢先截下原著里属于他人的机缘，步步筹谋，准备讨回前世所有亏欠，开启属于自己的全新年代人生。

薛珈洛穿成炮灰学渣，分手逆袭后获周煦北、梁冲倾心守护。安若音屡施毒计，绑架炸楼终被挫败。结局三人携手共谱新生，彻底摆脱原书厄运。改编自番茄小说《重生文里的炮灰学渣路人甲》，作者：树上的咸鱼饼干。

改编自MM豆在晋江文学城连载的小说《穿成科举文里的嫡长孙》。

富商女强人高岚参加拍卖会时得知儿子一家遭遇严重车祸，儿子高羽川和孙子豆豆均受伤严重，危及生命，急需巨额医疗费，可无论儿媳乔昕怎么乞求，高岚却无动于衷、异常冷漠，丈夫蒋云凡也对高岚的做法表示愤慨，面对众人指责，高岚却不以为意，反唇相讥，直至警察赶到才终于真相大白，原来所谓的车祸是假的，高岚的孙子、儿子、儿媳，甚至丈夫全都是假的，这几个冒牌货绑架囚禁了高岚的儿子，然后取而代之。

In the title of this film we have the diagnosis of a mental illness. The title of George Bernard Shaw's play Heartbreak House is a formula-symbol introduced by the great British wit in order to describe Europe before the First World War. The Russian filmmaker discerned and brilliantly developed Russian Chekhovian roots of the play in his saturated with associations cinematographic composition. This was a feast of Sokurov's imagination and an anthology of almost all of his devises to be subsequently developed. Here one could find a model of a set, closely imitating the real surrounding, documentary shots juxtaposed to the deformed image, a mask of Shaw himself, and non-professional performers next to the celebrated Georgian actor Ramaz Tchkhickvadze. The film had scandalized the powers that be as early as during the process of production which had been several times interrupted and banned by various structures of officialdom — until the film was eventually released in the beginning of Perestroika, in 1987. Perhaps nowadays one of the most important for the director themes — the defenselessness of man, hiding in the house as in a cocoon in the attempt to evade the horrors of history and the problems of existence — sounds more articulately than ever. And the defense — science, technic, culture — civilization — may crash any time and crush 'proud' humankind. The film took part in the competition program of the XXXVII International Cinema Festival in Western Berlin in 1988 and got FIPRESSI award at the XV International Festival in Moscow and Special award in the memory of Andrei Tarkovsky (1987).

叶薇薇意外穿入一本年代小说，成为书中命运坎坷的知青。落水获救苏醒后，她不仅保留随身空间，还意外觉醒木系异能。面对婚约背后暗藏的算计与旁人的构陷，她清醒自持，理清过往纠葛，拿回属于自己的东西。机缘之下结识救她的霍骁，叶薇薇遵从本心勇敢奔赴，在质朴的乡村岁月里，守护自身机缘，寻得一段真挚的缘分。

现代女孩温梨穿越到七十年代小说，成为结局悲惨的炮灰女配，她抢先激活沉香木牌中的灵泉空间，凭借敏锐察觉化解列车上的重大隐患，得到官方表彰，为下乡做好铺垫；来到红星公社后，温梨依靠灵泉水强化体质，不再被白眼狼郭彩霞道德绑架，还截胡了本该属于女主姜月儿的机缘，她一边下地挣工分，一边利用空间物资在黑市与顾淮合作，面对姜月儿、江辰等人的屡次算计构陷，温梨从容反击，结识神秘知青陆泽川，改写自己注定悲剧的命运。

现代女孩温梨穿越到七十年代小说，成为结局悲惨，温梨依靠灵泉水强化体质，不再被白眼狼郭彩霞道德绑架，还截胡了本该属于女主姜月儿的机缘，她一边下地挣工分，一边利用空间物资在黑市与顾淮合作，面对姜月儿、江辰等人的屡次算计构陷，温梨从容反击，结识神秘知青陆泽川，改写自己注定悲剧的命运。