http://www.kinoeye.org/02/03/trajkov03.php 　　Politics issues dominate this sci-fi story set in 2041 in the former Yugoslavia. Most of Europe is now controlled by "thought police," but a former politician and an ex-cop are running a girls' boarding school in defiance of the current regime, modeled on the more idyllic 1980s. These partners want to revamp the ruins of Belgrade so electricity and water can be restored and the buildings made habitable again. The citizens are currently scattered across the countryside, and the film follows them, as well as the boarding school directors and a female reporter, as they all work together to confront the system. 　　Belgrade in 2041. is a deserted and ruined town full of garbage. A few old men live in it: ex-reporter and his daughter, ex-politician and his wife, and ex-policeman who guards boarding school with eight girls. Old men are raising girls in the spirit of former Yugoslav people tradition, which is a risky job, because southern Europe is haunted by a gang which does not allow any recollections of the past. The story begins in the moment when ex-reporter starts the action for revitalization of Belgrade, wanting to celebrate 100 years of the revolution. 　　Zilnik is still employing the creative and provactive style that brought him to prominence in the late 1960s. Zilnik is the director that in 1969 beat Midnight Cowboy in Berlin with his first feature film, Rani radovi (Early Works, 1969) and won the Golden Bear. Attacked many times by the grey eminences of the establishment, he remained faithful to his own creative poetry and continued to be very productive, despite the historical changes that occured around him. 　　He was once very popular among Yugoslav liberal audience and directed hits such as Lijepe zene prolaze kroz grad (Pretty Women Walking Through the City, 1985) or Tako se kalio celik (How Steel Was Tempered, 1988). He caught the eye of the critics with his very provocative Dupe od mramora (Marble Ass, 1995) and Kud plovi ovaj brod (Wanderlust, 1998), while films such as Bruklin-Gusinje (Brooklyn-Gusinje, 1988) were an exercise in style. He also made many excellent documentaries and short films, among which are Sedam madarskih balada (Seven Hungarian Ballads, 1978) and Tvrdava Evropa (Fortress Europe, 2000).

http://www.kinoeye.org/02/03/trajkov03.php 　　Politics issues dominate this sci-fi story set in 2041 in the former Yugoslavia. Most of Europe is now controlled by "thought police," but a former politician and an ex-cop are running a girls' boarding school in defiance of the current regime, modeled on the more idyllic 1980s. These partners want to revamp the ruins of Belgrade so electricity and water can be restored and the buildings made habitable again. The citizens are currently scattered across the countryside, and the film follows them, as well as the boarding school directors and a female reporter, as they all work together to confront the system. 　　Belgrade in 2041. is a deserted and ruined town full of garbage. A few old men live in it: ex-reporter and his daughter, ex-politician and his wife, and ex-policeman who guards boarding school with eight girls. Old men are raising girls in the spirit of former Yugoslav people tradition, which is a risky job, because southern Europe is haunted by a gang which does not allow any recollections of the past. The story begins in the moment when ex-reporter starts the action for revitalization of Belgrade, wanting to celebrate 100 years of the revolution. 　　Zilnik is still employing the creative and provactive style that brought him to prominence in the late 1960s. Zilnik is the director that in 1969 beat Midnight Cowboy in Berlin with his first feature film, Rani radovi (Early Works, 1969) and won the Golden Bear. Attacked many times by the grey eminences of the establishment, he remained faithful to his own creative poetry and continued to be very productive, despite the historical changes that occured around him. 　　He was once very popular among Yugoslav liberal audience and directed hits such as Lijepe zene prolaze kroz grad (Pretty Women Walking Through the City, 1985) or Tako se kalio celik (How Steel Was Tempered, 1988). He caught the eye of the critics with his very provocative Dupe od mramora (Marble Ass, 1995) and Kud plovi ovaj brod (Wanderlust, 1998), while films such as Bruklin-Gusinje (Brooklyn-Gusinje, 1988) were an exercise in style. He also made many excellent documentaries and short films, among which are Sedam madarskih balada (Seven Hungarian Ballads, 1978) and Tvrdava Evropa (Fortress Europe, 2000).

1997-1998

两人意外与闺蜜一同穿越进书中世界，竟双双成为故事里的恶毒女配，还被安排嫁给了同一家的两位兄弟。身处陌生环境，面对难缠的婆婆与原作女主，她们选择并肩作战，凭借智慧与默契斗智斗勇。同时，也各自用心经营与另一半的感情，在复杂的人际关系中，努力为自己争取安稳日子，开启别样的书中人生。

讲述了大学生沈妩意外穿进一本七零年代的书籍后，发现闺蜜许茵也一起穿了进来，两人分别成了一户贫穷人家的儿媳妇，而且还是书里的恶毒女配，专为聪慧秀丽的女主升级开挂做垫脚石，沈妩得知后，从此带着闺蜜一路撕恶婆婆，斗奇葩妯娌，便在跟女主斗智斗勇中，和闺蜜带着各自丈夫发家致富，最后双双成了人生赢家的故事。

《穿书自救指南》改编自晋江文学城作家墨香铜臭小说《人渣反派自救系统》，亲爱的玩家，欢迎来到《人渣反派自救系统》.......普通青年沈垣原为修真小说《狂傲仙魔途》的读者，因看完书后骂出激活码而触发了神秘系统，因此穿入《狂傲仙魔途》书中世界的人渣反派沈清秋躯壳中。为了改变人渣反派沈清秋最后被徒弟洛冰河揭开真面目落得身败名裂而死的下场，他开始了漫漫洗白之路……

《穿书自救指南》改编自晋江文学城作家墨香铜臭小说《人渣反派自救系统》，亲爱的玩家，欢迎来到《人渣反派自救系统》.......普通青年沈垣原为修真小说《狂傲仙魔途》的读者，因看完书后骂出激活码而触发了神秘系统，因此穿入《狂傲仙魔途》书中世界的人渣反派沈清秋躯壳中。为了改变人渣反派沈清秋最后被徒弟洛冰河揭开真面目落得身败名裂而死的下场，他开始了漫漫洗白之路……