This film is an extremely entertaining psychological thriller with Carrol Baker excellent as a rich American widow getting away from it all at a secluded Italian villa. Enter smart aleck down on his luck playboy, Lou Castel, who has some golddigging motives behind his slick hipster seduction techniques and has no qualms about how he gets what he wants. He encourages Baker's character's incipient alcoholism and dubious self-esteem, brings in his supposed 'sister' to help drag Baker even further into a maze of sick mind games, drug addiction and group sex, all culminating in a descent into near-madness and self-destructive depravity. 　　I won't give away anymore, suffice to say that the film delivers on its swinging sixties, Euro sleaze ambience and psychological suspense thriller credentials in spades. Director Umberto Lenzi's work has been, at best, uneven and he's churned out his share of crap. However, he made some quite good giallos and crime pictures in the sixties and seventies and this is one of them (other good films by Lenzi -- SPASMO, SEVEN BLOODSTAINED ORCHIDS, ASSAULT WITH A DEADLY WEAPON, to name only a few). 　　Unfortunately this film is ofen confused with another okay but not-quite-as-good Lenzi film that was also released briefly here in America under the same PARANOIA title (but is more commonly known, especially on video, as A QUIET PLACE TO KILL).

This film is an extremely entertaining psychological thriller with Carrol Baker excellent as a rich American widow getting away from it all at a secluded Italian villa. Enter smart aleck down on his luck playboy, Lou Castel, who has some golddigging motives behind his slick hipster seduction techniques and has no qualms about how he gets what he wants. He encourages Baker's character's incipient alcoholism and dubious self-esteem, brings in his supposed 'sister' to help drag Baker even further into a maze of sick mind games, drug addiction and group sex, all culminating in a descent into near-madness and self-destructive depravity. 　　I won't give away anymore, suffice to say that the film delivers on its swinging sixties, Euro sleaze ambience and psychological suspense thriller credentials in spades. Director Umberto Lenzi's work has been, at best, uneven and he's churned out his share of crap. However, he made some quite good giallos and crime pictures in the sixties and seventies and this is one of them (other good films by Lenzi -- SPASMO, SEVEN BLOODSTAINED ORCHIDS, ASSAULT WITH A DEADLY WEAPON, to name only a few). 　　Unfortunately this film is ofen confused with another okay but not-quite-as-good Lenzi film that was also released briefly here in America under the same PARANOIA title (but is more commonly known, especially on video, as A QUIET PLACE TO KILL).

一位女赛车手海伦突然被前夫邀请去一所豪宅，事实上事情并没有那么简单

一位女赛车手海伦突然被前夫邀请去一所豪宅，事实上事情并没有那么简单

在疫期独白剧Beat the Devil之后，英国著名演员拉尔夫·费因斯（Ralph Fiennes）与编剧大卫·黑尔（David Hare），塔桥剧院艺术总监、导演尼古拉斯·希特纳（Nicholas Hytner）再度携手，献上新剧《直线偏执狂》（Straight Line Crazy）。 　　该剧围绕上世纪纽约赫赫有名的城市规划者罗伯特·摩西（Robert Moses）的故事展开。在上世纪，他曾是最能左右纽约面貌的人，他的遗产永远改变了这个城市。在长达40年的时间里，摩西决意改善纽约工人的生活环境，创建了公园、桥梁和627英里的高速公路，将人们与伟大的户外活动联系起来。同时通过富有个人魅力的演说，将自己坚定的信念源源不断地传递出去。但当这一切遭遇群情激奋的抵制时，摩西是否会意识到，他们对应该建造什么样的城市有着非常不同的设想。

在疫期独白剧Beat the Devil之后，英国著名演员拉尔夫·费因斯（Ralph Fiennes）与编剧大卫·黑尔（David Hare），塔桥剧院艺术总监、导演尼古拉斯·希特纳（Nicholas Hytner）再度携手，献上新剧《直线偏执狂》（Straight Line Crazy）。 　　该剧围绕上世纪纽约赫赫有名的城市规划者罗伯特·摩西（Robert Moses）的故事展开。在上世纪，他曾是最能左右纽约面貌的人，他的遗产永远改变了这个城市。在长达40年的时间里，摩西决意改善纽约工人的生活环境，创建了公园、桥梁和627英里的高速公路，将人们与伟大的户外活动联系起来。同时通过富有个人魅力的演说，将自己坚定的信念源源不断地传递出去。但当这一切遭遇群情激奋的抵制时，摩西是否会意识到，他们对应该建造什么样的城市有着非常不同的设想。

Twenty-five years after his abduction during the Kosovo War, painter Skender Muja recalls a pivotal moment of survival. Held in a detention center, he was ordered to draw a Serbian commander’s portrait to save his life.

这部系列片显示了动物会如何竭尽全力拯救人类—甚至是陌生人。这些感人且令人惊叹的故事讲述了一群动物如何在人类最需要帮助的时候为人类提供帮助。这些都是与众不同的救援故事，它们告诉我们：除了狗之外，还有很多动物是我们人类的好朋友。

讲述了张宏城意外穿越到1972年的七零年代，成为书中炮灰角色后，凭借能与现代通信的神秘信封，改变命运， 收获爱情与事业，最终成为时代传奇的故事。

God Save My Shoes is the first documentary film to explore the intimate relationship between women and shoes, questioning why shoes are the most addictive item in a woman's closet and how shoes have become a totem object.