现代销冠林玥穿书成为悲惨炮灰女配，原主舍身救下暴君萧彻，却被错认恩人，落得惨死结局。林玥发挥商业头脑，接连三次出卖尚未崛起的萧彻：换安家钱财、送他入局东宫搅动储位、拿他当筹码颠覆夺嫡局势。萧彻恨之入骨，却在交锋间动了真情，最终以江山为聘独宠于她，林玥这场穿越风投，将江山与美男尽数收入囊中。

销售精英林玥意外穿书，成为书中命运悲惨的炮灰女配。原主救人却被错认功劳，落得凄惨结局。重活一回，林玥步步筹谋，三次将落魄的萧彻当作筹码布局周旋。萧彻屡屡遭她算计，满心怨怼，往复交锋间却渐渐动了真心。待到尘埃落定，他以一世偏爱相待，林玥凭借过人头脑，揽得良缘与无上荣光。

Mario is at home alone. His parents are gone and it will take them a while to return. Enough time for their son to arrange a sex date on the Internet with a total stranger.

一个通过主人公视角讲述的故事。一位年轻运动员对自己的生活并不满意：日常训练单调乏味，还需要时刻自我约束等等。但最让他困扰的是，他对男性有着一种异样的感觉。对于这位年轻运动员来说，承认自己是同性恋很困难。内心的问题逐渐外化：他与国家队的一名队员发生了冲突……

离异单亲妈妈许君雅带着女儿念念暂住自家公寓楼，因公共洗衣机里的卫生纸碎屑，善意提醒租客周娟，却遭对方恶意辱骂和报复。许君雅忍无可忍，将整栋楼高价出租他人，并勒令所有租客限期搬离。周娟这才得知许君雅竟是房东，悔恨不已。

奶奶临死前给刘雨晴留了三个锦囊，她说刘雨晴命中有三次死劫，当刘雨晴按照奶奶的要求在婚礼现场打开时，锦囊上用鲜血写了一个逃字！刘雨晴面对重重迷雾，展开绝命逃脱与追凶。第一个锦囊：奶奶去世后，让女孩将锦囊交给葬礼上第70个上香的人。此人实为凶手，锦囊内名单揭露其罪行（包括女孩名字），凶手看后仓皇逃窜.....

青梅突然毁婚约，心上人竟被自己妹妹抢走，痴情女在心上人订婚礼上饮下毒酒后，却意外获得来自高维空间推移时间的能力，此刻她选择为爱而生，但必须与爱人接吻三次，才能真正获得重生。

春的伴侣、精神科医生宗一郎离开了她。春碰巧帮助了一位失忆的陌生年轻男人。春的弟弟毅是一位说唱歌手，他的妻子美香子支持着他的事业，同时抚养他们的…

Several actors are members of a amateur soccer team. They followed in their preparations for a particular audition and in their personal life. With about 6 actors this delivers a broad picture of Italian life in which the question what it means to be a man is posed in the challenging circumstances of familily life, sex relationships, sport, cross gender roles and mafia.

Synopsis Ian is a struggling actor who finds himself in the unconventional role of a professional mourner. As he tours the Northern Irish countryside, his practiced mask of apathy begins to slip amongst the humour and heartache of the local funeral circuit. Director’s statement Three Keenings is centered on the tradition of “keening”, a mostly forgotten form of vocal lament for the dead in Gaelic Celtic culture, where members of the community unrelated to the deceased would gather and create a tangibility to the abstract space often left by grief and express it on behalf of the family. As with many traditions and religious practices, taking a step back and looking at them through a different lens, we see the humour and at times the absurdity amongst the earnestness and ceremony. In my previous work, I have experienced how families deal with illness and death and I have witnessed how tragedy can oftentimes go hand in hand with grim humour and cynicism. I wanted to explore this feeling in making this short film.