熬夜读完虐文的读者意外穿书，沦为结局凄惨的炮灰少女。前世她倾尽心力照料失忆男主，最终只换来一笔钱财，落得雨夜殒命的下场。重回命运转折点，她收起痴心，假意相伴只为攒钱创业。男主寻回她后开启热烈追爱，一众反派不断从中搅局。历经风波，过往隐情与梦境真相浮出水面，扫清所有阻碍，事业顺遂，携手收获圆满爱情。

繁华匆忙的都市丛林中，生活着一个毫不起眼的小人物牛大伟（陈佩斯 饰）。他做着最底层的工作，削尖脑袋寻找发财的机会，但富贵优渥的生活仿佛天生与之绝缘。他追求莉莉（岳秀清 饰）很长时间，可是女孩爱慕虚荣，早已暗中将其踢出了候选人的名单。在心情落寞时节，大伟突然接到一通赛律师（吕齐 饰）的电话，对方通知他住在德国汉堡的叔叔留下了一千多万元的遗产，而想合法继承的条件只有一条，那就是大伟必须在七八个月内证明自己有儿子。在四处寻找儿子的过程中，大伟和莉莉从事玩具设计的表妹玉雯（薛白 饰）有了更多的接触，更得知对方怀孕的消息。 奇妙而有趣的渊源将两人联系到了一起……

沈七竹与闺蜜穿书后，为脱离剧情恶意刷虐点，却导致世界崩坏，意外将书里的两位男主陈述、薛政澜带到现实世界。穿书总裁陈述沦为餐厅厨师，嚣张二世祖薛政澜做起外卖员，三人在现实中磨合适配。面对舆论曝光、薛家追杀等危机，他们并肩作战，陈述凭厨艺立足，薛政澜实名举报家族非法行径。沈七竹始终保持清醒，拒绝两人的感情示好，最终三人摒弃书里的情感纠葛，建立起超越爱情的深厚友情，在现实世界各自找到人生方向，携手奔赴安稳温暖的新生活。

周清辞为男友付新翰离家五年，却被他卖给正荣集团。她惊觉买主竟是寻她多年的周正荣，付新翰还联合集团叛徒赖疤六欺辱她。周清辞在父亲相助下复仇，清理集团蛀虫，最终接手正荣集团，开启全新人生。

六年前林振海拿出巨款逼迫家境普通的许峥离开女儿林晚晴，还截留书信双向欺瞒，致使两人误会隔阂长达六年。六年后林振海带着诚意前来致歉，此时的准女婿宋博文外表儒雅，内心却图谋林家产业。婚礼现场许峥带着证据现身，戳破对方伪善面目，揭开过往的全部真相，奋力弥补错失的六年时光。

一部纯粹讲述河南人自己的故事 这是一部纯粹的河南制造，故事是河南的，编制是河南的，导演也是河南的，演员还是河南的，尽管友情出演的大腕家住北京，追溯历史祖籍还是在河南。 当爱是一种痛苦时，被爱也是一种痛苦。电影围绕着“富二代”郑满仓对女友执着的追求好关依依赌气的一句话，拉开了全篇的序幕：郑满仓为了完成对关依依的承诺，邀请明星大腕做主婚人，伴郎、伴娘，拿出了1000万举办婚礼。婚庆公司如天上掉馅饼，组织全体人员精心策划，并三进京城邀请明星大腕，几经周折终于完成了这桩“婚事”，可就在婚礼当天出现了大穿帮，请来的明星大腕竟然是一帮模仿秀，婚礼在人们的议论和嘲笑声中不欢而散。 这场风波过去了，它告诉人们一个哲理：金钱不是万能的，爱用钱时买不到的，它需要真情的付出，它还需要有缘……

1984年，石林重生在退婚现场。前世，他因执迷林晓霞落得家破人亡；今生，他当众斩断孽缘，却意外觉醒“兽仆系统”——捕捉动物便能获得兽仆点，契约之后共享它们的天赋！马蜂助他洞察千里，紫貂赋予鬼魅速度，驼鹿带来蛮荒巨力，土鲶鱼开启水下感知。凭借前世记忆与逆天兽仆，石林闯入大兴山，从猎场新人一路崛起。可山中危机四伏，隐藏的秘密与命运的追杀，也正悄然逼近……

韩强被前妻败光所有家产、又惨遭离婚，只能挑着扁担在朝天门干了三年棒棒，本以为此生翻身无望，却没想遇上了一个蛮不讲理的客户，霸道的用价值二十元的机选十注双色球彩票，抵了他八十元运费，正是这张彩票斩获了十注一等奖，让韩强一夜暴富，从这天起，韩强的生活翻天覆地！

阿根廷新浪潮电影运动的早期作，64年嘎钠影展金棕榈提名。 A charming racecar driver is visited by his 20-year-old son who is nothing like his father. Solemn and introverted, the boy is shown the ways of sensual pleasure by his father's mistress, but he falls in love with another young woman. Intending to marry the girl, the young man takes the relationship very seriously. His father, however, believes the boy should have a more carefree lifestyle and decides to intervene by seducing his own son's fiance. This action proves to be a tremendous mistake. This film was one of the many collaborative efforts of producer Hector Olivera and director Fernando Ayala, though they often switched roles between screenwriter, director and producer of each project (No Exit, Funny, Dirty Little War). http://en.wikipedia.org/wiki/Fernando_Ayala Fernando Ayala (2 July 1920, Gualeguay, Entre Rios - 11 September 1997 in Buenos Aires) was an Argentine film producer, film director, screenwriter and film producer of the classic era. He is widely considered one of the most important Argentine film directors and producers in the history of the Cinema of Argentina. Demicheli initially began as a trainee assistant director in 1942 in El Viaje and within two years he had become an assistant director. By 1949 he had developed into a main film director beginning his role as a film producer in the films he directed and some others in 1958. Between 1950 and 1987 he was involved in the direcotrship and production of well over 40 films, directing and producing films such as Ayer fue primavera (1955) and Argentinísima and Argentinísima II in 1972 and 1973 respectively.